Dr. Ekberg's masterwork on the old French town south of St. Louis brings into sharp focus life in colonial America. Ekberg has rendered a rich portrait of community life on the most fascinating of American frontiers, the composite world of French Creoles and American Indians in the Mississippi Valley. This is an important book and a good read to boot. That's how Yale University's John Mack Faragher praised this book.
Winner of the Kemper and Leila Williams Book Prize for the Best Book on Louisiana History, French Roots in the Illinois Country creates an entirely new picture of the Illinois country as a single ethnic, economic, and cultural entity. Focusing on the French Creole communities along the Mississippi River, Carl J. Ekberg shows how land use practices such as medieval-style open-field agriculture intersected with economic and social issues ranging from the flour trade between Illinois and New Orleans to the significance of the different mentalities of French Creoles and Anglo-Americans.
In Francois Valle and His World, Carl Ekberg provides a fascinating biography of Francois Valle (1716-1783), placing him within the context of his place and time. Valle, who was born in Beauport, Canada, immigrated to Upper Louisiana (the Illinois Country) as a penniless common laborer sometime during the early 1740s. Engaged in agriculture, lead mining, and the Indian trade, he ultimately became the wealthiest and most powerful individual in Upper Louisiana, although he never learned to read or write. Ekberg focuses on Upper Louisiana in colonial times, long before Lewis and Clark arrived in the Mississippi River valley and before American sovereignty had reached the eastern bank of the Mississippi. He vividly captures the ambience of life in the eighteenth-century frontier agricultural society that Valle inhabited, shedding new light on the French and Spanish colonial regimes in Louisiana and on the Mississippi River frontier before the Americans arrived. Based entirely on primary source documents wills and testaments, parish registers of baptisms, marriages, and burials, and Spanish administrative correspondence found in archives ranging from St. Louis and Ste. Genevieve to New Orleans and Seville, Francois Valle and His World traces not only the life of Francois Valle and the lives of his immediate family members, but also the lives of his slaves. In doing so, it provides a portrait of Missouri's very first black families, something that has never before been attempted. Ekberg also analyzes how the illiterate Valle became the richest person in all of Upper Louisiana, and how he rose in the sociopolitical hierarchy to become an important servant of the Spanish monarchy. Francois Valle and His World provides a useful corrective to the fallacious notion that Missouri's history began with the arrival of Lewis and Clark at the turn of the nineteenth century. Anyone with an interest in colonial history or the history of the Mississippi River valley will find this book of great value.
Based almost entirely on original source documents from the United States, France, and Spain, Carl J. Ekberg's Stealing Indian Women provides an innovative overview of Indian slavery in the Mississippi Valley. His detailed study of a fascinating and convoluted criminal case involving various slave women and a métis (mixed-blood) woodsman named Céladon illuminates race and gender relations, Creole culture, and the lives of Indian slaves--particularly women--in ways never before possible.
The line-art publication, French Colonial Fort de Chartres, A Journey in Time, depicts "Forgotten Illinois" pre-statehood years of 1755-1756, in and around Fort de Chartres, located near present day Praire du Rocher, Illinois. A Journey in Time is a 40 page line-art one color publication, created by award-winning artist Tom Willcockson and published by Les Amis du Fort de Chartres.
In 1790, Pierre-Charles de Lassus de Luzières gathered his wife and children and fled Revolutionary France. His trek to America was prompted by his “purchase” of two thousand acres situated on the bank of the Ohio River from the Scioto Land Company—the institution that infamously swindled French buyers and sold them worthless titles to property. When de Luzières arrived and realized he had been defrauded, he chose, in a momentous decision, not to return home to France. Instead, he committed to a life in North America and began planning a move to the Mississippi River valley. De Luzières dreamed of creating a vast commercial empire that would stretch across the frontier, extending the entire length of the Ohio River and also down the Mississippi from Ste. Genevieve to New Orleans. Though his grandiose goal was never realized, de Luzières energetically pursued other important initiatives. He founded the city of New Bourbon in what is now Missouri and recruited American settlers to move westward across the Mississippi River. The highlight of his career was being appointed Spanish commandant of the New Bourbon District, and his 1797 census of that community is an invaluable historical document. De Luzières was a significant political player during the final years of the Spanish regime in Louisiana, but likely his greatest contributions to American history are his extensive commentaries on the Mississippi frontier at the close of the colonial era. A French Aristocrat in the American West: The Shattered Dreams of De Lassus de Luzières is both a narrative of this remarkable man’s life and a compilation of his extensive writings. In Part I of the book, author Carl Ekberg offers a thorough account of de Luzières, from his life in Pre-Revolutionary France to his death in 1806 in his house in New Bourbon. Part II is a compilation, in translation, of de Luzières’s most compelling correspondence. Until now very little of his writing has been published, despite the fact that his letters constitute one of the largest bodies of writing ever produced by a French émigré in North America. Though de Luzières’s presence in early American history has been largely overlooked by scholars, the work left behind by this unlikely frontiersman merits closer inspection. A French Aristocrat in the American West brings the words and deeds of this fascinating man to the public for the first time.
This new addition to the popular guidebook series explores women's experiences and the impact of their activities on the history and landscape of St. Louis. When the city was founded, most St. Louisans believed that "a woman's place is in the home," in the house of her father, husband, or master. Over the years, women pushed out the boundaries of their lives into the public arena, and in doing so they changed the face of St. Louis. In Her Place is a guide to the changing definition of a woman's place in St. Louis, beginning with the colonial period and ending with the 1960s. Each chapter explores the experiences of women during a specific time period and identifies the sites of some of their public activities on a map of the city created from historical sources. Along the way, readers will meet such significant St. Louis women as Harriet Scott, Susan Blow, Edna Gellhorn, and Philippine Duchesne and learn about the activities of the Ladies' Union Aid Society, the Sisters of Charity, the League of Women Voters, and the Harper Married Ladies' Club. The book also includes four tours of the St. Louis region addressing the themes of the book and identifying significant buildings, homes, and other key sites. Current photographs will help readers locate the sites on detailed maps. An up-to-date bibliography and resource listing make this an invaluable guide for anyone interested in studying the history of women in the region.
Social reformers of the early twentieth century drew attention to the tender age of many of the silk workers. Through the last decades of the nineteenth century and the first half of the twentieth, these female workers struggled to establish themselves, not as childlike victims, but as independent women, capable of finding their own way in the world and standing up for their own rights."--BOOK JACKET.
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
