Constitution and By-Laws of the Boston Art Club, with a List of Its Officers, Members and Committees, and the Rules of the Board of Management. October 1, 1890
Constitution and By-Laws of the Boston Art Club, with a List of Its Officers, Members and Committees, and the Rules of the Board of Management. October 1, 1890

Author: Boston Art Club

Publisher: Palala Press

Published: 2016-05-08

Total Pages: 64

ISBN-13: 9781355986454

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Constitution and By-Laws of the Boston Art Club
Constitution and By-Laws of the Boston Art Club

Author: Boston Art Club

Publisher: Palala Press

Published: 2015-09-18

Total Pages: 70

ISBN-13: 9781342984487

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

At Home in the Studio
At Home in the Studio

Author: Laura R. Prieto

Publisher: Harvard University Press

Published: 2001-12-28

Total Pages: 316

ISBN-13: 9780674004863

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Picture of the prospects and constraints faced by women sculptors in the United States from the late eighteenth century throught the 1930s and the emerging of a professional identity for women artists. Thanks to their success as neoclassicists, women sculptors were able to cross over into nationalistic and political subjects that were unavailable to women painters.

Annual Reports
Annual Reports

Author: Carnegie Institute

Publisher:

Published: 1915

Total Pages: 250

ISBN-13:

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Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.

Sociology of Art
Sociology of Art

Author: Jeremy Tanner

Publisher: Routledge

Published: 2004-06-02

Total Pages: 296

ISBN-13: 1134393296

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Introducing the fundamental theories and debates in the sociology of art, this broad ranging book, the only edited reader of the sociology of art available, uses extracts from the core foundational and most influential contemporary writers in the field. As such it is essential reading both for students of the sociology of art, and of art history. Divided into five sections, it explores the following key themes: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social construction of high culture * sociology aesthetic form and the specificity of art. With the addition of an introductory essay that contextualizes the readings within the traditions of sociology and art history, and draws fascinating parallels between the origins and development of these two disciplines, this book opens up a productive interdisciplinary dialogue between sociology and art history as well as providing a fascinating introduction to the subject.

Nonprofit Enterprise in the Arts
Nonprofit Enterprise in the Arts

Author: Paul J. DiMaggio

Publisher: Oxford University Press

Published: 1987-01-15

Total Pages: 387

ISBN-13: 0195364880

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Taking the dichotomy of nonprofit "high culture" and for-profit "popular culture" into consideration, this volume assesses the relationship between social purpose in the arts and industrial organization. DiMaggio brings together some of the best works in several disciplines that focus on the significance of the nonprofit form for our cultural industries, the ways in which nonprofit arts organizations are financed, and the constraints that patterns of funding place on the missions that artists and trustees may wish to pursue. Showing how the production and distribution of art are organized in the United States, the book delineates the differing roles of nonprofit organizations, proprietary firms, and government agencies. In doing so, it brings to the surface some of the special tensions that beset arts management and policy, the way the arts are changing or are likely to change, and the policy alternatives "high culture" faces.