By the Work of Their Hands

By the Work of Their Hands

Author: John Michael Vlach

Publisher: University of Virginia Press

Published: 1991

Total Pages: 264

ISBN-13: 9780813913667

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"A stunning piece of scholarship, rich in both theory and evidence, that takes the reader to a new plateau of understanding" (Charles Joyner, University of South Carolina) of the African-American folklife.


African Folklore

African Folklore

Author: Philip M. Peek

Publisher: Routledge

Published: 2004-03-01

Total Pages: 1509

ISBN-13: 1135948720

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Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.


The Messages of Tourist Art

The Messages of Tourist Art

Author: Bennetta Jules-Rosette

Publisher: Springer Science & Business Media

Published: 2013-04-17

Total Pages: 278

ISBN-13: 1475718276

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Tourist art may be a billion dollar business. Nevertheless, such art is despised. What is worse, the "bad" culture is seen as driving out the "good. " Commer cialization is assumed to destroy traditional arts and crafts, replacing them with junk. The process is seen as demeaning to artists in the traditional societies, who are seduced into a type of whoredom: unfeeling production of false beauty for money. The arts remain problematic for the social sciences. Sociology textbooks treat the arts as subordinate reflections of social forces, norms, or groups. An thropology textbooks conventionally isolate the arts in a separate chapter, failing to integrate them with analyses of kinship, economics, politics, language, or biology. Textbooks reflect the guiding theories, which emphasize such factors as modes of production, patterns of thought, or biological and normative con straints, but their authors have not adequately formulated the aesthetic dimen sion. One may compare the theoretical status of the arts to that of religion. After the contributions by Emile Durkheim and Max Weber, the sociology of religion is well established, but where is a Durkheim or Weber for the sociology of art? What is true of the social sciences in general holds for understanding of modernization in the Third World. These processes and those places are analyzed economically, politically, and socially, but the aesthetic dimension is treated in isolation, if at all, and is poorly grasped in relation to the other forces.


Conservation of Architectural Heritage

Conservation of Architectural Heritage

Author: Antonella Versaci

Publisher: Springer Nature

Published: 2022-03-01

Total Pages: 525

ISBN-13: 3030744825

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This book focuses on the management and conservation of architectural heritage with the aim of increasing awareness about the value of such conservation and of saving what is left of history, which in turn rewards societies by supporting the tourism industry, generating economic return, and preserving communities’ identities. Since it has become an essential need to manage and conserve the architectural heritage in order to protect the identity and heritage of a city, there appeared a gap between the theory and its application. Therefore, a considerable amount of attention has been directed by experts in this field toward emphasizing the contribution of heritage conservation in order to inspire the development of imaginative, useful high-quality design.


Ethnic and Tourist Arts

Ethnic and Tourist Arts

Author: Nelson H. H. Graburn

Publisher: Univ of California Press

Published: 1979-01-01

Total Pages: 444

ISBN-13: 9780520038424

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Chapter by N. Williams separately annotated.


Contemporary African Art Since 1980

Contemporary African Art Since 1980

Author: Okwui Enwezor

Publisher: Damiani Limited

Published: 2009

Total Pages: 0

ISBN-13: 9788862080927

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[S]urvey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.... Organized in chronological order, the book covers all major artistic mediums: painting, sculpture, photography, film, video, installation, drawing, collage.... Presents examples of ... work by more than 160 African artists.... [I]ncludes Georges Adeagbo Tayo Adenaike, Ghada Amer, El Anatsui, Kader Attia, Luis Basto, Candice Breitz, Moustapha Dimé, Marlene Dumas, Victor Ekpuk, Samuel Fosso, Jak Katarikawe, William Kentridge, Rachid Koraichi, Mona Mazouk, Julie Mehretu, Nandipha Mntambo, Hassan Musa, Donald Odita, Iba Ndiaye, Richard Onyango, Ibrahim El Salahi, Issa Samb, Cheri Samba, Ousmane Sembene, Yinka Shonibare, Barthelemy Toguo, Obiora Udechukwu, and Sue Williamson.--From publisher description..


African Art

African Art

Author: Janet L. Stanley

Publisher: Holmes & Meier Publishers

Published: 1985

Total Pages: 72

ISBN-13:

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This bibliography is an introductory guide to the literature of African art and is intended to be a critical ""best books"" list. It is addressed both to the newcomer as a beginning reading list, and to the specialist as a bibliographic aide-memoire to some of the standard books in the field. As such, it is highly selective, and the very inclusion of a title in this guide constitutes a recommendation, even though particular titles may have limitations. Annotations serve as a guide to the contents.


Griot Potters of the Folona

Griot Potters of the Folona

Author: Barbara E. Frank

Publisher: Indiana University Press

Published: 2022-02-02

Total Pages: 650

ISBN-13: 025305897X

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Griot Potters of the Folona reconstructs the past of a particular group of West African women potters using evidence found in their artistry and techniques. The potters of the Folona region of southeastern Mali serve a diverse clientele and firing thousands of pots weekly during the height of the dry season. Although they identify themselves as Mande, the unique styles and types of objects the Folona women make, and more importantly, the way they form and fire them, are fundamentally different from Mande potters to the north and west. Through a brilliant comparative analysis of pottery production methods across the region, especially how the pots are formed and the way the techniques are taught by mothers to daughters, Barbara Frank concludes that the mothers of the potters of the Folona very likely came from the south and east, marrying Mande griots (West African leatherworkers who are better known as storytellers or musicians), as they made their way south in search of clientele as early as the 14th or 15th century CE. While the women may have nominally given up their mothers' identities through marriage, over the generations the potters preserved their maternal heritage through their technological style, passing this knowledge on to their daughters, and thus transforming the very nature of what it means to be a Mande griot. This is a story of resilience and the continuity of cultural heritage in the hands of women.