This handbook for seminarians and clergy professionals places the congregation itself, rather than individual scholarly disciplines, at the center of congregational analysis. Using a comprehensive systems approach to congregations, this volume enables readers to analyze the ministries, stories, and processes that are at work in congregations. It provides techniques for studying the congregation as well as a framework for understanding the nature of the congregation.
Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduces readers to a variety of research methodologies within the emerging field of congregational music studies. Utilizing insights from fields such as communications studies, ethnomusicology, history, liturgical studies, popular music studies, religious studies, and theology, it examines and models methodologies and theoretical perspectives that are grounded in each of these disciplines. In addition, this volume presents several “key issues” to ground these interpretive frameworks in the context of congregational music studies. These include topics like diaspora, ethics, gender, and migration. This book is a new milestone in the study of music amongst congregations, detailing the very latest in best academic practice. As such, it will be of great use to scholars of religious studies, music, and theology, as well as anyone engaging in ethnomusicological studies more generally.
In the Christian churches, and in Protestantism in particular, the local gatherings of the faithful –parish and non-territorial free congregations – are of crucial importance. Viewed from a global perspective, they offer an extremely popular format and are growing, as for example in China and Latin America. In central and northern Europe, on the other hand, the Protestant parish and its congregation tend rather to be in decline. What is the current situation of church parishes and congregations? This book presents research into this topic from all over the world. China is among the countries represented, as are the United States (as the "motherland" of the autonomous congregation), Switzerland, Germany and Scandinavia. The researchers have identified and defined a number of different lines of development. Ecclesiastical sociologists, sociologists of religion, and indeed everybody who is interested in the future of Protestantism will find some new insights into an old topic here. [Internationale Studien zur Kirchgemeinde. Die Zukunft der Pfarrbezirke und der Autonomen Kirchgemeinden] In den christlichen Kirchen, besonders in den protestantischen, kommt den lokalen Gemeinden (congregations, parishes) eine zentrale Bedeutung zu. In globaler Perspektive gesehen sind sie ausgesprochen populär und wachsen z. B. in China und Lateinamerika. In Mittel- und Nordeuropa hingegen nimmt protestantisch-gemeindliches Leben eher ab. Wie stellt sich die Situation der Kirchgemeinde heute dar? In diesem Buch werden diesbezügliche Forschungen aus aller Welt vorgestellt. China ist ebenso vertreten wie die USA – das "Mutterland" der autonomen Kirchgemeinde –, die Schweiz, Deutschland und Skandinavien. Unterschiedliche Entwicklungswege werden herausgearbeitet. Religions- und Kirchensoziologen – und alle die an der Zukunft des Protestantismus interessiert sind – finden hier neue Einsichten in ein altes Thema! Autoren sind u. a. Nancy Ammerman, Mark Chaves, Eberhard Hauschildt und Jörg Stolz.
North American congregations face a deepening crisis of consumer-oriented "selfie missions" and practices based on colonial-era assumptions. Seeking to free congregational mission from harmful cultural forces, this book helps churches better partner with God's work in the world, offering the latest research and practical, step-by-step tools for churches.
This book presents the first comprehensive introduction to congregational studies in the UK. Through a series of innovative essays, it explores the difference that the increasingly post-Christian nature of British society is making to life in Christian congregations, and compares this to the very different scenario which exists in the USA. Contributions from leading scholars in the field include rich case studies of local communities and theoretical analyses which reflect on issues of method and develop broader understandings. Congregational studies is revealed as a rich and growing field of interest to scholars across many disciplines and to those involved in congregational life.
Christian Congregational Music explores the role of congregational music in Christian religious experience, examining how musicians and worshippers perform, identify with and experience belief through musical praxis. Contributors from a broad range of fields, including music studies, theology, literature, and cultural anthropology, present interdisciplinary perspectives on a variety of congregational musical styles - from African American gospel music, to evangelical praise and worship music, to Mennonite hymnody - within contemporary Europe and North America. In addressing the themes of performance, identity and experience, the volume explores several topics of interest to a broader humanities and social sciences readership, including the influence of globalization and mass mediation on congregational music style and performance; the use of congregational music to shape multifaceted identities; the role of mass mediated congregational music in shaping transnational communities; and the function of music in embodying and imparting religious belief and knowledge. In demonstrating the complex relationship between ’traditional’ and ’contemporary’ sounds and local and global identifications within the practice of congregational music, the plurality of approaches represented in this book, as well as the range of musical repertoires explored, aims to serve as a model for future congregational music scholarship.
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
Why do some religious institutions decline in the face of racial integration whilst others grow? How do congregations deal with economic distress? This study of congregations in the face of community transformation includes stories of over 20 congregations in nine communities across America.
Despite many churches claiming that the Bible is highly significant for their doctrine and practice, questions about how we read the Bible are rarely made explicit. Based on ethnographic research in English churches, Congregational Hermeneutics explores this dissonance and moves beyond descriptions to propose ways of enriching hermeneutical practices in congregations. Characterised as hermeneutical apprenticeship, this is not just a matter of learning certain skills, but of cultivating hermeneutical virtues such as faithfulness, community, humility, confidence and courage. These virtues are given substance through looking at four broad themes that emerge from the analysis of congregational hermeneutics - tradition, practices, epistemology and mediation. Concluding with what hermeneutical apprenticeship might look like in practice, this book is constructively theological about what churches actually do with the Bible, and will be of interest to scholars, students and practitioners.
