Black is not the only colour for death... as Thirteen O'clock authors prove in this collection of colourful but very dark stories. Colour features in our lives in many ways, not always like this... death and destruction is scattered throughout the pages. Come on in, the mixture is just fine and you will lose yourself in the kaleidoscope of colour...
Artist Gabby Wolfe has the ability to see not only the beauty of the living but the despair of the dead. When she returns to her childhood home in Henry Park Colorado, she is forced to bring along her younger brother Mitch. He is on a “break” from college where he was majoring in wine, women, and song. If that isn’t enough they also have Mitch’s rambunctious beagle Luigi along who prefers to spend his days wallowing in junk food. When Gabby draws the death of a young woman before it happens, she knows she must tell someone and risk a new job and her professional credibility. Will she reveal her secret in time to save the woman in the water or will it be too late?
Paper Machete is a collection of poems spanning 15 years. It is both delicate and sharp, representing the juxtaposition of life itself. There is no light without darkness, no good without evil and no happiness without sorrow. Through the verses, it is hoped that you will rediscover the joy and pleasures of life in the sad and sardonic states of being.
Top Ten Finisher - P & E Readers Poll 2016Christmas lights shine on ghosts and gore, the Christmas moon shines on rampaging snowmen and glittering blades ... among the decorations and hanging on the tree are things we should not be seeing but which are there - including the bitter darkness of the human heart.This exciting new collection of Christmas horror has surpassed any other seasonal anthology Thirteen have put out, the stories will in turn touch you, shock you, surprise you and make you laugh. What more could you ask for a good read at this time of year?
The New York Times bestselling author of the Domestic Diva mysteries delivers a colorful new seriesfeaturing downloadable color-it-yourself cover art! By day, Florrie Fox manages Color Me Read bookstore in Georgetown, Washington D.C. By night, she creates her own intricately detailed coloring books for adults, filling the pages with objects that catch her eye. There’s plenty of inspiration in her new apartment—a beautiful carriage house belonging to Florrie’s boss, Professor John Maxwell. He offers the property to Florrie rent-free with one condition—she must move in immediately to prevent his covetous sister and nephew from trying to claim it. When the professor’s nephew, Delbert, arrives, he proves just as sketchy as Florrie feared. But the following morning, Delbert has vanished. It’s not until she visits the third floor of the store that Florrie makes a tragic discovery—there’s a trap door in the landing, and a dead Delbert inside. The esteemed Professor Maxwell is an obvious suspect, but Florrie is certain this case isn’t so black and white. Other colorful characters are on the scene, all with a motive for murder. With a killer drawing closer, Florrie will need to think outside the lines . . . before death makes his mark again. "Clearly this book was written by a genius."—Buzzfeed
This examniation of the cinematic style of film noir originals and their neo-noir remakes compares thirty-five films, beginning with Billy Wilder's classic Double Indemnity and concluding with Jim McBride's Breathless. In-depth analysis of the films explain the qualities and characteristics of film noir, while providing critical readings of both the originals and the remakes. The most significant films since 1944 are reviewed and reveal the ever-changing values in American society. As this study reveals, the noir style significantly impacted American film and neo-noir remakes attest to its continued popularity in cinematic art. This work will appeal to film scholars and to fans of film noir. Filmogrpahies and video information follow each chapter. Appendices briefly explain the roots of many noir films discussed in the text along with their subsequent remakes.
This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular emphasis is put on globalisation, authorship, national narrative and film aesthetics.
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.
Death Also Tangos A Tale of New Bern By: Margaret Oberhausen Ryan What’s more painful than a leg injury from the war in Afghanistan? In Death Also Tangos, Max Manning, the police chief in New Bern, NC, can’t decide which hurts more—his leg or his heart when Olivia Lovette, his childhood sweetheart, calls to report an intruder. Olivia has inherited her aunt’s decaying ballroom built in 1880. Fred Bannon and Amanda Murphy, drug smugglers with ties to the Irish Mafia, want to tear the ballroom down and build high-end condos. They try to sabotage the renovation of the ballroom and attempt to lay the blame on a homeless veteran, Andrew Holmes. But friends of the ballroom are devoted to saving it. Jack Porter had loaned Aunt Grace money to save the ballroom from auction, but now Olivia is deeply in his debt. Carlo, an Argentine artist and tango teacher, is creating a lasting memorial to his late wife by painting her portrait on the ballroom wall. In addition, he befriends Andrew and teaches him to dance despite his badly injured feet. When Max’s new detective, Margo Saunders, makes a connection between the intruder at Olivia’s house, the attacks on the ballroom, and the murder of her brother five years ago, Fred Bannon sets explosives outside the ballroom, determined to blow it up. Instead, Fred is found dead in the alleyway behind the ballroom. Will Max and Margo find the killer? And will Max again win Olivia’s heart?
Eleven-year-old Nellie Lee Love records in her diary the events of 1919, when her family moves from Tennessee to Chicago, hoping to leave the racism and hatred of the South behind.