Do you love GRAFFITI ART? Then this coloring book is for you. ✓ All coloring pictures contain the right level of details to look reel, Adorable and super fun. ✓ Single-sided pages, Designs are only on one side of the page. ✓ This coloring book also makes a perfect gift for car lovers.
67 of Scandinavia's best graffiti writers have provided the outlines - now it's up to the reader to chose the colours. As fun for children as it is for adults, the Graffiti Coloring Book features drawings by legends such as Skil, Nug, Egs and Bates.
NYC SUBWAY CAR GRAFFITI SKETCHBOOK: A blank sketchbook featuring outlines of the iconic New York City Subway car. Perfect gift for graffiti lovers for any occasion. 104 pages with high quality matte cover 8.25"x6" size NYC subway car outlines on white paper
NYC SUBWAY CAR GRAFFITI SKETCHBOOK: A blank sketchbook featuring outlines of the iconic New York City Subway car. Perfect gift for graffiti lovers for any occasion. 104 pages with NYC Subway Car Outlines High quality matte cover 8.25"x6" size
In big cities, major museums and elite galleries tend to dominate our idea of the art world. But beyond the cultural core ruled by these moneyed institutions and their patrons are vibrant, local communities of artists and art lovers operating beneath the high-culture radar. Producing Local Color is a guided tour of three such alternative worlds that thrive in the Chicago neighborhoods of Bronzeville, Pilsen, and Rogers Park. These three neighborhoods are, respectively, historically African American, predominantly Mexican American, and proudly ethnically mixed. Drawing on her ethnographic research in each place, Diane Grams presents and analyzes the different kinds of networks of interest and support that sustain the making of art outside of the limelight. And she introduces us to the various individuals—from cutting-edge artists to collectors to municipal planners—who work together to develop their communities, honor their history, and enrich the experiences of their neighbors through art. Along with its novel insights into these little examined art worlds, Producing Local Color also provides a thought-provoking account of how urban neighborhoods change and grow.
The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked.
Book features an A to Z encyclopedia, cross-referenced for easy access to all information; sections on painting and harmony, illustrating fundamental color techniques of artists; a section of color systems, explaining their development and use; sections on color communication and symbolism; analysis and discussion of color trends and cycles; biographies of leading historical and contemporary color theorists, and commentaries on their ideas; a fully illustrated section of historic and twentieth-century palettes and their source artifacts.
Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art.
Some artists believe anything can be art—even trash! Junk sculpture is a new, complex mode of art that combines the wastefulness of modern living with finding beauty in what others consider ugly. Readers learn how artists create such pieces and are asked to consider whether junk sculpture can be called art in the same way a painting or drawing is. A colorful layout full of many pictures of junk sculpture introduces readers to the many forms junk sculpture may take, such as fashion, pillars formed from plastic, and more.