Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
A three-volume series that provides the intermediate-level pianist with classical music that is appropriate for the worship service. Pieces are arranged in each volume alphabetically and by classification (Preludes, Offertories, Solos, Postludes).
This book contains a collection of three research papers during undergraduate coursework by Daniel Szelogowski. The works recall three lesser-known composers: Francesco Landini, Frederic Chopin, and Karol Szymanowski -- all of which have many sources of misinformation or lack of information overall.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
American composer Abram Chasins became well known for his solo piano suite Three Chinese Pieces (1926). Each movement sounds out the mood implied by its title: sorrow ("A Shanghai Tragedy"), romance ("Flirtation in a Chinese Garden"), and breathtaking frenzy ("Rush Hour in Hong Kong"). Tempos and technical demands fluctuate from Lento through Presto agitato. Titles: * A Shanghai Tragedy * Flirtation in a Chinese Garden (for the White Keys Only) * Rush Hour in Hong Kong
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Seven Toccatas, BWV 910--916 is based on Bischoff's analysis of manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Like the two-part inventions, Bach's three-part inventions (also known as Sinfonias) were composed as instructional material for his son, Wilhelm Friedemann. In researching the sinfonias, Willard A. Palmer discovered that previous editors had misinterpreted an important note in Sinfonia No. 11. Such careful research is a hallmark of Palmer's Bach editions.