Comparative Physiognomy

Comparative Physiognomy

Author: James W. Redfield

Publisher:

Published: 2015-09-27

Total Pages: 340

ISBN-13: 9781330625385

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Excerpt from Comparative Physiognomy: Or Resemblances Between Men and Animals The word preface is an indication that a book, like its author, must have a face; and unless it be a misnomer, there is no reason why it should not be illustrated with faces. That it comes first and foremost it would be useless to observe, had not certain persons been inclined to put it in the background. We will slate frankly, at the outset, that this particular preface is intended to "face down" - not by "barefaced assertions," but by a presentation of faces and arguments - the unjust treatment to which the face has been subjected. Why should a periodical, that professes to be a "Journal" of Phrenology and of kindred sciences, look out at the back of its head whenever it takes a peep at Physiognomy? We know not, but humanity claims that the eyes in such a case should be set right. Wo address ourselves, therefore, to answering the objections contained in two articles on this subject in the "Phrenological Journal," both of them new-year's presents, for which we have reason to be thankful. The first formidable obstacle we meet with is this: "The naked skull of poor Yorick, notwithstanding its yawning eye-sockets and ghastly grin, presents the evidences of his former warmth of affection and his racy wit, although the signs of these emotions in the face are obliterated for ever." Is there, then, nothing left of the skull but the cranial portion? and does not Physiognomy claim that the character is indicated in the features of the face, as well as in the expressions? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


What It Means to be Human

What It Means to be Human

Author: Joanna Bourke

Publisher: Catapult

Published: 2013-07-23

Total Pages: 481

ISBN-13: 1619021676

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In 1872, a woman known only as "An Earnest Englishwoman" published a letter titled "Are Women Animals?" in which she protested against the fact that women were not treated as fully human. In fact, their status was worse than that of animals: regulations prohibiting cruelty against dogs, horses, and cattle were significantly more punitive than laws against cruelty to women. The Earnest Englishwoman's heartfelt cry was for women to "become–animal" in order to gain the status that they were denied on the grounds that they were not part of "mankind." In this fascinating account, Joanna Bourke addresses the profound question of what it means to be "human" rather than "animal." How are people excluded from political personhood? How does one become entitled to rights? The distinction between the two concepts is a blurred line, permanently under construction. If the Earnest Englishwoman had been capable of looking 100 years into the future, she might have wondered about the human status of chimeras, or the ethics of stem cell research. Political disclosures and scientific advances have been re–locating the human–animal border at an alarming speed. In this meticulously researched, illuminating book, Bourke explores the legacy of more than two centuries, and looks forward into what the future might hold for humans, women, and animals.


Framing the Victorians

Framing the Victorians

Author: Jennifer Green-Lewis

Publisher: Cornell University Press

Published: 1996

Total Pages: 284

ISBN-13: 9780801432767

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A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision. Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed. Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.


Pre-Raphaelite Masculinities

Pre-Raphaelite Masculinities

Author: Dr Amelia Yeates

Publisher: Ashgate Publishing, Ltd.

Published: 2014-06-28

Total Pages: 265

ISBN-13: 1409455580

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Paying particular attention to the representation of non-normative or alternative masculinities, the contributors to Pre-Raphaelite Masculinities examine the works of Dante Gabriel Rossetti, William Morris, Edward Burne-Jones, William Bell Scott, William Holman Hunt, among others, to show how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement.


Humans and Other Animals in Eighteenth-century British Culture

Humans and Other Animals in Eighteenth-century British Culture

Author: Frank Palmeri

Publisher: Ashgate Publishing, Ltd.

Published: 2006

Total Pages: 256

ISBN-13: 9780754654759

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This collection examines changing perceptions of and relations between humans and nonhuman animals in Britain. As the contributors pose questions related to modes of representing animals and animal-human hybrids, Gulliver's Travels and works by Mary and Percy Shelley emerge as key texts. The volume will interest scholars, students, and general readers concerned with the representation of animals and ethical issues raised by the human uses of other animals.