Communitas. Means of Livelihood and Ways of Life. [With Illustrations.].
Author: Percival GOODMAN (and GOODMAN (Paul) Ph.D.)
Publisher:
Published: 1947
Total Pages: 141
ISBN-13:
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Author: Percival GOODMAN (and GOODMAN (Paul) Ph.D.)
Publisher:
Published: 1947
Total Pages: 141
ISBN-13:
DOWNLOAD EBOOKAuthor: Percival Goodman
Publisher: Columbia University Press
Published: 1990
Total Pages: 306
ISBN-13: 9780231072984
DOWNLOAD EBOOK-- Lewis Mumford
Author: Percival Goodman
Publisher:
Published: 1960
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKAuthor: Arthur C. Comey
Publisher:
Published: 1947
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1947
Total Pages: 4
ISBN-13:
DOWNLOAD EBOOKAuthor: Gloria Sutton
Publisher: MIT Press
Published: 2015-02-20
Total Pages: 272
ISBN-13: 0262324245
DOWNLOAD EBOOKAn argument that the collaborative multimedia projects produced by Stan VanDerBeek in the 1960s and 1970s anticipate contemporary new media and participatory art practices. In 1965, the experimental filmmaker Stan VanDerBeek (1927–1984) unveiled his Movie-Drome, made from the repurposed top of a grain silo. VanDerBeek envisioned Movie-Drome as the prototype for a communications system—a global network of Movie-Dromes linked to orbiting satellites that would store and transmit images. With networked two-way communication, Movie-Dromes were meant to ameliorate technology's alienating impulse. In The Experience Machine, Gloria Sutton views VanDerBeek—known mostly for his experimental animated films—as a visual artist committed to the radical aesthetic sensibilities he developed during his studies at Black Mountain College. She argues that VanDerBeek's collaborative multimedia projects of the 1960s and 1970s (sometimes characterized as “Expanded Cinema”), with their emphases on transparency of process and audience engagement, anticipate contemporary art's new media, installation, and participatory practices. VanDerBeek saw Movie-Drome not as pure cinema but as a communication tool, an “experience machine.” In her close reading of the work, Sutton argues that Movie-Drome can be understood as a programmable interface. She describes the immersive experience of Movie-Drome, which emphasized multi-sensory experience over the visual; display strategies deployed in the work; the Poemfield computer-generated short films; and VanDerBeek's interest, unique for the time, in telecommunications and computer processing as a future model for art production. Sutton argues that visual art as a direct form of communication is a feedback mechanism, which turns on a set of relations, not a technology.
Author: Alison Ravetz
Publisher: Routledge
Published: 2013-10-08
Total Pages: 384
ISBN-13: 1135007039
DOWNLOAD EBOOKThis book, published in 1980, is an iconoclastic account of one of the pillars of the welfare state, British town and country planning, between 1945 and 1975. Always a fine balance between central control and market forces, it was challenged by strains within and between the environmental professions and protest by people dispossessed or alienated by re-shaped urban environments. Remaking Cities critiques the export of western-style planning to the developing world and reviews initiatives rooted in different understandings of ‘growth’ appearing in those years. Nearly forty years on, many of the same issues beset us, notably the depressingly familiar inner city problem, despite countless reports, funds and ‘programmes’. But now our infrastructure and services, once publicly owned, are privatised and fragmented, and local government progressively relegated. The very core of planning, development control, is being pared in a struggle to regain the ‘growth’ which led to our current crisis. This gives fresh importance to the need for new modes of creating liveable, sustainable environments, emphasised in this important work.
Author: Casey Nelson Blake
Publisher: Rowman & Littlefield
Published: 2019-12-03
Total Pages: 359
ISBN-13: 1442226765
DOWNLOAD EBOOKAt a time when American political and cultural leaders asserted that the nation stood at “the center of world awareness,” thinkers and artists sought to understand and secure principles that lay at the center of things. From the onset of the Cold War in 1948 through 1963, they asked: What defined the essential character of “American culture”? Could permanent moral standards guide human conduct amid the flux and horrors of history? In what ways did a stable self emerge through the life cycle? Could scientific method rescue truth from error, illusion, and myth? Are there key elements to democracy, to the integrity of a society, to order in the world? Answers to such questions promised intellectual and moral stability in an age haunted by the memory of world war and the possibility of future devastation on an even greater scale. Yet other key figures rejected the search for a center, asserting that freedom lay in the dispersion of cultural energies and the plurality of American experiences. In probing the centering impulse of the era, At the Center offers a unique perspective on the United States at the pinnacle of its power.
Author:
Publisher:
Published: 1970-03-30
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOKNew York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Diane Rothbard Margolis
Publisher: New Village Press
Published: 2022-08-23
Total Pages: 240
ISBN-13: 1613321791
DOWNLOAD EBOOKDescribes the development of one of the first cohousing communities in the U.S. offering a social understanding of its commons. Cohousing, a form of communal living that clusters around shared common space, began about a half century ago in Denmark. We Built a Village describes the process of planning and building of an early cohousing community in Cambridge, Massachusetts, and the way the people involved simultaneously built their homes and their social structure. As both a memoir and a sociological analysis that probes the differences between commons and markets, it is unique among books about cohousing. When this group of people began in the late 1990s to construct their cohousing community, they set in motion a counterpoint between the physical spaces and the social configurations that would guide their lives together, even up to creative responses to the recent pandemic.