Comic Cavalcade (1942-) #12

Comic Cavalcade (1942-) #12

Author: Joye Murchison

Publisher: DC Comics

Published: 2017-06-01

Total Pages: 70

ISBN-13:

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While Wonder Woman is on Paradise Island showing films of her various exploits, one renegade Amazon escapes to the Man's World. She later captures Steve Trevor and Wonder Woman, then forces the Amazon Princess to return her to Reform Island.


Comic Cavalcade (1942-) #13

Comic Cavalcade (1942-) #13

Author: Joye Murchison

Publisher: DC Comics

Published: 2017-06-01

Total Pages: 68

ISBN-13:

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Racketeers kidnap the Captain of a water polo team and force them to play dirty against the team of Etta Candy. Wonder Woman intervenes and is captured with her lasso, has her bracelets removed, and is placed in Etta's polo team bus, and then buried in quicklime.


Comic Cavalcade (1942-) #11

Comic Cavalcade (1942-) #11

Author: Joye Murchison

Publisher: DC Comics

Published: 2017-06-01

Total Pages: 70

ISBN-13:

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Wonder Woman arrives in Paradise Island after being informed that the Cheetah had escaped and supposedly drowned in the ocean. However, the Cheetah stows away in the Invisible Plane, returns to the Man's World, and impersonates her twin, Claudia, capturing Steve and Wonder Woman.


The Comic Cavalcade Archives

The Comic Cavalcade Archives

Author: DC Comics, Inc

Publisher:

Published: 2005

Total Pages: 284

ISBN-13:

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From Comics' Golden Age, a collection of one of comics' premier anthology titles! Never before have these comics been reprinted, making this volume a must-have for all collectors. Featured within are stories of Wonder Woman, The Flash, Green Lantern, Wildcat, Black Pirate, Ghost Patrol and many more! Included in this volume is an introduction by movie producer Michael Uslan (Batman films).


Comics as History, Comics as Literature

Comics as History, Comics as Literature

Author: Annessa Ann Babic

Publisher: Rowman & Littlefield

Published: 2013-12-11

Total Pages: 274

ISBN-13: 1611475570

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This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children’s eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.


Take That Adolf!

Take That Adolf!

Author: Mark Fertig

Publisher: Fantagraphics Books

Published: 2017-03-22

Total Pages: 250

ISBN-13: 1606999877

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Between 1941 and 1945, Hitler was pummeled on comic book covers by everyone from Captain America to Wonder Woman. Take That, Adolf! is an oversized compilation of more than 500 stunningly restored comics covers published during World War II, featuring America’s greatest super-villain. From Superman and Daredevil to propaganda and racism, Take That, Adolf! is a fascinating look at how legendary creators such as Joe Simon, Jack Kirby, Alex Schomburg, Will Eisner, and Lou Fine entertained millions of kids on the home front and buoyed the spirits of GIs fighting overseas by using Adolf Hitler as a punching bag.


Amazons in America

Amazons in America

Author: Keira V. Williams

Publisher: LSU Press

Published: 2019-03-06

Total Pages: 445

ISBN-13: 0807170860

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With this remarkable study, historian Keira V. Williams shows how fictional matriarchies—produced for specific audiences in successive eras and across multiple media—constitute prescriptive, solution-oriented thought experiments directed at contemporary social issues. In the process, Amazons in America uncovers a rich tradition of matriarchal popular culture in the United States. Beginning with late-nineteenth-century anthropological studies, which theorized a universal prehistoric matriarchy, Williams explores how representations of women-centered societies reveal changing ideas of gender and power over the course of the twentieth century and into the present day. She examines a deep archive of cultural artifacts, both familiar and obscure, including L. Frank Baum’s The Wizard of Oz series, Progressive-era fiction like Charlotte Perkins Gilman’s utopian novel Herland, the original 1940s Wonder Woman comics, midcentury films featuring nuclear families, and feminist science fiction novels from the 1970s that invented prehistoric and futuristic matriarchal societies. While such texts have, at times, served as sites of feminist theory, Williams unpacks their cyclical nature and, in doing so, pinpoints some of the premises that have historically hindered gender equality in the United States. Williams also delves into popular works from the twenty-first century, such as Tyler Perry’s Madea franchise and DC Comics/Warner Bros.’ globally successful film Wonder Woman, which attest to the ongoing presence of matriarchal ideas and their capacity for combating patriarchy and white nationalism with visions of rebellion and liberation. Amazons in America provides an indispensable critique of how anxieties and fantasies about women in power are culturally expressed, ultimately informing a broader discussion about how to nurture a stable, equitable society.