As Isla Morley's novel sweeps from the hills of Honolulu to the veldt of South Africa, we catch a hint of the spirit of Barbara Kingsolver and the mesmerizing truth of Jodi Picoult. We are reminded of how it felt to dive into the drama of The Thorn Birds. Come Sunday is that joyous, special thing: a saga that captivates from the very first page, breaking our hearts while making our spirits soar. Abbe Deighton is a woman who has lost her bearings. Once a child of the African plains, she is now settled in Hawaii, married to a minister, and waging her battles in a hallway of monotony. There is the leaky roof, the chafing expectations of her husband's congregation, and the constant demands of motherhood. But in an instant, beginning with the skid of tires, Abbe's battlefield is transformed when her three-year-old daughter is killed, triggering in Abbe a seismic grief that will cut a swath through the landscape of her life and her identity. Come Sunday is a novel about searching for a true homeland, family bonds torn asunder, and the unearthing of decades-old secrets. It is a novel to celebrate, and Isla Morley is a writer to love.
Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.
Come Sunday: A Young Reader's History of Congo Square provides an engaging account of Congo Square and the African presence in New Orleans through culturally relevant content paired with over 130 images and primary documents. These sources provide close-up views of life during the time of the Antebellum Sunday gatherings in Congo Square. Readers are able to analyze, compare, think critically, and discuss content, which develops a deeper understanding of history and how it impacts the world today. Book jacket.
A moving and captivating appreciation of jazz legends, sports figures, and the author's silent heroes - "cancer victors". a timely message of faith and hope that speaks to the heart of every person.
A look at first memories of the joy of going to church, a beautiful salvation experience, a child's view of divorce are what you'll find treated among many other topics in Wanda Thomas Littles'new book of poetry, Come Sunday Morning. Come Sunday Morning is a moving, inspiring, uplifting panorama of poems designed to engage the reader in the search to connect with our Creator. The poems are crafted to be enjoyed and challenge us to the ultimate goal of faith in Christ. Come Sunday Morning brilliantly puts on display the beauty, the joy, and the pain found in day-to-day living. It is insightful, gently didactic, thoughtful, and thought-provoking. The poems found in Come Sunday Morning make you feel like sharing them with close friends over a glass of mint tea. They invite you to sit down, get comfortable, and savor the rich bounty of the spiritually stimulating poetry of Wanda Thomas Littles. Wanda Thomas Littles is a poet, free-lance writer, and radio personality whose work has been featured in Focus on the Family's children's magazine, Clubhouse Jr., Time of Singing: A Magazine of Christian Poetry, and saWorship.com, an online Christian magazine. She is the author of three books of poetry: That I Might Be Free, Color Blind: Psalms of Life, and her newest work, Come Sunday Morning. Currently she's writing a novel based on life in the South. She can be heard on KDRY streaming live, doing "The Jesus Question". She has been a featured guest on the Praisehouse web cast, "Voices of Christ", in the greater metropolitan Atlanta area, has appeared on San Antonio's local TBN affiliate "Praise the Lord", and has been a guest on Pastor Randy Garcia's "Rising Higher" radio broadcast in San Antonio, Texas. She resides in the Alamo City with her husband.
Hezekiah T. Cleaveland is the handsome pastor of New Testament Cathedral in Los Angeles. His beautiful wife, Reverend Samantha Cleaveland, is the power behind Hezekiah and his megachurch, running their national television ministry with a firm hand. Jealousy and an unbridled lust for power drive Samantha to devise a plan that would remove the one thing standing between her and the spotlight she desires. During a Sunday morning sermon, a shot rings out in the sanctuary, and Hezekiah is killed. Samantha convinces the congregation that she has set aside her grief for the good of the church, and she is installed as the pastor of New Testament Cathedral. Not everyone is happy about her rise to power. Hezekiah’s former male lover, the wife of the church’s assistant pastor, and a reporter seeking a hot story to jumpstart his career, are all looking for a way to take down Samantha Cleaveland. They might be underestimating the cunning and dangerous nature of their prey, though. Samantha has a secret that she’s willing to go to any length to protect, and she doesn’t care who she has to destroy in the process. As Samantha continues her shameless pursuit of power, she is trailed by this unlikely band of co-conspirators. Who will emerge victorious?
Online television streaming has radically changed the ways in which programs are produced, disseminated and watched. While the market is largely globalized with some platforms streaming in multiple countries, audiences are fragmented, due to a large number of choices and often solitary viewing. However, streaming gives new life to old series and innovates conventions in genre, narrative and characterization. This edited collection is dedicated to the study of the streaming platforms and the future of television. It includes a plethora of carefully organized and similarly structured chapters in order to provide in-depth yet easily accessible readings of major changes in television. Enriching a growing body of literature on the future of television, essays thoroughly assess the effects new television media have on institutions, audiences and content.