Conspiracy Films

Conspiracy Films

Author: Barna William Donovan

Publisher: McFarland

Published: 2014-01-10

Total Pages: 285

ISBN-13: 0786486155

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For many years, conspiracy theories have been among the most popular story elements in Hollywood films. According to the "conspiracy culture," Government, Big Business, the Church, even aliens--all of which, bundled together, comprise the ubiquitous "Them"--are concealing some of the biggest secrets in American and world history. From The Manchurian Candidate (1962) to JFK (1991), The Matrix (1999) to The Da Vinci Code (2006), this decade-by-decade history explores our fascination with paranoia. The work paints a vivid picture of several of the more prevalent conspiracy theories and the entertainment they have inspired, not only in theatrical films but also in such television series as The X-Files, Lost and V.


Conspiracy Theory in Film, Television, and Politics

Conspiracy Theory in Film, Television, and Politics

Author: Gordon B. Arnold

Publisher: Bloomsbury Publishing USA

Published: 2008-09-30

Total Pages: 201

ISBN-13: 1567207227

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Since the assassination of John F. Kennedy, motion pictures and television productions-some based on historical fact and conjecture, others clearly fanciful-have embraced the idea that conspiracies shape many events, hide others, and generally dictate much of the course of modern life, often to the disadvantage of the average person. As a result, conspiracy theories have developed into a potent undercurrent in American politics. By the 1990s, it was not unusual to find conspiracies used as explanations for a wide range of political events that would otherwise seem to have quite ordinary explanations. Thus, a vast right-wing conspiracy was suggested as the source of Bill Clinton's troubles, just as conspiracy-like machinations of the liberal media were used to explain why the picture of world events did not coincide with conservative views. And this is to say nothing of the bitter arguments that still erupt over varying explanations for the attacks of 9/11. Regardless of a person's opinion about such claims, what these and many other examples clearly show is that conspiracy-theory explanations have penetrated mainstream American thought. Here, author Gordon Arnold examines the evolution of this cultural climate in the United States. Conspiracy Theory in Film, Television, and Politics examines the intersection of various film and television productions in the context of unfolding political developments. The chapters follow this story chronologically, showing how screen media have both reflected and shaped the cultural milieu in which traumatic events and political controversies have been interpreted with increasing cynicism. The work also reviews the original contexts in which film, television, and political manifestations of conspiracy ideas first appeared.


Conspiracy Cinema

Conspiracy Cinema

Author: David Ray Carter

Publisher: SCB Distributors

Published: 2012-09-28

Total Pages: 280

ISBN-13: 1900486970

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The only guide to this emerging genre of cinema. Still marginalized by mainstream media, conspiracy theories are a growing influence on the contemporary political imagination, thanks to internet distribution of conspiracy cinema – documentaries presenting conspiratorial explanations everything from 9/11 to the Kennedy assassinations, Roswell to the causes of HIV. One hundred million people around the world have watched one of these films and this is the first book to explain and explore what they are seeing. Lighthearted, funny, and interactive, this is the definitive and only guide to this intriguing and immensely popular form of modern entertainment.


Conspiracy Theories

Conspiracy Theories

Author: Richard Greene

Publisher: Open Court Publishing

Published: 2020-01-07

Total Pages: 225

ISBN-13: 081269483X

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Conspiracy theories have become a major element in modern opinion formation. From the theory that the killing of President Kennedy was masterminded by a powerful conspiracy to the theory that 9/11 was an inside job, from the story that Barack Obama wasn’t born in America to the story that Donald Trump was a Russian asset, conspiracy theories have become a major element in opinion formation and an ever-present influence, sometimes open, sometimes hidden, on the daily headline news. In Conspiracy Theories, philosophers of diverse backgrounds and persuasions focus their lenses on the phenomenon of the conspiracy theory, its psychological causes, its typical shape, and its political consequences. Among the questions addressed: ● What’s the formula for designing a contagious conspiracy theory? ● Where does conspiracy theorizing end and investigative reporting begin? ● What can we learn about conspiracy theories from the three movie treatments of the Kennedy assassination (The Parallax View, JFK, and Interview with the Assassin)? ● Does political powerlessness generate conspiracy theories? ● Is conspiracy theorizing essentially an instinct that lies behind all belief in religion and all striving for a meaningful life? ● Can we find conspiracy theories in all political movements for centuries past? ● What are the most common types of fallacious reasoning that tend to support conspiracy theories? ● Is there a psychological disorder at the root of conspiracy theories? ● Why is the number of flat-earthers growing?


Conspiracy Theories in American History [2 volumes]

Conspiracy Theories in American History [2 volumes]

Author: Peter Knight

Publisher: Bloomsbury Publishing USA

Published: 2003-12-11

Total Pages: 944

ISBN-13: 1576078132

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The first comprehensive history of conspiracies and conspiracy theories in the United States. Conspiracy Theories in American History: An Encyclopedia is the first comprehensive, research-based, scholarly study of the pervasiveness of our deeply ingrained culture of conspiracy. From the Puritan witch trials to the Masons, from the Red Scare to Watergate, Whitewater, and the War on Terror, this encyclopedia covers conspiracy theories across the breadth of U.S. history, examining the individuals, organizations, and ideas behind them. Its over 300 alphabetical entries cover both the documented records of actual conspiracies and the cultural and political significance of specific conspiracy speculations. Neither promoting nor dismissing any theory, the entries move beyond the usual biased rhetoric to provide a clear-sighted, dispassionate look at each conspiracy (real or imagined). Readers will come to understand the political and social contexts in which these theories arose, the mindsets and motivations of the people promoting them, the real impact of society's reactions to conspiracy fears, warranted or not, and the verdict (when verifiable) that history has passed on each case.


The 1980s British Conspiracy Thriller

The 1980s British Conspiracy Thriller

Author: Paul Lynch

Publisher: Rowman & Littlefield

Published: 2022-08-29

Total Pages: 193

ISBN-13: 1666913162

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In this book, Paul Lynch explores the genre of the British conspiracy thriller, a confrontational and dark response to what novelists and filmmakers perceived as an increasingly Orwellian secret state in the political landscape of the time. Through analyses of a variety of film and television productions, Lynch examines the ways in which they were influenced by their Hollywood and European counterparts and the work of John le Carré, conveying the real-world practices of the British intelligence services that served as inspiration and evaluating the genre’s effectiveness in providing meaningful political commentary to mainstream audiences. Lynch draws on extensive interviews with novelists, film producers, screenwriters, and directors to form the basis of detailed and original case studies about films such as Defence of the Realm (1986), The Whistle Blower (1986), and The Fourth Protocol (1987). In addition to these case studies, Lynch also includes declassified intelligence material and interviews with former members of the intelligence community to reveal the extent to which popular television and cinema accurately reflected the inner workings of the security services at that time. Scholars of film studies, cultural history, political science, and adaptation studies will find this book of particular interest.


Knowledge Goes Pop

Knowledge Goes Pop

Author: Clare Birchall

Publisher: Taylor & Francis

Published: 2006-08-01

Total Pages: 202

ISBN-13: 1847883168

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A voice on late night radio tells you that a fast food joint injects its food with drugs that make men impotent. A colleague asks if you think the FBI was in on 9/11. An alien abductee on the Internet claims extra-terrestrials have planted a microchip in her left buttock. 'Julia Roberts in Porn Scandal' shouts the front page of a gossip mag. A spiritual healer claims he can cure chronic fatigue syndrome with the energizing power of crystals . . . What do you believe? Knowledge Goes Pop examines the popular knowledges that saturate our everyday experience. We make this information and then it shapes the way we see the world. How valid is it when compared to official knowledge and why does such (mis)information cause so much institutional anxiety? Knowledge Goes Pop examines the range of knowledge, from conspiracy theory to plain gossip, and its role and impact in our culture. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org


The Routledge Encyclopedia of Films

The Routledge Encyclopedia of Films

Author: Sabine Haenni

Publisher: Routledge

Published: 2014-09-15

Total Pages: 711

ISBN-13: 1317682602

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The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.


The Encyclopedia of Racism in American Films

The Encyclopedia of Racism in American Films

Author: Salvador Jiménez Murguía

Publisher: Rowman & Littlefield

Published: 2018-04-12

Total Pages: 825

ISBN-13: 1442269065

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Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history.


Journalism in the Movies

Journalism in the Movies

Author: Matthew C. Ehrlich

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 210

ISBN-13: 0252091086

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From cynical portrayals like The Front Page to the nuanced complexity of All the President’s Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days. Often depicted as disrespectful, hard-drinking, scandal-mongering misfits, journalists also receive Hollywood's frequent respect as an essential part of American life. Matthew C. Ehrlich tells the story of how Hollywood has treated American journalism. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. He also delves into the genre's always-evolving myths and dualisms to analyze the tensions—hero and oppressor, objectivity and subjectivity, truth and falsehood—that allow journalism films to examine conflicts in society at large.