A spectacular quest of illusion and imagination awaits Chart your path to a colorful realm of fantasy, mystery, and excitement. Mythographic Color and Discover: Wanderlust is a coloring celebration of the magic of travel, all in astounding detail. Discover surreal adventures and marvelous destinations while exploring shape-shifting wildlife, natural wonders, and mind-bending architecture that will expand your creative curiosities. Enrich your artistic side by bringing more than 40 enthralling, hand-drawn illustrations to their most vibrant possibilities while you uncover the playful hidden objects found in each one. Color the fascinating locales, whimsical surroundings, and elusive creatures of Mythographic Color and Discover: Wanderlust. - Journey around the world and beyond in more than 40 amazing illustrations - Find the secret objects hidden within every work of art - Apply your artistic touch to a whimsical gallery of bold and adventurous scenes
Structural colorations originate from self-organized microstructures, which interact with light in a complex way to produce brilliant colors seen everywhere in nature. Research in this field is extremely new and has been rapidly growing in the last 10 years, because the elaborate structures created in nature can now be fabricated through various types of nanotechnologies. Indeed, a fundamental book covering this field from biological, physical, and engineering viewpoints has long been expected.Coloring in nature comes mostly from inherent colors of materials, though it sometimes has a purely physical origin such as diffraction or interference of light. The latter, called structural color or iridescence, has long been a problem of scientific interest. Recently, structural colors have attracted great interest because various photonic architectures, now developing in modern technologies, have been spontaneously created in the self-organization process and have been extensively used as one of the important visual functions. In this book, the fundamental optical properties underlying structural colors are explained, and these mysteries of nature are surveyed from the viewpoint of biological diversity and according to their sophisticated structures. The book proposes a general principle of structural colors based on the structural hierarchy and presents up-to-date applications.
Presents brightly colored photograph illustrations that demonstrate the three primary colors and three secondary colors, as well as brown, pink, black, white, gray, silver, and gold.
Visual culture influences architecture --and vice versa. Imagine Architecture compiles contemporary perspectives on this exchange from those working in creative fields including installation, sculpture, illustration, photography, and design. Contemporary developments in the visual arts are often reflected in urban landscapes. Imagine Architecture explores the ways in which visual culture develops in public spaces and how it shapes those spaces. This book focuses on the fruitful exchange between visual culture and architecture and follows up on the themes introduced in our previous release Beyond Architecture. It compiles experimental projects and creative perspectives from the fields of illustration, painting, collage, sculpture, photography, installation, and design. A young generation of creatives sees the urban landscape as the starting point for their work. When these Illustrated bys, sculptors, or photographers engage with architecture, their art overrules conventional doctrines on the use of space. They use buildings as a medium for their ideas, breaking norms and triggering new tensions. Whether they make sculptures that are created within the context of a given structure or street art whose forms and colors impact its surrounding architecture, all of the featured projects interpret and reflect their spatial settings in compelling ways. In the process, these visionary concepts are playfully expanding the definition of architecture. Their creativity has the potential to breathe new life into public spaces and promote the evolution of our cities. Imagine Architecture showcases spirited artwork that experiments with architecture and pushes its boundaries. As a contemporary survey of visual culture, the book is not only a must-read for architects, but also for anyone who sees architecture as a source of inspiration and an opportunity to project their creativity.
It's the first day of school, and Camilla discovers that she is covered from head to toe in stripes, then polka-dots, and any other pattern spoken aloud! With a little help, she learns the secret of accepting her true self, in spite of her peculiar ailment.
Wim Klooster and Gert Oostindie present a fresh look at the Dutch Atlantic in the period following the imperial moment of the seventeenth century. This epoch (1680–1815), the authors argue, marked a distinct and significant era in which Dutch military power declined and Dutch colonies began to chart a more autonomous path. The loss of Brazil and New Netherland were twin blows to Dutch imperial pretensions. Yet the Dutch Atlantic hardly faded into insignificance. Instead, the influence of the Dutch remained, as they were increasingly drawn into the imperial systems of Britain, Spain, and France. In their synthetic and comparative history, Klooster and Oostindie reveal the fragmented identity and interconnectedness of the Dutch in three Atlantic theaters: West Africa, Guiana, and the insular Caribbean. They show that the colonies and trading posts were heterogeneous in their governance, religious profiles, and ethnic compositions and were marked by creolization. Even as colonial control weakened, the imprint of Dutch political, economic, and cultural authority would mark territories around the Atlantic for decades to come. Realm between Empires is a powerful revisionist history of the eighteenth-century Atlantic world and provides a much-needed counterpoint to the more widely known British and French Atlantic histories.
These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived. Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.