This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.
This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.
This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.
This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.
This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.
This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.
As readers, we develop an impression of characters and their settings in a novel based on the author’s description of their physical characteristics and surroundings. This process, known as physiognomy, can be seen throughout history including in the English Realist novels of the 19th and 20th centuries. Vision and Character: Physiognomics and the English Realist Novel offers a study into the physiognomics and aesthetics as presented by some of the best known authors in this genre, like Virginia Woolf, Joseph Conrad, Charles Dickens and Jane Austen. In this highly original approach to the issues of representation, visuality and aesthetics in the nineteenth-century realist novel, and even the question of literary interpretation, Eike Kronshage argues that physiognomics has enabled writers to access their characters’ inner lives without interfering in an authoritative way.
Contradictions are legion when it comes to women and spirituality. In Christian cultures, the worth of the female sex is highly ambivalent, since virginity and motherhood are construed respectively as badges of purity and fruitfulness, whilst the biological processes which underlie them are considered taboo or impure. Throughout history, women are in turn represented as inferior, defective creatures or as privileged ‘empty vessels’ in their relationship with the divine. This polarized conception of woman has influenced the way in which religious institutions, learned writers, or indeed women themselves consider the female personal and collective relationship with the supernatural, with the divine, and with the institutions which represent it. Through eleven original essays, this volume questions how women from the English-speaking world have negotiated their roles in the spiritual and religious spheres. From early-modern Catholics and Puritan groups to twenty-first century nuns, Anglican ministers and Mormons, how did women define their roles in male-dominated institutions? How did they react to the public perceptions of their bodies as either incompatible with or facilitating access to the divine? The questions at the core of this book hinge upon the articulation between the female self (body and soul) and its experience of the preternatural, of faith, and of institutionalized groups. Are there specific forms of female spirituality and do they lead to a feminized/feminist conception of God?
This collection aims to give a chronological insight into the evolution of conduct literature, from its early roots in the Renaissance period through to the dramatically different role that women played at the emergence of the 20th century.