Twenty-first-century Perspectives on Nineteenth-century Art
Twenty-first-century Perspectives on Nineteenth-century Art

Author: Petra ten-Doesschate Chu

Publisher: Associated University Presse

Published: 2008

Total Pages: 289

ISBN-13: 0874130115

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"This book presents an interdisciplinary and inclusive view of nineteenth-century art, observed from the vantage point of the new twenty-first century. The areas of expertise represented by the thirty essays herein span the full range of nineteenth-century studies, and include discussions of such artistic styles as realism, impressionism, romanticism, and art nouveau, as well as early twentieth-century movements that owe their formative influence to the nineteenth century. Topics span the historical gamut from revivalism to the roots of modernism, considering along the way such themes as the depiction of women, Orientalism, art criticism, evolutionary theory, political propaganda, history painting, landscape, and national identity. Aspects of art display, public monuments, and international exhibitions shed light on the roles of government and individuals in the dissemination of artistic styles and subject matter. Unique in this collection is an emphasis on the marketing of art, both in America and abroad, which considers the important financial and commercial issues that continue to influence viewers' beliefs and perceptions. Most important, this book demonstrates that the rich field of nineteenth-century studies continues to inspire discovery and creativity."--Publisher description.

"Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris "

Author: Ting Chang

Publisher: Routledge

Published: 2017-07-05

Total Pages: 210

ISBN-13: 1351538454

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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.

Collecting Prints, Posters, and Ephemera
Collecting Prints, Posters, and Ephemera

Author: Ruth E. Iskin

Publisher: Bloomsbury Publishing USA

Published: 2019-12-12

Total Pages: 308

ISBN-13: 1501338501

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Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.

Cultural Change & Continuity In Central Asia
Cultural Change & Continuity In Central Asia

Author: Shirin Akiner

Publisher: Routledge

Published: 2013-10-28

Total Pages: 305

ISBN-13: 1136150420

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First published in 1991. Central Asia is a vast sprawling territory with no precise boundaries, no precise geographic definition. There is much detailed, closely focused research that remains to be done on every part of Central Asia. Sometimes, however, it is illuminating to stand back and look at the region as a whole, seeking similarities as well as contrasts. This volume is a collection of papers from a conference on Tradition and Change in Central Asia was held at the School of Oriental and African Studies, University of London, in April 1987.