"The essays in Conceiving the Empire: China and Rome Compared explore how the idea of 'empire' arose and developed in the two most powerful polities in antiquity. Extending its scope well beyond the notions of tianxia, 'All-under-Heaven' in China, and imperium in Rome, the volume deals with the mental images of 'empire' that emerged with the formation of political macro-entities in the East and in the West. Written by a team of experts in Sinology and Classical Studies, Conceiving the Empire concentrates on the essential feature of the ancient Mediterranean and Chinese worlds: the emergence of empire and the enduring influence of the imperial order."--BOOK JACKET.
The essays in Conceiving the Empire explore the mental images, ideas, and symbolical representations of `empire' which developed in the two most powerful political entities of antiquity: China and Rome. While the central focus is on historiography, other related fields are also explored: geography and cartography, epigraphy, art and architecture, and, more generally, political thought and the history of ideas. Written by a collaborative team of experts in Sinology and Classical Studies, the volume focuses the attention of the emerging discipline of East-West cross-cultural studies on an essential feature of the ancient Mediterranean and Chinese worlds: the emergence of `empire' and the enduring influence of the `imperial' order.
Early modern rulers believed that the more subjects over whom they ruled, the more powerful they would be. In 1666, France's Louis XIV and his minister Jean-Baptiste Colbert put this axiom into effect, instituting policies designed to encourage marriage and very large families. Their Edict on Marriage promised lucrative rewards to French men of all social statuses who married before age twenty-one or fathered ten or more living, legitimate children. So began a 150-year experiment in governing the reproductive process, the largest populationist initiative since the Roman Empire. Conceiving the Old Regime traces the consequences of premodern pronatalism for the women, men, and government officials tasked with procreating the abundant supply of soldiers, workers, and taxpayers deemed essential for France's glory. While everyone knew-in a practical rather than a scientific sense-how babies were made, the notion that humans should exercise control over reproduction remained deeply controversial in a Catholic nation. Drawing on a wealth of archival sources, Leslie Tuttle shows how royal bureaucrats mobilized the limited power of the premodern state in an attempt to shape procreation in the king's interest. By the late eighteenth century, marriage, reproduction, and family size came to be hot-button political issues, inspiring debates that contributed to the character of the modern French nation. Conceiving the Old Regime reveals the deep historical roots of France's perennial concern with population, and connects the intimate lives of men and women to the public world of power and the state.
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
"George Black rediscovers the history and lore of one of the planet's most magnificent landscapes. Read Empire of Shadows, and you'll never think of our first—in many ways our greatest—national park in the same way again." —Hampton Sides, author of Blood and Thunder Empire of Shadows is the epic story of the conquest of Yellowstone, a landscape uninhabited, inaccessible and shrouded in myth in the aftermath of the Civil War. In a radical reinterpretation of the nineteenth century West, George Black casts Yellowstone's creation as the culmination of three interwoven strands of history - the passion for exploration, the violence of the Indian Wars and the "civilizing" of the frontier - and charts its course through the lives of those who sought to lay bare its mysteries: Lt. Gustavus Cheyney Doane, a gifted but tormented cavalryman known as "the man who invented Wonderland"; the ambitious former vigilante leader Nathaniel Langford; scientist Ferdinand Hayden, who brought photographer William Henry Jackson and painter Thomas Moran to Yellowstone; and Gen. Phil Sheridan, Civil War hero and architect of the Indian Wars, who finally succeeded in having the new National Park placed under the protection of the US Cavalry. George Black1s Empire of Shadows is a groundbreaking historical account of the origins of America1s majestic national landmark.
Millions of laborers, from the Philippines to the Caribbean, performed the work of the United States empire. Forging a global economy connecting the tropics to the industrial center, workers harvested sugar, cleaned hotel rooms, provided sexual favors, and filled military ranks. Placing working men and women at the center of the long history of the U.S. empire, these essays offer new stories of empire that intersect with the “grand narratives” of diplomatic affairs at the national and international levels. Missile defense, Cold War showdowns, development politics, military combat, tourism, and banana economics share something in common—they all have labor histories. This collection challenges historians to consider the labor that formed, worked, confronted, and rendered the U.S. empire visible. The U.S. empire is a project of global labor mobilization, coercive management, military presence, and forced cultural encounter. Together, the essays in this volume recognize the United States as a global imperial player whose systems of labor mobilization and migration stretched from Central America to West Africa to the United States itself. Workers are also the key actors in this volume. Their stories are multi-vocal, as workers sometimes defied the U.S. empire’s rhetoric of civilization, peace, and stability and at other times navigated its networks or benefited from its profits. Their experiences reveal the gulf between the American ‘denial of empire’ and the lived practice of management, resource exploitation, and military exigency. When historians place labor and working people at the center, empire appears as a central dynamic of U.S. history.
The story of the world in the last five thousand years is above all the story of its languages. Some shared language is what binds any community together and makes possible both the living of a common history and the telling of it. Yet the history of the world's great languages has been very little told. Empires of the Word, by the wide-ranging linguist Nicholas Ostler, is the first to bring together the tales in all their glorious variety: the amazing innovations in education, culture, and diplomacy devised by speakers of Sumerian and its successors in the Middle East, right up to the Arabic of the present day; the uncanny resilience of Chinese through twenty centuries of invasions; the charmed progress of Sanskrit from north India to Java and Japan; the engaging self-regard of Greek; the struggles that gave birth to the languages of modern Europe; and the global spread of English. Besides these epic ahievements, language failures are equally fascinating: Why did German get left behind? Why did Egyptian, which had survived foreign takeovers for three millennia, succumb to Mohammed's Arabic? Why is Dutch unknown in modern Indonesia, though the Netherlands had ruled the East Indies for as long as the British ruled India? As this book splendidly and authoritatively reveals, the language history of the world shows eloquently the real character of peoples; and, for all the recent tehnical mastery of English, nothing guarantees our language's long-term preeminence. The language future, like the language past, will be full of surprises.
What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.” —Thomas E. Ricks The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse. In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a wide array of similarities between the two societies (The New York Times). Looking at the blinkered, insular culture of our capitals; the debilitating effect of bribery in public life; the paradoxical issue of borders; and the weakening of the body politic through various forms of privatization, Murphy persuasively argues that we most resemble Rome in the burgeoning corruption of our government and in our arrogant ignorance of the world outside—two things that must be changed if we are to avoid Rome’s fate. “Are We Rome? is just about a perfect book. . . . I wish every politician would spend an evening with this book.” —James Fallows
At the intersection of the history of knowledge and science, of European trade empires and the Mediterranean, this major empirical study presents a new method for understanding the history of ignorance across politics, religion, history and science during the early Enlightenment.
Patterns of Empire comprehensively examines the two most powerful empires in modern history: the United States and Britain. Challenging the popular theory that the American empire is unique, Patterns of Empire shows how the policies, practices, forms and historical dynamics of the American empire repeat those of the British, leading up to the present climate of economic decline, treacherous intervention in the Middle East and overextended imperial confidence. A critical exercise in revisionist history and comparative social science, this book also offers a challenging theory of empire that recognizes the agency of non-Western peoples, the impact of global fields and the limits of imperial power.
