The Contemporaries

The Contemporaries

Author: Roger White

Publisher: Bloomsbury Publishing USA

Published: 2015-01-01

Total Pages: 289

ISBN-13: 1620400960

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It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.


Beethoven

Beethoven

Author: Oscar George Theodore Sonneck

Publisher: New York : G. Schirmer

Published: 1926

Total Pages: 278

ISBN-13:

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The Contemporaries

The Contemporaries

Author: Roger White

Publisher: Bloomsbury Publishing USA

Published: 2015-03-03

Total Pages: 289

ISBN-13: 1620400944

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Offers an intimate look at the world of American contemporary art, looking at the schools, scenes, and artists through the eyes of a working artist.


My Contemporaries

My Contemporaries

Author: Jean Cocteau

Publisher: Peter Owen Modern Classics

Published: 2009

Total Pages: 0

ISBN-13: 9780720612585

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Recollections of Proust, Piaf, Colette, and a host of luminaries from Bohemian Paris For almost 50 years up until his death in 1963, Jean Cocteau held a unique place in French cultural life. The breadth of his artistic success bears witness to the astounding variety of his talents. In the fields of theater, cinema, art, ballet, and literature, Cocteau made many lifelong friends. Intimate portraits of some of the greatest artists of his age are included in this memorable memoir. Jean Cocteau was drawn to larger-than-life or seemingly unreal characters. He believed that their unreality was often the clue to the secrets of their personality. In descriptions of his contemporaries, Cocteau is able to illustrate everything that is accessible, sympathetic, memorable, durable, all-pervading, or dazzling about them. Ranging from the moving and atmospheric (the dying Proust in his cork-lined chamber) to the hilariously camp (Colette being carried from her apartment by sedan chair to have lunch across the road), it is in these portraits that the essence of his own work can be found. The portraits include Proust, Picasso, Piaf, Colette, Chaplin, and many more.


Matthew and his Christian Contemporaries

Matthew and his Christian Contemporaries

Author: David C. Sim

Publisher: Bloomsbury Publishing

Published: 2008-05-30

Total Pages: 222

ISBN-13: 0567462315

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This volume aims to compare the author of Matthew's Gospel with a selection of contemporary Christian authors and/or texts. Recent Matthean scholarship has highlighted the distinctiveness of this early Christian writer by emphasising his clear Jewish perspective in addition to his Christian affiliation. He can accurately be perceived as both Jewish and Christian because he holds that Christian commitment demands both observance of the Mosaic Law and faith in Jesus as the Messiah. But if Matthew is distinctively Jewish and Christian, how does he compare with other early Christian writers? Much of the New Testament literature was composed by Paul himself or by his later followers, and these Christians held the view that the Mosaic Law no longer had relevance in the light of the Christ event. Other New Testament texts that are not Pauline, e.g. the Gospel of John and the letter to the Hebrews, appear to agree with Paul on this point. Consequently, Matthew stands apart from other texts in the canon with the possible exception of the letter of James. The volume will therefore establish the distinctiveness of Matthew by comparing his theological perspective with his major sources, Mark and Q, and with the two remaining Gospels, the Pauline epistles, the letter to the Hebrews and the epistle of James. The comparison of Matthew with non-canonical texts, the Didache and the letters of Ignatius of Antioch, is important because much work has been done in these areas recently. Given Matthew's distinctive portrayal of Jesus, a comparison of Matthew and the historical Jesus is also demanded in the context of this volume.


Studies on Locke: Sources, Contemporaries, and Legacy

Studies on Locke: Sources, Contemporaries, and Legacy

Author: Sarah Hutton

Publisher: Springer Science & Business Media

Published: 2008-09-16

Total Pages: 295

ISBN-13: 1402083254

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John Cottingham In the anglophone philosophical world, there has, for some time, been a curious relationship between the history of philosophy and contemporary philosophical - quiry. Many philosophers working today virtually ignore the history of their s- ject, apparently regarding it as an antiquarian pursuit with little relevance to their “cutting-edge” research. Conversely, there are historians of philosophy who seldom if ever concern themselves with the intricate technical debates that ll the journals devoted to modern analytic philosophy. Both sides are surely the poorer for this strange bifurcation. For philosophy, like all parts of our intellectual culture, did not come into existence out of nowhere, but was shaped and nurtured by a long tradition; in uncovering the roots of that tradition we begin see current philoso- ical problems in a broader context and thereby enrich our understanding of their signi cance. This is surely part of the justi cation for the practice, in almost every university, of including elements from the history of philosophy as a basic part of the undergraduate curriculum. But understanding is enriched by looking forwards as well as backwards, which is why a good historian of philosophy will not just be c- cerned with uncovering ancient ideas, but will be constantly alert to how those ideas pre gure and anticipate later developments.