All 19 Rhapsodies reproduced directly from an authoritative Russian edition. All headings, footnotes translated to English. Best one-volume edition available.
Like the renowned American writer Edmund Wilson, who began to learn Hungarian at the age of 65, Richard Teleky started his study of that difficult language as an adult. Unlike Wilson, he is a third-generation Hungarian American with a strong desire to understand how his ethnic background has affected the course of his life. “Exploring my ethnicity,” he writes, “became a way of exploring the arbitrary nature of my own life. It was not so much a search for roots as for a way of understanding rootlessness - how I stacked up against another way of being.” He writes with clarity, perception, and humor about a subject of importance to many Americans - reconciling their contemporary identity with a heritage from another country. From an examination of photographer Andre Kertesz to a visit to a Hungarian American church in Cleveland, from a consideration of stereotypical treatment of Hungarians in North American fiction and film to a description of the process of translating Hungarian poetry into English, Teleky’s interests are wide-ranging. he concludes with an account of his first visit to Hungary at the end of Soviet rule.
Masterworks of the 19th-century composer include Hungarian Rhapsody No. 2 in C-sharp minor, Consolation No. 3 in D-flat major, Liebestraum No. 3 in A-flat major, La Campanella (Paganini Etude No. 3), and 9 others.
This is a comprehensive history of a legendarily proud and passionate but lonely people. Much of Europe once knew them as child-devouring cannibals and bloodthirsty Huns but it was not long before the Hungarians became steadfast defenders of Christendom and fought heroic freedom struggles against the Tartars, the Turks and, among others, the Russians.
These 24 works reveal Debussy's genius: "La Cathedrale engloutie," "Ondine," "La fille aux cheveux de lin," "Feuilles mortes," "Ce qu'a vu le Vent d'Ouest," many more. Glossary of French terms.
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.