Majoring in Music

Majoring in Music

Author: Rich Holly

Publisher: Meredith Music

Published: 2009

Total Pages: 100

ISBN-13: 9781574631500

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Offers tips, strategies, and advice on pursuing a music study program at a college, university, or conservatory.


Complete Method for Rhythmical Articulation

Complete Method for Rhythmical Articulation

Author: Pasquale Bona

Publisher: Courier Dover Publications

Published: 2024-06-12

Total Pages: 81

ISBN-13: 0486852938

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Pasquale Bona provides 120 études featuring practical methods for learning respective time values within the context of musical phrases, from the basic principles of rhythm theory to the different types of articulation and their applications.


Hal Leonard Ocarina Method

Hal Leonard Ocarina Method

Author: Cris Gale

Publisher: Hal Leonard Corporation

Published: 2016-06-01

Total Pages: 132

ISBN-13: 1495072274

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(Ocarina). The Hal Leonard Ocarina Method is a comprehensive, easy-to-use beginner's guide, designed for anyone just learning to play the ocarina. Inside you'll find loads of techniques, tips and fun songs to learn and play. The accompanying online video, featuring author Cris Gale, provides further instruciton as well as demonstrations of the music in the book. Topics covered include: a history of the ocarina * types of ocarinas * breathing and articulation * note names and key signatures * meter signatures and rhythmic notation * fingering charts * many classic folksongs * and more.


ViolinMind

ViolinMind

Author: Hans Jørgen Jensen

Publisher: Ovation Press, Ltd.

Published: 2019-09-12

Total Pages: 156

ISBN-13:

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ViolinMind is a pedagogical method book that focuses on intonation. It is a transcription for the violin of CelloMind published in 2017 by Ovation Press, Ltd. The co-authors of ViolinMind are Hans Jørgen Jensen, Professor of Cello at the Bienen School of Music at Northwestern University and Grigory Kalinovsky, Professor of Music (Violin) at Indiana University Jacobs School of Music. The mystery of intonation is dissected by defining the scientific principles behind it, and providing easy, intuitive examples of the three main kinds of intonation systems used today: Equal Temperament, Just, and Pythagorean. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense of pitch and harmonic color; however, ViolinMind breaks down this barrier using a highly detailed, systematic approach, making the process of acquiring a sophisticated sense of intonation similar to any other technical skill. Chapters in the book explore in great detail topics such as the harmonic overtone series, the scientific principles behind Cents, the syntonic comma, the just scales, the Pythagorean comma, the Pythagorean semitones, advanced sympathetic vibrations, Tartini tones, and double stops studies in tritones. All chapters in the book include numerous practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: intonation performance practice in the Bach Sonatas and Partitas for Violin Solo (BWV 1001-1006), and intonation performance practice with piano. The appendices in the book provide detailed explanations about the Helmholtz intonation chart, the harmonic series, just intonation, the Schisma, as well as an illustration of two violin fingerboards from two method books from the 18th century showing pitch distribution for just intonation and Pythagorean intonation respectively.


Fundamentals of Guitar

Fundamentals of Guitar

Author: Miles Okazaki

Publisher: Mel Bay Publications

Published: 2015-02-25

Total Pages: 173

ISBN-13: 1619114860

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This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.


Melodic Rhythms for Guitar (Music Instruction)

Melodic Rhythms for Guitar (Music Instruction)

Author: William Leavitt

Publisher: Hal Leonard Corporation

Published: 1986-11-01

Total Pages: 83

ISBN-13: 1476867208

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(Guitar Method). A thorough presentation of rhythms commonly found in contemporary music, including 68 harmonized melodies and 42 rhythm exercises. This highly respected and popular book is also an excellent source for duets, sight-reading and chord studies.


Gekeler Method for Oboe, Book II

Gekeler Method for Oboe, Book II

Author: Kenneth Gekeler

Publisher: Alfred Music

Published: 1999-10-16

Total Pages: 52

ISBN-13: 9781457450853

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The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.