Concerto for Four Harpsichords

Concerto for Four Harpsichords

Author: Georg Christoph Wagenseil

Publisher: A-R Editions, Inc.

Published:

Total Pages: 64

ISBN-13: 1987208609

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Georg Christoph Wagenseil’s (1715–77) concerto for four harpsichords, scored without orchestra, remains the only known work of its kind based on entirely original material. There are no other known works for four harpsichords besides Bach’s concerto in A minor for four harpsichords and strings, BWV 1065, itself an adaptation of Vivaldi’s four-violin concerto in B minor, RV 580. Wagenseil’s concerto provides an interesting footnote in the development of historical keyboard instruments. Alongside a few other Viennese keyboard works, the concerto features large bass intervals necessitating the use of the Viennese short octave—a keyboard configuration with multiply split bass keys unique to mid-18th-century Viennese keyboard building. This fact further establishes the relevance of early Viennese keyboard instruments in historical keyboard performance. Several aspects of performance practice unique to Wagenseil’s concerto are discussed in the introduction to the edition: continuo realization for a keyboard concerto without orchestra, negotiating the requirements of the Viennese short octave on instruments with chromatic keyboards, and interpreting the notational idiosyncrasies of the manuscript source.


Complete Concertos for Two or More Harpsichords

Complete Concertos for Two or More Harpsichords

Author: Johann Sebastian Bach

Publisher: Courier Corporation

Published: 1992-01-01

Total Pages: 244

ISBN-13: 0486271366

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Features six concertos, BWV 1060 through 1065 — three for 2 harpsichords, two for 3 harpsichords, and one for 4 harpsichords. Among the first keyboard concertos ever written, they are still immensely popular for their rare and exuberant musical qualities. Reprinted in one volume from the authoritative Breitkopf & Härtel edition.


A History of Music for Harpsichord Or Piano and Orchestra

A History of Music for Harpsichord Or Piano and Orchestra

Author: John M. Harris

Publisher:

Published: 1997

Total Pages: 0

ISBN-13: 9780810847033

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Beginning with J.S. Bach's harpsichord concertos composed in the beginning of the eighteenth century, John Harris embarks on a musical tour that takes the reader from Germany and Austria through Europe, North America, South America, and Asia, tracing the history of music composed for harpsichord or piano and orchestra. The organization of the book follows the spread of the Baroque harpsichord concerto across countries. Divided into four parts, J.S. Bach to Mozart (the baroque era), Mozart through Beethoven (the classic era), After Beethoven through Brahms (the romantic era), and After Brahms through the Present (the twentieth century), each part begins with an examination of the works composed in Germany, followed by Italy. European countries east of the north-south line through Germany and Italy appear next, followed by countries west of that line. The consistent organization in each part allows a quick comparison of the growing number of concerted works for harpsichord or piano in each era. When data is available, Harris lists the composers' birth and death dates, as well as dates of the musical compositions. The work includes a discography, bibliography, 46 tables of additional composers listed by country, a list of pertinent abbreviations, and index of composers.