Concerts of Antient Music
Author: Concerts of Ancient Music
Publisher:
Published: 1829
Total Pages: 224
ISBN-13:
DOWNLOAD EBOOKAnnual books of programs with words, containing lists of directors, performers, subscribers, etc.
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Author: Concerts of Ancient Music
Publisher:
Published: 1829
Total Pages: 224
ISBN-13:
DOWNLOAD EBOOKAnnual books of programs with words, containing lists of directors, performers, subscribers, etc.
Author: Concerts of Ancient Music, London
Publisher:
Published: 1820
Total Pages: 202
ISBN-13:
DOWNLOAD EBOOKAnnual books of programs with words, containing lists of directors, performers, subscribers, etc.
Author:
Publisher:
Published: 1800
Total Pages: 186
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1791
Total Pages: 126
ISBN-13:
DOWNLOAD EBOOKAnnual books of programs with words, containing lists of directors, performers, subscribers, etc.
Author: Sir George Grove
Publisher:
Published: 1911
Total Pages: 876
ISBN-13:
DOWNLOAD EBOOKAuthor: Sir George Grove
Publisher:
Published: 1906
Total Pages: 820
ISBN-13:
DOWNLOAD EBOOKAuthor: John J. Sheinbaum
Publisher: University of Chicago Press
Published: 2018-11-29
Total Pages: 305
ISBN-13: 022659341X
DOWNLOAD EBOOKOver the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.
Author: Fiona M. Palmer
Publisher: Clarendon Press
Published: 1997-11-13
Total Pages: 314
ISBN-13: 0191583480
DOWNLOAD EBOOKDragonetti devoted his life to the double bass. His career in England (1794-1846) is one of the most remarkable success stories in the annals of musical history. His unprecedented virtuosity elevated the double bass to a new status. In combination with his charismatic personality his musical talent dominated the English cultural world for more than fifty years. As performer, composer, collector, and friend, he exposed the unforeseen potential of the double bass. His formidable talent as a musician and businessman provides an unusual insight into nineteenth-century entrepreneurship. This first substantial biography and assessment of Dragonetti's career allows us to understand his importance in the history of music in general and of double-bass performance in particular.
Author: Donald Burrows
Publisher: Oxford University Press, USA
Published: 2002
Total Pages: 1268
ISBN-13: 9780198166542
DOWNLOAD EBOOKJames Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Author: Charles Edward McGuire
Publisher: Scarecrow Press
Published: 2011-04-08
Total Pages: 366
ISBN-13: 0810879514
DOWNLOAD EBOOKThe Historical Dictionary of English Music seeks to identify and briefly annotate a wide range of subjects relating to English musical culture, largely from the early 15th century through 1958, dates that reflect the coalescence of an identifiable English style in the early Renaissance and the death of the iconic Ralph Vaughan Williams in the mid-20th century. This book is an excellent access point for students, researchers, and anyone wanting to know more about English music.