Anyone who hails from New York's North Country, especially St. Lawrence and Jefferson Counties, knows that the region is full of fun, fascinating people. But who were the most famous, the most influential or the most intriguing of this motley crew? Perhaps it was President Eisenhower's secretary of state; the man who fought for his life during a dangerous balloon ride; the football coach who continually led his team to victory; or the family of seven brothers who defended the United States in World War II. You be the judge, as the Watertown Daily Times's Dave Shampine brings to life the stories of these and many other captivating, colorful characters.
At a time when race and inequality dominate national debates, the story of West Charlotte High School illuminates the possibilities and challenges of using racial and economic desegregation to foster educational equality. West Charlotte opened in 1938 as a segregated school that embodied the aspirations of the growing African American population of Charlotte, North Carolina. In the 1970s, when Charlotte began court-ordered busing, black and white families made West Charlotte the celebrated flagship of the most integrated major school system in the nation. But as the twentieth century neared its close and a new court order eliminated race-based busing, Charlotte schools resegregated along lines of class as well as race. West Charlotte became the city's poorest, lowest-performing high school—a striking reminder of the people and places that Charlotte's rapid growth had left behind. While dedicated teachers continue to educate children, the school's challenges underscore the painful consequences of resegregation. Drawing on nearly two decades of interviews with students, educators, and alumni, Pamela Grundy uses the history of a community's beloved school to tell a broader American story of education, community, democracy, and race—all while raising questions about present-day strategies for school reform.
This book is a collection of essays penned by Martin Delany. He was an abolitionist, journalist, physician, soldier, and writer, and arguably the first proponent of black nationalism. Delany is credited with the Pan-African slogan of "Africa for Africans."
Jefferson County, New York, has one of the richest concentrations of stone houses in America. As many as 500 stone houses, churches, and commercial buildings were built there before 1860. Some of the buildings are beautiful mansions built by early entrepreneurs; others are small vernacular farmhouses. Some are clustered together; others dot the countryside near stone outcroppings. Embedded in the fabric of each building are the stories of its location, its maker, and its inhabitants over time. Lavishly illustrated with almost 300 photographs, this volume highlights eighty-five stone houses in the region. The editors explore both the beauty and permanence of the stonework and the courage and ambition of the early dwellers. They detail the ways in which skilled masons utilized local limestone and sandstone, crafting double-faced stone walls to protect against fire and harsh winters. The book includes discussions of the geology of the region, the stone buildings that have been lost, and the preservation and care of existing structures. Stone Houses of Jefferson County provides a fascinating look at the intrinsic beauty of these buildings and the historical links they provide to our early settlement.
In 1831 a new entity appeared on the American landscape: the garden cemetery. Meant to be places where the living could enjoy peace, tranquility and beauty, as well as to provide a final resting place for the dead, the garden cemeteries would forever change the culture of death and burial in the United States. The ideal cemetery would become one in which ornamental trees, bushes, flowers, and waterways graced the ever more artistic (for those who could afford them) monuments to the dead. Previous to the 1830s, the deceased were buried in church lots, in small and soon overcrowded public lots, and even, occasionally in backyards and fields. Graves were often untended, weeds and decay soon took over, and the frequently used wooden grave markers rotted away. Some turned to a movement emerging in Europe, in which horticulture was starting to become a factor in cemetery planning, at a time in which cemetery planning itself was a novel idea. New England was the first region in America to take up the new ideals. The first such cemetery, Mt. Auburn, opened in Cambridge, Massachusetts, in 1831, and Mount Hope Cemetery, in Bangor, Maine, followed in 1834. Today, these cemeteries are both beautiful places to visit and important historical sites. The author takes readers on a historical tour of eighteen of the Northeast's garden cemeteries, exploring the landscape architecture, the stunning beauty, and delving into the rich history of both the sites and of those who are buried there.
Beyond the world famous artists, singers, actors and more from Pittsburgh are the city's celebrities known locally for their quirky style, unique mannerisms, and outlandish behavior. From Joe Barker, the violent "street preacher" who was elected mayor in 1850--while in prison!--to Curt Wootton, the comedian whose celebrity status comes from being "Pittsburgh Dad," on Youtube, the Steel City has had a number of colorful characters throughout its history that defy category.
Awards: Irving Lowens Award, Society for American Music (SAM), 2019 Music in American Culture Award, American Musicological Society (AMS), 2018 Certificate of Merit for Best Historical Research in Recorded Country, Folk, Roots, or World Music, Association for Recorded Sound Collections (ARSC), 2018 Outstanding Achievement in Humanities and Cultural Studies: Media, Visual, and Performance Studies, Association for Asian American Studies (AAAS), 2019 The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
