Conservation Issues in Modern and Contemporary Murals

Conservation Issues in Modern and Contemporary Murals

Author: Tom Learner

Publisher: Cambridge Scholars Publishing

Published: 2015-09-04

Total Pages: 555

ISBN-13: 1443881341

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This volume represents a forum for conservators, conservation scientists, artists and heritage managers. It includes the voices of many of the different partners involved in the complex task of preserving artworks: • The vital experience of artists who create murals and are sometimes asked to treat their creations; • Theoretical reflections on how to deal methodologically with conservation; • Scientific studies on the identification of constituent materials and/or on the development of procedures for their preservation; • The opinion of cultural managers; • The specific experiences of conservators. All of the above must have a voice in the difficult task of preserving such a challenging and changing heritage. Este volumen se plantea como un foro de encuentro entre conservadores restauradores, científicos, artistas y gestores del patrimonio. En él se incluye el trabajo de los diferentes interlocutores que participan en la compleja tarea de conservar una obra de arte: • La experiencia vital del artista creador de murales, que a veces es llamado para restaurar lo que ya hizo; • Las reflexiones teóricas sobre el modo de enfrentarnos metodológicamente a su conservación y restauración; • Los estudios científicos destinados a la identificación de materiales constitutivos o la puesta a punto de procedimientos para su conservación; • La opinión de quienes se encargan de su gestión; • Las experiencias concretas de conservadores restauradores. Todos ellos deben tener voz en la difícil tarea de conservar un patrimonio complejo y cambiante.


Conservation of Modern Oil Paintings

Conservation of Modern Oil Paintings

Author: Klaas Jan van den Berg

Publisher: Springer Nature

Published: 2020-02-17

Total Pages: 611

ISBN-13: 3030192547

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Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project ‘Cleaning of Modern Oil Paints’. It is also a follow-up on ‘Issues in Contemporary Oil Paint’ (Springer, 2014). The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists’ materials and techniques; the artists’ voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display. The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.


Conserving Contemporary Art

Conserving Contemporary Art

Author: . Chiantore

Publisher: Getty Publications - (Yale)

Published: 2012

Total Pages: 0

ISBN-13: 9781606061046

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This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. Conserving Contemporary Art is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.


The Renaissance Restored

The Renaissance Restored

Author: Matthew Hayes

Publisher: Getty Publications

Published: 2021-07-13

Total Pages: 210

ISBN-13: 160606696X

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This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.


Modern Art - who Cares?

Modern Art - who Cares?

Author: IJsbrand M. C. Hummelen

Publisher: Archetype Publications

Published: 2005

Total Pages: 452

ISBN-13:

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Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.


Keep It Moving?

Keep It Moving?

Author: Rachel Rivenc

Publisher: Getty Publications

Published: 2018-03-13

Total Pages: 378

ISBN-13: 1606065378

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Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.


Conserving Outdoor Painted Sculpture

Conserving Outdoor Painted Sculpture

Author: Lydia Gertruda Maria Beerkens

Publisher:

Published: 2014-10-15

Total Pages: 145

ISBN-13: 9781937433222

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Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kroller-Muller Museu, Ooterlo, the Netherlands, June 4-5, 2013.


Conservation, Tourism, and Identity of Contemporary Community Art

Conservation, Tourism, and Identity of Contemporary Community Art

Author: Virginia Santamarina-Campos

Publisher: CRC Press

Published: 2017-11-23

Total Pages: 220

ISBN-13: 1351807080

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This unique volume aims to promote new models of sustainable management in the field of contemporary mural art. Cultural heritage has become an essential tool for society, stressing the necessity to properly conserve cultural resources in order to maintain a socially, economically, and environmentally sustainable development. In this book, the mural "Allegory to Work" by the artist Felipe Seade, located in Uruguay, is used as a case study. The work of Felipe Seade, a prominent political mural artist of the twentieth century, reflects the influence of Mexican heritage and the socio-political themes of that time, which were commonly used by the Social Realism art movement. The authors look at the mural—and its restoration—through the lens of tourism, globalization, and new interest in cultural heritage. The book demonstrates that the restoration should be aware that the perspective of the protagonists must be incorporated in the intervention process. This first-of-its-kind volume brings together historical, ethnographic, tourism, and scientific research that leads to a sustainable project, from the point of view of identity, economy, politics, and society. This volume, with over 50 color illustrations and many black and white photos, will be valuable for college and research libraries, undergraduate and graduate students, researchers and professors in the field of cultural heritage and art as well as those involved in community-based research.


Conserving Outdoor Sculpture

Conserving Outdoor Sculpture

Author: Brian B. Considine

Publisher: Getty Publications

Published: 2010

Total Pages: 297

ISBN-13: 1606060104

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When the J. Paul Getty Museum received 28 sculptures from the collection of Ray & Fran Stark, it found itself suddenly in the forefront of the evolving field of outdoor sculpture conservation. This volume charts presents an account of the challenges & how the J. Paul Getty Museum staff met them.