Agrippa is known for three books: Natural Magic, Celestial Magic, and Ceremonial Magic. Until Donald Tyson translated books 2 and 3 in 1993, Agrippa's work was not available in English. Schrodter has taken portions of these books -- published in German, and added his own notes and research showing that some of the points Agrippa was making are still valid today.
AGRIPPA, THE 16TH-CENTURY PHILOSOPHER, published a well-known and often referenced esoteric classic -- Three Books of Occult Philosophy (Natural Magic, Celestial Magic, and Ceremonial Magic). Until recently these three volumes were hard to find in English, although they had been translated in the 17th century and published in England. Willy Schrodter saw the value in these texts from a contemporary point of view, and compiled copious notes and commentary on many of the subjects mentioned in Agrippa's opus. His research makes Agrippa understandable, providing scientific confirmation for Agrippa's seemingly outlandish claims with carefully documented parallel cases. It is Schrodter's illuminating examples, taken from the most varied fields of research, that constitute the real and lasting value of this compilation.
This book is incredibly valuable to students of various esoteric traditions because the notes and excerpts are taken from private and previously unpublished sources, and from authors whose out-of-print books are not readily accessible. Interesting information has been collected and annotated concerning such topics as blood telegraphy, ever-burning lamps, optics, spiritual skills in healing, transplantation, apparent death, isopathy, and magnetism. Includes a look into a Rosicrucian workshop.
• Corrects the many mistranslations, copyist mistakes, and errors introduced from other editions, drawing on new research and access to Agrippa’s source texts • Restores all of Agrippa’s original illustrations • Presents a nearly complete bibliography of Agrippa’s primary sources One of the most important texts in the Western magical tradition for nearly 500 years, Heinrich Cornelius Agrippa’s 1533 work Three Books of Occult Philosophy collates a multitude of sources from the Classical, Medieval, and Renaissance periods and organizes them into a coherent explanation of the magical world. Divided into three parts--the natural world, the celestial world, and the divine world--the book systematically explains the philosophy, logic, and methods of magic and astrology and how they work, offering numerous examples, diagrams, techniques, and analogies. Agrippa’s seminal masterpiece provided the basis for 19th-century magical orders such as the Golden Dawn and has been a primary source for countless books on magical uses of stones, herbs, incense, and astrology. Additionally, Agrippa’s many lists and diagrams, especially the planetary seals and magic squares, have proven invaluable to magicians since the 16th century. Yet, up until now, all English editions of Agrippa’s Three Books were based on the same flawed 1651 translation from the mysterious “J.F.” In this new translation from the original 1533 Latin edition, Eric Purdue corrects the many mistranslations, copyist mistakes, and errors introduced from other editions, as well as restores all of Agrippa’s original illustrations. He notates every correction from earlier editions and offers commentary to rectify the original translator’s mistranslations. Drawing on major developments in the research of older magical and astrological texts since the 1990s, Purdue also presents a nearly complete bibliography of Agrippa’s primary sources, revealing how Agrippa was not writing from missing or secret texts but was a mainstream scholar of his day. Presenting the first new English translation of Three Books of Occult Philosophy in more than 350 years, this three-volume hardcover boxed set repairs the gaps in knowledge pervasive in the original translation as well as restores the magical spirit of Agrippa’s masterpiece, allowing us to hear Agrippa speak again.
Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today.
It is hard to overestimate the importance of the contribution made by Dame Frances Yates to the serious study of esotericism and the occult sciences. To her work can be attributed the contemporary understanding of the occult origins of much of Western scientific thinking, indeed of Western civilization itself. The Occult Philosophy of the Elizabethan Age was her last book, and in it she condensed many aspects of her wide learning to present a clear, penetrating, and, above all, accessible survey of the occult movements of the Renaissance, highlighting the work of John Dee, Giordano Bruno, and other key esoteric figures. The book is invaluable in illuminating the relationship between occultism and Renaissance thought, which in turn had a profound impact on the rise of science in the seventeenth century. Stunningly written and highly engaging, Yates' masterpiece is a must-read for anyone interested in the occult tradition.
Translation of the anonymous 2 volume Latin manuscript, compiled from around 1577 to sometime after 1583, and held at the Folger Shakespeare Library in Washington, D.C, number V.b.26.
As the title testifies, students were sworn to secrecy before being given access to this magic text, and only a few manuscripts have survived. Bits of its teachings, such as the use of the magic whistle for summoning spirits, are alluded to in other texts. Another key element of its ritual, the elaborate “Seal of God,” has been found in texts and amulets throughout Europe. Interest in The Sworn Book of Honorius has grown in recent years, yet no modern translations have been attempted—until now. Purporting to preserve the magic of Solomon in the face of intense persecution by religious authorities, this text includes one of the oldest and most detailed magic rituals. It contains a complete system of magic including how to attain the divine vision, communicate with holy angels, and control aerial, earthly, and infernal spirits for practical gain. Largely ignored by historians until recently, this text is an important witness to the transmission of Kabbalah and Jewish mysticism to European Hermeticists.
