Confounding Images
Confounding Images

Author: Susan S. Williams

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 260

ISBN-13: 1512808873

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Susan Williams recovers the literary and cultural significance of early photography in an important rereading of American fiction in the decades preceding the Civil War. The rise of photography occurred simultaneously with the rapid expansion of magazine publication in America, and Williams analyzes the particular role that periodicals such as Godey's Lady's Book, Burton's Gentleman's Magazine, and Atkinson's Casket played in defining how photography was received. At the center of the book are readings of a stunning array of fiction by forgotten and canonical writers alike, including Edgar Allan Poe, Louisa May Alcott, and Sarah Hale, as well as extended interpretations of Nathaniel Hawthorne's House of the Seven Gables and The Marble Faun and Herman Melville's Pierre. In a concluding section, Williams offers a view of the fictional portrait in the later nineteenth century, when the proliferation of illustrated books once again transformed the relation between word and image in American culture.

Confounding Images
Confounding Images

Author: Susan S. Williams

Publisher: University of Pennsylvania Press Anniversary Collection

Published: 1997

Total Pages: 272

ISBN-13:

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In an important rereading of American fiction in the decades preceding the Civil War, Williams (English, Ohio State University) recovers the literary and cultural significance of early photography. Williams contends that in reaction to photography's challenge to the pictorial function of narrative, authors filled their pages with descriptions of fictional portraits--fanciful and romantic, often haunted, magic, or demonic, and generally resistant to straightforward representation. She provides readings and interpretations from forgotten as well as canonical writers as examples. Annotation copyrighted by Book News, Inc., Portland, OR

Visual Rhetoric
Visual Rhetoric

Author: Lester C. Olson

Publisher: SAGE

Published: 2008-03-20

Total Pages: 465

ISBN-13: 141294919X

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Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in the cultural space of the United States. Enhanced with these critical editorial perspectives, Visual Rhetoric: A Reader in Communication and American Culture provides a conceptual framework for students to understand and reflect on the role of visual communication in the cultural and public sphere of the United States. Key Features and Benefits Five broad pairs of rhetorical action—performing and seeing; remembering and memorializing; confronting and resisting; commodifying and consuming; governing and authorizing—introduce students to the ways visual images and artifacts become powerful tools of persuasion Each section opens with substantive editorial commentary to provide readers with a clear conceptual framework for understanding the rhetorical action in question, and closes with discussion questions to encourage reflection among the essays The collection includes a range of media, cultures, and time periods; covers a wide range of scholarly approaches and methods of handling primary materials; and attends to issues of gender, race, sexuality and class Contributors include: Thomas Benson; Barbara Biesecker; Carole Blair; Dan Brouwer; Dana Cloud; Kevin Michael DeLuca; Anne Teresa Demo; Janis L. Edwards; Keith V. Erickson; Cara A. Finnegan; Bruce Gronbeck; Robert Hariman; Christine Harold; Ekaterina Haskins; Diane S. Hope; Judith Lancioni; Margaret R. LaWare; John Louis Lucaites; Neil Michel; Charles E. Morris III; Lester C. Olson; Shawn J. Parry-Giles; Ronald Shields; John M. Sloop; Nathan Stormer; Reginald Twigg and Carol K. Winkler "This book significantly advances theory and method in the study of visual rhetoric through its comprehensive approach and wise separations of key conceptual components." —Julianne H. Newton, University of Oregon

Confounding Father
Confounding Father

Author: Robert M. S. McDonald

Publisher: University of Virginia Press

Published: 2016-08-29

Total Pages: 420

ISBN-13: 081393897X

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Of all the founding fathers, Thomas Jefferson stood out as the most controversial and confounding. Loved and hated, revered and reviled, during his lifetime he served as a lightning rod for dispute. Few major figures in American history provoked such a polarization of public opinion. One supporter described him as the possessor of "an enlightened mind and superior wisdom; the adorer of our God; the patriot of his country; and the friend and benefactor of the whole human race." Martha Washington, however, considered Jefferson "one of the most detestable of mankind"--and she was not alone. While Jefferson’s supporters organized festivals in his honor where they praised him in speeches and songs, his detractors portrayed him as a dilettante and demagogue, double-faced and dangerously radical, an atheist and "Anti-Christ" hostile to Christianity. Characterizing his beliefs as un-American, they tarred him with the extremism of the French Revolution. Yet his allies cheered his contributions to the American Revolution, unmasking him as the now formerly anonymous author of the words that had helped to define America in the Declaration of Independence. Jefferson, meanwhile, anxiously monitored the development of his image. As president he even clipped expressions of praise and scorn from newspapers, pasting them in his personal scrapbooks. In this fascinating new book, historian Robert M. S. McDonald explores how Jefferson, a man with a manner so mild some described it as meek, emerged as such a divisive figure. Bridging the gap between high politics and popular opinion, Confounding Father exposes how Jefferson’s bifurcated image took shape both as a product of his own creation and in response to factors beyond his control. McDonald tells a gripping, sometimes poignant story of disagreements over issues and ideology as well as contested conceptions of the rules of politics. In the first fifty years of independence, Americans’ views of Jefferson revealed much about their conflicting views of the purpose and promise of America. Jeffersonian America

Rewriting Texts Remaking Images
Rewriting Texts Remaking Images

Author: Leslie Anne Boldt-Irons

Publisher: Peter Lang

Published: 2010

Total Pages: 316

ISBN-13: 9781433109713

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The twenty-four essays in Rewriting Texts Remaking Images: Interdisciplinary Perspectives examine the complex relationships between original creative works and subsequent versions of these originals, from both theoretical and pragmatic perspectives. The process involves the rereading, reinterpretation, and rediscovery of literary texts, paintings, photographs, and films, as well as the consideration of issues pertaining to adaptation, intertextuality, transcodification, ekphrasis, parody, translation, and revision. The interdisciplinary analyses consider works from classical antiquity to the present day, in a number of literatures, and include such topics as the reuse and resemantization of photographs and iconic images.

The Genuine Article
The Genuine Article

Author: Paul Gilmore

Publisher: Duke University Press

Published: 2001-11-28

Total Pages: 286

ISBN-13: 0822380315

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In The Genuine Article Paul Gilmore examines the interdependence of literary and mass culture at a crucial moment in U. S. history. Demonstrating from a new perspective the centrality of race to the construction of white manhood across class lines, Gilmore argues that in the years before the Civil War, as literature increasingly became another commodity in the capitalist cultural marketplace, American authors appropriated middle-brow and racially loaded cultural forms to bolster their masculinity. From characters in Indian melodramas and minstrel shows to exhibits in popular museums and daguerrotype galleries, primitive racialized figures circulated as “the genuine article” of manliness in the antebellum United States. Gilmore argues that these figures were manipulated, translated, and adopted not only by canonical authors such as Hawthorne, Thoreau, Cooper, and Melville but also by African American and Native American writers like William Wells Brown and Okah Tubbee. By examining how these cultural notions of race played out in literary texts and helped to construct authorship as a masculine profession, Gilmore makes a unique contribution to theories of class formation in nineteenth-century America. The Genuine Article will enrich students and scholars of American studies, gender studies, literature, history, sociology, anthropology, popular culture, and race.

A Familiar Strangeness
A Familiar Strangeness

Author: Stuart Burrows

Publisher: University of Georgia Press

Published: 2010-05-31

Total Pages: 302

ISBN-13: 0820337412

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Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.

The Desiring-Image
The Desiring-Image

Author: Nick Davis

Publisher: OUP USA

Published: 2013-07-18

Total Pages: 330

ISBN-13: 0199993165

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The Desiring-Image redefines queer cinema as a kind of filmmaking that conveys sexuality and desire as fundamentally fluid for all people, exceeding familiar stories and themes in many LGBT movies.

Now Is Then
Now Is Then

Author: Marvin Heiferman

Publisher: Princeton Architectural Press

Published: 2008

Total Pages: 200

ISBN-13: 9781568987484

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Deceptive in their ease of creation, diminutive size, and sheer abundance, snapshots are often thought of as the most innocent type of photography. But snapshots are complex and willful pictures—premeditated, fussed over, and often predetermined. The postures we adopt, the gestures we pantomime, the exaggerated facial expressions we compose and try to hold for a split second are all meant to express the emotional weight of a certain moment. In a time when digital cameras make photography all too easy, it is fascinating to look back on a day when image making was more deliberate. Now is Then features images from the 1920s through the 1960s, the golden age of snapshot photography. The photos—quirky, elegant, heartbreaking, and heart-warming—both celebrate and question the conventions of snapshot photography. Texts by well known visual culture critics offer fresh perspectives on the snapshots and their power over us. Unlike previous explorations of vernacular photography, Now Is Then takes a step forward to look at the broader cultural impact of snapshots—why we make them, how we use them, why they become relics, and, most importantly, what they reveal about us.

Encyclopedia of Biometrics
Encyclopedia of Biometrics

Author: Stan Z. Li

Publisher: Springer Science & Business Media

Published: 2009-08-27

Total Pages: 1466

ISBN-13: 0387730028

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With an A–Z format, this encyclopedia provides easy access to relevant information on all aspects of biometrics. It features approximately 250 overview entries and 800 definitional entries. Each entry includes a definition, key words, list of synonyms, list of related entries, illustration(s), applications, and a bibliography. Most entries include useful literature references providing the reader with a portal to more detailed information.