Double-entry bookkeeping (DEB), modern capitalism's first and foremost calculative technology, was "invented" during the Middle Ages when profit making was morally stigmatized. James Aho examines the problematic of moneymaking and offers an explanatory understanding of the paradoxical coupling of profit seeking and morality by situating DEB in the religious circumstances from which it emerged, specifically the newly instituted sacrament of penance, that is, confession. Confession impacted the consciences of medieval businessmen both through its sacramental form and through its moral teachings. The form of confession produced widespread habits of moral scrupulosity (leading to compulsive record keeping); the content of confession taught that commerce itself was morally suspect. Scrupulous businessmen were thus driven to justify their affairs to church, commune, and themselves. With the aid of DEB, moneymaking was "Christianized" and Christianity was made more amenable to the pursuit of wealth. Although DEB is typically viewed exclusively as a scientifically neutral account of the flow of money through a firm, it remains as it was originally devised, a rhetorical argument.
"How to Make a Good Confession" gives readers practical methods to start consistently winning their battles against sin. Fr. John Kane not only explains ways believers can determine how free from sin they really are, but he also helps them understand the devastating effects of sin and the urgent need for repentance. This down-to-earth, practical guide shows readers how to transform confession into a profound experience of God's love.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize In 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable. The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?” A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author. Praise for The Thousand Autumns of Jacob de Zoet “A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe “An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review “The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post “By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker “A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPR
This reappraisal of the middle section of Augustine's Confessions covers the period of Augustine's conversion to Christianity. The author argues against the prevailing Neoplatonic interpretation of Augustine.
This revised study edition of the Book of Confessions contains the official creeds, catechisms, and confessional statements of the Presbyterian Church (U.S.A.), including the new Confession of Belhar that was added at the 222nd General Assembly (2016). Each text is introduced by an informative essay providing in-depth historical and theological background information. The book also includes two appendixes that explore the purpose of confessions. This study edition is ideal for seminarians and leaders looking for more extensive information about the history and theology of the confessions along with the official documents, all conveniently located in one volume.
How did people of the past prepare for death, and how were their preparations affected by religious beliefs or social and economic responsibilities? Dying Prepared in Medieval and Early Modern Northern Europe analyses the various ways in which people made preparations for death in medieval and early modern Northern Europe, adapting religious teachings to local circumstances. The articles span the period from the Middle Ages to Early Modernity allowing an analysis over centuries of religious change that are too often artificially separated in historical study. Contributors are Dominika Burdzy, Otfried Czaika, Kirsi Kanerva, Mia Korpiola, Anu Lahtinen, Riikka Miettinen, Bertil Nilsson, and Cindy Wood.
This book analyses the bearing of global monotheistic faiths towards the philosophy and practice of record keeping and accounting throughout history. The author offers a comprehensive discussion of the literal and figurative processes of taking account and ascribing accountability that link religions such as Christianity, Judaism and Islam. Chapters address theology and accounting in tandem with social behaviours to demonstrate how auditing and calculating customs permeate practising religions. This book first highlights how the four monotheisms have viewed and incorporated accounting historically, and then looks forward to the accounting debates, technologies and traditions in today’s world that derive from these religious customs. Drawing heavily on the writings of Max Weber and Werner Sombart, the author demonstrates that accounting and capitalism have religious roots far beyond the Protestant ethic.
Paul Wilkes has written an elegant, prescriptive, secular book—a spiritual gem—that reinvents the power of confession for a contemporary audience. Confession is the foundation of religion, the essence of mental health. It is listening to the voice within to follow the path to honest and conscious living. And for thousands of years people have used the power of confession to find their best selves. Liberating confession from the confessional, The Art of Confession draws on traditions as old as ancient Greece and as modern as psychoanalysis as diverse as Judaism, Catholicism, and Islam, to show readers how to incorporate a confessional practice into their daily lives. There are visualizations, spiritual exercises, prompts, and meditations; private confessions, direct confessions, psychological confessions. Accompanied throughout by a wise “confessional chorus”—a rabbi, a priest, a psychiatrist, a nun, whose points-of-view complement and augment the text—The Art of Confession is an antidote to our age of oversharing, where we happily broadcast the minutest details of our lives in public, yet never find the time to discover the risk, relief, and ultimately the renewal that real, considered self-reflection offers.
