Whether you're an art fan, aficionado, or collector, this book should be on your required reading list. Like a textbook for a class given by all of the world's leading experts, 'Collecting Contemporary Art' will teach you everything you ever wanted to know about the contemporary art market.
Owning Art offers an informative, authoritative and richly anecdotal route through the minefield of the contemporary art world. This entertaining and easy-to-use handbook is set to become every collector's indispensable companion.
"This book offers clear advice on how to navigate the contemporary art world, from assessing sales information and dealing with galleries to discovering new talent and accessing the best work."--P. [4] of cover.
While the importance of collections has been evident in the sciences and humanities for several centuries, the social and cultural significance of collecting practices is now receiving serious attention as well. As reflected in programs like Antiques Roadshow and American Pickers, and websites such as eBay, collecting has had a consistent and growing presence in popular culture. In tandem with popular collecting, institutions are responding to changes in the collecting environment, as library catalogs go online and museums use new technologies to help generate attendance for their exhibits. In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives. Covering a breadth of interdisciplinary perspectives and subjects—from PEZ candy dispensers and trading cards to sports memorabilia and music—Contemporary Collecting will be of interest to scholars of cultural studies, anthropology, popular culture studies, sociology, art history, and more.
Featuring text by an acknowledged expert in arts and crafts, hundreds of illustrations, and essays on key issues and themes, this compact, accessible guide will be an authority in the global marketplace. When collecting contemporary arts and crafts, how can one be certain the pieces that appeal to current tastes also have the stamp of timeless collectible? This new series of accessible guides answers the need for authoritative advice in a fast-developing marketplace. • Texts by acknowledged experts with firsthand experience of the global market • Hundreds of illustrations • Profiles of essential artists, designers, and photographers • A concise reference section, including contact information and where to shop
Many history museums collect contemporary objects, stories, images and sounds. But reasoned collecting strategies and policies are often lacking. The sheer quantity of available material culture and the complexity of contemporary life leave many confused about how best to document and engage with the present. Collecting the Contemporaryaddresses one of the most fundamental issues facing today's history museums: why and how to engage with contemporary collecting? In a format which is approachable, attractive - and above all actionable, this handbook is packed with stimulating thinking and international case studies from some of the leading practitioners and thinkers in the field. This overview of contemporary collecting in a social historical context is well overdue. Original source material, ideas, developments and research have never before been brought together in a single volume.
Marbles produced by over 130 artisans are presented in 600 color photographs. A history of the contemporary handmade marble movement is provided, along with tips for the purchase and care of marbles, a glossary, and a valuation guide. This book will be a joy for everyone fascinated with glass.
Adam Lindemann's previous book for TASCHEN, "Collecting Contemporary," has been an unprecedented success, introducing the lay reader to collecting contemporary art, with tell-all interviews by the biggest players in the global art market. Where this book was mainly the outcome of Lindemann's personal fascination with the art, "Collecting Design," in similar fashion, started when he was furnishing his new house. "Art collectors like myself who hung beautiful contemporary paintings on their walls suddenly saw their furniture look sad and tired," Lindemann writes in his preface and relates how hobby became passion and an overwhelming desire to know everything. Which is how this latest volume manages to give such a perfect introduction into collectible design it follows the path its author went.
Published in conjunction with the exhibition "Selections from the Donna and Howard Stone collection," held at the Art Insitute of Chicago from June 25 to September 19, 2010.