Women Writing Music in Late Eighteenth-Century England

Women Writing Music in Late Eighteenth-Century England

Author: Leslie Ritchie

Publisher: Routledge

Published: 2017-07-05

Total Pages: 288

ISBN-13: 1351536613

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Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.


Grammars, Grammarians and Grammar-Writing in Eighteenth-Century England

Grammars, Grammarians and Grammar-Writing in Eighteenth-Century England

Author: Ingrid Tieken-Boon van Ostade

Publisher: Walter de Gruyter

Published: 2008-08-27

Total Pages: 373

ISBN-13: 3110199181

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The book offers insight into the publication history of eighteenth-century English grammars in unprecedented detail. It is based on a close analysis of various types of relevant information: Alston's bibliography of 1965, showing that this source needs to be revised urgently; the recently published online database Eighteenth Century Collections Online (ECCO) with respect to sources of information never previously explored or analysed (such as book catalogues and library catalogues); Carol Percy's database on the reception of eighteenth-century grammars in contemporary periodical reviews; and so-called precept corpora containing data on the treatment in a large variety of grammars (and other works) of individual grammatical constructions. By focussing on individual grammars and their history a number of long-standing questions are solved with respect to the authorship of particular grammars and related work (the Brightland/Gildon grammar and the Bellum Grammaticale; Ann Fisher's grammar) while new questions are identified, such as the significant change of approach between the publication of one grammar and its second edition of seven years later (Priestley), and the dependence of later practical grammars (for mothers and their children) on earlier publications. The contributions present a view of the grammarians as individuals with (or without) specific qualifications for undertaking what they did, with their own ideas on teaching methodology, and as writers ultimately engaged in the common aim presenting practical grammars of English to the general public. Interestingly - and importantly - this collection of articles demonstrates the potential of ECCO as a resource for further research in the field.


The Temporality of Taste in Eighteenth-Century British Writing

The Temporality of Taste in Eighteenth-Century British Writing

Author: James Noggle

Publisher: Oxford University Press

Published: 2012-02-09

Total Pages: 245

ISBN-13: 0199642435

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This book discusses the disruptive power of the concept of taste in the works of a number of important British writers, including poets such as Alexander Pope and Joseph Warton, philosophical historians such as David Hume and Anna Barbauld, and novelists such as Frances Burney and William Beckford.


The Writing of Urban Histories in Eighteenth-century England

The Writing of Urban Histories in Eighteenth-century England

Author: Rosemary Sweet

Publisher: Oxford University Press

Published: 1997

Total Pages: 374

ISBN-13: 9780198206699

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This text provides an analysis of 18th-century urban culture and local historical scholarship. The author shows how a sense of the past was crucial not only in instilling civic pride and shaping a sense of community, but also in informing contests for power and influence in the local community.


Women Writing Music in Late Eighteenth-Century England

Women Writing Music in Late Eighteenth-Century England

Author: Leslie Ritchie

Publisher: Routledge

Published: 2017-07-05

Total Pages: 280

ISBN-13: 1351536621

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Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.


British Women's Writing in the Long Eighteenth Century

British Women's Writing in the Long Eighteenth Century

Author: J. Batchelor

Publisher: Springer

Published: 2005-07-25

Total Pages: 201

ISBN-13: 0230595979

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A constellation of new essays on authorship, politics and history, British Women's Writing in the Long Eighteenth Century: Authorship, Politics and History presents the latest thinking about the debates raised by scholarship on gender and women's writing in the long eighteenth century. The essays highlight the ways in which women writers were key to the creation of the worlds of politics and letters in the period, reading the possibilities and limits of their engagement in those worlds as more complex and nuanced than earlier paradigms would suggest. Contributors include Norma Clarke, Janet Todd, Brian Southam , Harriet Guest, Isobel Grundy and Felicity Nussbaum. Published in association with the Chawton House Library, Hampshire - for more information, visit http://www.chawton.org/


Books and Their Readers in 18th Century England

Books and Their Readers in 18th Century England

Author: Isabel Rivers

Publisher: A&C Black

Published: 2003-06-01

Total Pages: 306

ISBN-13: 1847144004

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This collection of eight new essays investigates ways in which significant kinds of 18th-century writings were designed and received by different audiences. Rivers explores the answers to certain crucial questions about the contemporary use of books. This new edition contains the results of important new research by well known specialists in the field of book and publishing history over the last two decades.


The History of British Women's Writing, 1690 - 1750

The History of British Women's Writing, 1690 - 1750

Author: R. Ballaster

Publisher: Springer

Published: 2010-09-10

Total Pages: 303

ISBN-13: 0230298354

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This volume charts the most significant changes for a literary history of women in a period that saw the beginnings of a discourse of 'enlightened feminism'. It reveals that women engaged in forms old and new, seeking to shape and transform the culture of letters rather than simply reflect or respond to the work of their male contemporaries.