The Apocalypse has been a war from the dawn of time, and the first horsemans story is shared. Young Abdias finds himself in the middle of this epic battle between the forces of creation and destruction as the first horseman of the end times. Attending a local festival, the youth falls for a lovely, mysterious woman. They enjoyed the stereotypical festival of flowing wine and fornication; however, the party is ruined by the horrifying force of a shadowy figure that topples the marble gods and burns all but two in attendance. With his love stolen by the shadowy figure, he thought his life seemingly meaningless, and his mind in shambles, he stumbles into the path of a wandering stranger. This man shares with him secrets of our world and those that rule it. He tells Abdias of his divine mission to restore balanceto ride against the rebel gods and their leader in the shadows. He must become Conquest.
The Apocalypse has been a war from the dawn of time, and the first horseman's story is shared. Young Abdias finds himself in the middle of this epic battle between the forces of creation and destruction as the first horseman of the end times. Attending a local festival, the youth falls for a lovely, mysterious woman. They enjoyed the stereotypical festival of flowing wine and fornication; however, the party is ruined by the horrifying force of a shadowy figure that topples the marble gods and burns all but two in attendance. With his love stolen by the shadowy figure, he thought his life seemingly meaningless, and his mind in shambles, he stumbles into the path of a wandering stranger. This man shares with him secrets of our world and those that rule it. He tells Abdias of his divine mission to restore balance-to ride against the rebel gods and their leader in the shadows. He must become Conquest.
From the dawn of writing in Sumer to the sunset of the Islamic empire, Founding Gods, Inventing Nations traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, William McCants looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. McCants argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest--they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.
In just over a hundred years--from the death of Muhammad in 632 to the beginning of the Abbasid Caliphate in 750--the followers of the Prophet swept across the whole of the Middle East, North Africa, and Spain. Their armies threatened states as far afield as the Franks in Western Europe and the Tang Empire in China. The conquered territory was larger than the Roman Empire at its greatest expansion, and it was claimed for the Arabs in roughly half the time. How this collection of Arabian tribes was able to engulf so many empires, states, and armies in such a short period of time is a question that has perplexed historians for centuries. Most recent popular accounts have been based almost solely on the early Muslim sources, which were composed centuries later for the purpose of demonstrating that God had chosen the Arabs as his vehicle for spreading Islam throughout the world. In this ground-breaking new history, distinguished Middle East expert Robert G. Hoyland assimilates not only the rich biographical and geographical information of the early Muslim sources but also the many non-Arabic sources, contemporaneous or near-contemporaneous with the conquests. The story of the conquests traditionally begins with the revelation of Islam to Muhammad. In God's Path, however, begins with a broad picture of the Late Antique world prior to the Prophet's arrival, a world dominated by the two superpowers of Byzantium and Sasanian Persia, "the two eyes of the world." In between these empires, in western (Saudi) Arabia, emerged a distinct Arab identity, which helped weld its members into a formidable fighting force. The Arabs are the principal actors in this drama yet, as Hoyland shows, the peoples along the edges of Byzantium and Persia--the Khazars, Bulgars, Avars, and Turks--also played important roles in the remaking of the old world order. The new faith propagated by Muhammad and his successors made it possible for many of the conquered peoples to join the Arabs in creating the first Islamic Empire. Well-paced and accessible, In God's Path presents a pioneering new narrative of one the great transformational periods in all of history.
War of the Three Gods is a military history of the first half of seventh century, with heavy focus on the reign of the Eastern Roman Emperor Heraclius (AD 610-641). This was a pivotal time in world history as well as a dramatic one. The Eastern Roman Empire was brought to the very brink of extinction by the Sassanid Persians, before Heraclius managed to inflict a crushing defeat on the Sassanids with a desperate, final gambit. His conquests were short-lived, however, for the newly-converted adherents of Islam burst upon the region, administering the coup de grace to Sassanid power and laying siege to Constantinople itself to usher in a new era. ??Peter Crawford skilfully narrates the three-way struggle between the Christian Byzantine, Sassanid Persian and Islamic empires, a period peopled with fascinating characters, including Heraclius, Khusro II and the Prophet Muhammad himself. Many of the epic battles and sieges are described in as much detail as possible including Nineveh, Yarmouk, Qadisiyyah and Nihawand, Jerusalem and Constantinople. The strategies and tactics of these very different armies are discussed and analysed, while maps allow the reader to place the events and follow the varying fortunes of the contending empires. This is an exciting and important study of a conflict that reshaped the map of the world.
In a century of unrelenting, bloody warfare and religious persecution in Europe, Cromwell was, in many ways, a product of his times. As commander-in-chief of the army in Ireland, however, the responsibilities for the excesses of the military must be laid firmly at his door, while the harsh nature of the post-war settlement also bears his imprint.
This updated edition by one of the world's leading apologists presents a systematic, positive case for Christianity that reflects the latest work in the contemporary hard sciences and humanities. Brilliant and accessible.
NEW YORK TIMES BESTSELLER • The author of Zealot explores humanity’s quest to make sense of the divine in this concise and fascinating history of our understanding of God. In Zealot, Reza Aslan replaced the staid, well-worn portrayal of Jesus of Nazareth with a startling new image of the man in all his contradictions. In his new book, Aslan takes on a subject even more immense: God, writ large. In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as a remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless of whether we’re believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.” But this projection is not without consequences. We bestow upon God not just all that is good in human nature—our compassion, our thirst for justice—but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments. More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will challenge the way you think about the divine and its role in our everyday lives. Praise for God “Timely, riveting, enlightening and necessary.”—HuffPost “Tantalizing . . . Driven by [Reza] Aslan’s grace and curiosity, God . . . helps us pan out from our troubled times, while asking us to consider a more expansive view of the divine in contemporary life.”—The Seattle Times “A fascinating exploration of the interaction of our humanity and God.”—Pittsburgh Post-Gazette “[Aslan’s] slim, yet ambitious book [is] the story of how humans have created God with a capital G, and it’s thoroughly mind-blowing.”—Los Angeles Review of Books “Aslan is a born storyteller, and there is much to enjoy in this intelligent survey.”—San Francisco Chronicle
Salvation is from our side a choice, from the divine side […] a conquest of the Most High God. – A. W. Tozer With words like these, Tozer shakes the soul. He crumbles the lies we believe and calls us to the more sure way. In these pages, Tozer says what it means to truly be saved. It is not merely to assent to Jesus and go on our same old way, but to be conquered by the Almighty God and invaded by His Spirit. A saved person is a transformed person. Let Tozer upend you in this moving prequel to The Pursuit of God. And being upended, may you be found standing upright in an upside-down world.
A young girl called Tozi stands at the bottom of a pyramid, waiting to be led to the top where her heart will be cut out... Pepillo, a Spanish orphan who serves a sadistic Dominican friar, is aboard the Spanish fleet as it sails towards Mexico... This is the epic story of the clash of two empires, two armies and two gods of war. Five hundred desperate adventurers are about to pit themselves against the most brutal armies of the ancient Americas, armies hundreds of thousands strong. This is a war of gods and men. Dark powers that work behind the scenes of history show their hand as the prophecy of the return of Quetzalcoatl is fulfilled with the arrival of Cortes. The Aztec ruler Moctezuma fights to maintain the demands of the war god Huitzilopochtli for human sacrifice. The Spanish Inquisition is planning an even greater blood-letting. Caught up in the headlong collision between two gods of war are Tozi, Pepillo and the beautiful Malinal whose hatred of Moctezuma runs so deep she will sell out her own land and people to destroy him.
