This practice and performance edition of one of the most beloved pieces in the modern violin repertoire contains a piano reduction and a separate violin part.
This practice and performance edition of one of the most beloved pieces in the modern violin repertoire contains a piano reduction and a separate violin part.
Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
In 'Richard Strauss' by Herbert F. Peyser, readers are given a comprehensive analysis of the life and works of the influential German composer. Peyser delves into Strauss's musical compositions, such as his groundbreaking tone poems and famous operas, exploring the stylistic innovations and emotional depth that characterize his pieces. The book also examines the cultural and historical context in which Strauss created his music, providing a nuanced understanding of his artistic development and legacy. Peyser's writing is both eloquent and informative, making this book essential for any music lover or scholar interested in exploring the complexities of Strauss's musical vision. Herbert F. Peyser's meticulous research and insightful commentary offer a unique perspective on the life and music of Richard Strauss, shedding light on the motivations and influences that shaped his creative output. With its thorough analysis and engaging prose, 'Richard Strauss' is a must-read for anyone seeking a deeper appreciation of one of classical music's greatest composers.