Syllabus

Syllabus

Author: Lynda Barry

Publisher: Drawn & Quarterly

Published: 2021-04-16

Total Pages: 204

ISBN-13: 177046543X

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Writing exercises and creativity advice from Barry's pioneering, life-changing workshop The award-winning author Lynda Barry is the creative force behind the genre-defying and bestselling work What It Is. She believes that anyone can be a writer and has set out to prove it. For the past decade, Barry has run a highly popular writing workshop for nonwriters called Writing the Unthinkable, which was featured in The New York Times Magazine. Syllabus: Notes from an Accidental Professor is the first book to make her innovative lesson plans and writing exercises available to the public for home or classroom use. Barry teaches a method of writing that focuses on the relationship between the hand, the brain, and spontaneous images, both written and visual. It has been embraced by people across North America—prison inmates, postal workers, university students, high-school teachers, and hairdressers—for opening pathways to creativity. Syllabus takes the course plan for Barry’s workshop and runs wild with it in her densely detailed signature style. Collaged texts, ballpoint-pen doodles, and watercolor washes adorn Syllabus’s yellow lined pages, which offer advice on finding a creative voice and using memories to inspire the writing process. Throughout it all, Barry’s voice (as an author and as a teacher-mentor) rings clear, inspiring, and honest.


Unflattening

Unflattening

Author: Nick Sousanis

Publisher: Harvard University Press

Published: 2015-04-20

Total Pages: 209

ISBN-13: 0674744438

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The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page. In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.


We Have Demons

We Have Demons

Author: Scott Snyder

Publisher: Dark Horse Comics

Published: 2022-10-18

Total Pages: 204

ISBN-13: 1506728332

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From comic-book superstars SCOTT SNYDER and GREG CAPULLO (Batman, Batman: Last Knight on Earth, Dark Nights: Metal & Death Metal) comes a new blockbuster series of biblical proportions. Since the very dawn of man, legends have been told of the conflict between angel and demon-kind. Lam Lyle, a woman of science, dismissed these stories as just that — fiction. But when the loss of a loved one leads to the discovery of a hulking, benevolent demon named Gus, Lam realizes that her life is about to undergo a dire new direction. With a newfound partner and awesome powers now at her disposal, our hero suddenly finds herself thrust into a climactic war of good and evil with no less than the fate of the world hanging in the balance… Includes sketch material and original scripts.


Graphic Novels and Comics in the Classroom

Graphic Novels and Comics in the Classroom

Author: Carrye Kay Syma

Publisher: McFarland

Published: 2013-06-18

Total Pages: 299

ISBN-13: 1476601976

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Sequential art combines the visual and the narrative in a way that readers have to interpret the images with the writing. Comics make a good fit with education because students are using a format that provides active engagement. This collection of essays is a wide-ranging look at current practices using comics and graphic novels in educational settings, from elementary schools through college. The contributors cover history, gender, the use of specific graphic novels, practical application and educational theory. Instructors considering this book for use in a course may request an examination copy here.


Missile Mouse

Missile Mouse

Author: Jake Parker

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780545117173

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Missile Mouse, a secret agent for the Galactic Security Agency, must battle evil King Bognarsh who has enslaved an entire planet.


Stan Lee's Master Class

Stan Lee's Master Class

Author: Stan Lee

Publisher: Watson-Guptill

Published: 2019-11-26

Total Pages: 226

ISBN-13: 0823098443

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From the co-creator of the Mighty Marvel Universe and some of the most popular comic book characters of all time comes an in-depth comics drawing instruction book revealing the tools, styles, and techniques of today's top comics artists. Focusing on topics like anatomy, perspective, and character design, as well as brand new topics like manga art styles, digital art, and more, Stan Lee's Master Class is the next step for those looking to perfect their superhero rendering and create fantastic worlds perfect for today's modern comic book audience. With examples from his classic collaborations at Marvel Comics and from today's top comics artists, Lee builds on concepts only touched upon in his previous instructional offerings and provides a pathway for aspiring artists to bring their comic book artwork to professional-quality levels. Advance praise for Stan Lee’s Master Class “Stan Lee dedicated his life to perfecting the art and craft of comic book storytelling. Stan Lee’s Master Class distills his decades of experience into practical and clearly explained lessons to help you make the best comics you can. It’s like having Stan looking over your shoulder.”—Danny Fingeroth, longtime colleague of Stan Lee, and author of A Marvelous Life: The Amazing Story of Stan Lee


Comics Class

Comics Class

Author: Matthew Forsythe

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780986873966

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Publication location from publisher's Web site.


Class, Please Open Your Comics

Class, Please Open Your Comics

Author: Matthew L. Miller

Publisher: McFarland

Published: 2015-04-22

Total Pages: 283

ISBN-13: 1476619174

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Comics and sequential art are increasingly in use in college classrooms. Multimodal, multimedia and often collaborative, the graphic narrative format has entered all kinds of subject areas and its potential as a teaching tool is still being realized. This collection of new essays presents best practices for using comics in various educational settings, beginning with the basics. Contributors explain the need for teachers to embrace graphic novels. Multimodal composition is demonstrated by the use of comics. Strategies are offered for teachers who have struggled with weak visual literacy skills among students. Student-generated comics are discussed with several examples. The teaching of postmodern theories and practices through comics is covered. An appendix features assignment sheets so teachers can jump right in with proven exercises.


Why Comics?

Why Comics?

Author: Hillary Chute

Publisher: HarperCollins

Published: 2017-12-05

Total Pages: 472

ISBN-13: 0062476815

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A New York Times Notable Book Filled with beautiful color art, dynamic storytelling, and insightful analysis, Hillary Chute reveals what makes one of the most critically acclaimed and popular art forms so unique and appealing, and how it got that way. “In her wonderful book, Hillary Chute suggests that we’re in a blooming, expanding era of the art… Chute’s often lovely, sensitive discussions of individual expression in independent comics seem so right and true.” — New York Times Book Review Over the past century, fans have elevated comics from the back pages of newspapers into one of our most celebrated forms of culture, from Fun Home, the Tony Award–winning musical based on Alison Bechdel’s groundbreaking graphic memoir, to the dozens of superhero films that are annual blockbusters worldwide. What is the essence of comics’ appeal? What does this art form do that others can’t? Whether you’ve read every comic you can get your hands on or you’re just starting your journey, Why Comics? has something for you. Author Hillary Chute chronicles comics culture, explaining underground comics (also known as “comix”) and graphic novels, analyzing their evolution, and offering fascinating portraits of the creative men and women behind them. Chute reveals why these works—a blend of concise words and striking visuals—are an extraordinarily powerful form of expression that stimulates us intellectually and emotionally. Focusing on ten major themes—disaster, superheroes, sex, the suburbs, cities, punk, illness and disability, girls, war, and queerness—Chute explains how comics get their messages across more effectively than any other form. “Why Disaster?” explores how comics are uniquely suited to convey the scale and disorientation of calamity, from Art Spiegelman’s representation of the Holocaust and 9/11 to Keiji Nakazawa’s focus on Hiroshima. “Why the Suburbs?” examines how the work of Chris Ware and Charles Burns illustrates the quiet joys and struggles of suburban existence; and “Why Punk?” delves into how comics inspire and reflect the punk movement’s DIY aesthetics—giving birth to a democratic medium increasingly embraced by some of today’s most significant artists. Featuring full-color reproductions of more than one hundred essential pages and panels, including some famous but never-before-reprinted images from comics legends, Why Comics? is an indispensable guide that offers a deep understanding of this influential art form and its masters.