The Tragedy Series

The Tragedy Series

Author: Benjamin Dewey

Publisher: St. Martin's Griffin

Published: 2015-03-17

Total Pages: 612

ISBN-13: 146686608X

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Benjamin Dewey's The Tragedy Series is an addictive collection of funny-sad comics based on the popular Tumblr blog. Welcome and good tidings, ladies, gentlemen, and all manner of upstanding, sentient beasts. The book you hold in your hands (pinchers, tentacles, paws, etc.), is a guide to avoiding the more common pitfalls that appear after parting ways with lady luck. You need not be duped by a collection of rats in an elaborate costume, dressed as a handsome suitor, or experience the embarrassment so many have already endured after bringing their ordinarily well-behaved, large sea mammal to an art gallery only to see cultural treasures defiled by inadvertent clumsiness arising from a frame better built for the confines of Poseidon's realm. More than five hundred unfortunate results of the manifold paths our life may offer have been helpfully diagramed for you along with positive affirmations of this veil's wonders and much more! Alexander the Great once remarked that "upon the conduct of each depends the fate of all" and his words may be taken as injunction to obtain this volume for your very own to ensure the continued security of our very civilization.


Comic Tragedies

Comic Tragedies

Author: Louisa May Alcott

Publisher: BoD – Books on Demand

Published: 2019-09-25

Total Pages: 138

ISBN-13: 373407620X

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Reproduction of the original: Comic Tragedies by Louisa May Alcott


The Comic Matrix of Shakespeare's Tragedies

The Comic Matrix of Shakespeare's Tragedies

Author: Susan Snyder

Publisher: Princeton University Press

Published: 2019-01-29

Total Pages: 196

ISBN-13: 0691196613

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Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear. The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound. In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity. Susan Snyder is Professor of English at Swarthmore College. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Comic Matrix of Shakespeare's Tragedies

The Comic Matrix of Shakespeare's Tragedies

Author: Susan Snyder

Publisher: Princeton University Press

Published: 2019-01-29

Total Pages: 197

ISBN-13: 0691196621

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Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear. The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound. In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity. Susan Snyder is Professor of English at Swarthmore College. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Tragedy on the Comic Stage

Tragedy on the Comic Stage

Author: Matthew C. Farmer

Publisher: Oxford University Press

Published: 2017

Total Pages: 289

ISBN-13: 0190492074

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Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.


The Trojan Women: A Comic

The Trojan Women: A Comic

Author: Euripides

Publisher: New Directions Publishing

Published: 2021-05-25

Total Pages: 84

ISBN-13: 0811230805

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A fantastic comic-book collaboration between the artist Rosanna Bruno and the poet Anne Carson, based on Euripides’s famous tragedy A NEW YORK TIMES BEST GRAPHIC NOVEL OF 2021 Here is a new comic-book version of Euripides’s classic The Trojan Women, which follows the fates of Hekabe, Andromache, and Kassandra after Troy has been sacked and all its men killed. This collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson attempts to give a genuine representation of how human beings are affected by warfare. Therefore, all the characters take the form of animals (except Kassandra, whose mind is in another world).


Paracomedy

Paracomedy

Author: Craig Jendza

Publisher: Oxford University Press

Published: 2020-04-07

Total Pages: 240

ISBN-13: 0190090944

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Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.


Disasters in History

Disasters in History

Author: Donald B. Lemke

Publisher: Capstone

Published: 2021-08

Total Pages: 225

ISBN-13: 166631532X

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True-life tragedies jump off the page in this dynamic collection of graphic novels. From the Triangle Shirtwaist Factory fire and the surprise attack on Pearl Harbor to the Great Chicago Fire and the space shuttle Challenger explosion, step back in time to experience some of the worst disasters in history. With eight stories in all, this riveting collection helps readers understand how the most devastating events in history happened and provides valuable perspectives on the lessons that rose from the ashes of despair.


Tragic Failures

Tragic Failures

Author: Evina Sistakou

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2016-07-11

Total Pages: 262

ISBN-13: 3110482320

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This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius’ epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius’ Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.