Connecticut Curiosities, 3rd Edition is part of a GPP homegrown series of state-specific books that describe, with humor and affection—and a healthy dose of attitude—the oddest, quirkiest, and most outlandish places, personalities, events, and phenomena found within the state’s borders and in the chronicles of its history. A fun, accessible read for travelers and non travelers alike—a great armchair book with quirky b/w photographs throughout and maps for each region. They can be thought of as combination almanacs, off-the-wall travel guides, and wacky news gazettes, all with a decidedly humorous twist. The narrative is good-naturedly humorous. Connecticut Curiosities, 3rd Edition is filled with humorous state facts and amusing stories and sports a visually varied, browsable design (with sidebars, archival photos, etc.). Part zany Connecticut guidebook and part Who's Who of odd and unsung heroes, this compendium of the state's quirks and characters will amuse Connecticut residents and visitors alike.
The lives of notorious bad guys, perpetrators of mischief, visionary--if misunderstood--thinkers, and other colorful antiheroes, jerks, and evil doers from history all get their due in the short essays featured in these enlightening, informative books. Speaking Ill of the Dead: Jerks in Connecticut History features fifteen short biographies of nefarious characters, from Benedict Arnold to P.T. Barnum.
Did you know that there’s a Connecticut hotel room with a real helicopter inside? Can you guess who inspired the character of Indiana Jones, who was president before George Washington, and who flew before the Wright Brothers? Find the state’s most interesting and offbeat stories in Secret Connecticut: A Guide to the Weird, Wonderful, and Obscure. Are you interested in taking a safari or racing a chariot? Had you ever heard that Martin Luther King Jr. spent two summers in Connecticut? Included are more than eighty engaging stories that provide insight into one of America’s oldest states. Inside are tales of pirates, an underground prison, and a possessed doll. Aren’t you curious about the spectacular stained glass church that was unknowingly built in the shape of a fish by a famous architect? From the world’s smallest Native American reservation to professionally coiffed cows and a replica of Marie Antoinette’s palace, you’ll find intrigue around every corner of this small but surprising state. Author Anastasia Mills Healy brings to life the long history of intriguing people, places, and events that will fascinate even life long residents of Connecticut.
Here is a lively examination of a small state that is nevertheless chock full of history, culture, geographical variety, natural beauty, urban life and industry, and bucolic charm. Connecticut has a wide array of landscapes-coastline and mountains, farms and forests, while also being home to several major cities and within commuting distance of both New York and Boston. An important agricultural state, it is also home to heavy industry, high tech, and one of the world's premier institutions of higher learning-Yale University. it was also an important player in the colonial era and during the Revolution. For a small state, Connecticut is a force to be reckoned with, and this is its fascinating story.
Geared towards parents with children between the ages of two and twelve, Fun with the Family Connecticut features interesting facts and sidebars as well as practical tips about traveling with your little ones.
Insiders' Guide to Connecticut is the essential source for in-depth travel information for visitors and locals to the Nutmeg State. Written by a local (and true insider), Insiders' Guide to Connecticut offers a personal and practical perspective of the state that makes it a must-have guide for travelers as well as residents looking to rediscover their home state.
The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
