Practical Mixed-Media Printmaking is an essential introduction to printmaking using a wide range of low-cost materials. This practical guide includes easy-to-follow instructions, hints and tips on all of the main printmaking techniques, as well as over 90 examples of works by contemporary printmakers and 19 profiles explaining the artists' methods and inspiration. Mixed-media printmaking allows vast freedom for experimentation and armed with the knowledge inside this book it is possible to adapt and refine the basic techniques to suit your own projects. This beautiful book will be an inspiration for printmakers at all levels.
An illustrated and highly practical guide to the technique of making collagraphs.Collagraphs are prints that can be made in a number of ways: from collages, relief sculpture, caste plaster plates, carved, stripped and layered plates, plates painted with glues or even from a combination of all these methods. The flexibility of this process means that it is one of the most fluid approaches to printmaking which gives you greater creative freedom than other methods.In this book, explore a wide range of techniques with practical hints about choosing materials and printing methods to achieve the best results. You can also learn all about the historical use of collage in printmaking, looking at the work of artists like Picasso, Georges Braque and Kurt Schwitters. With illustrations of the work of many different British and international collagraph artists, this book is the perfect practical and inspirational guide for printmakers of all levels.
Collagraph printmaking is an accessible and environmentally friendly way of making striking prints with a unique texture. At its simplest it is a method of printing from collaged plates; at its most sophisticated, it is an innovative and exciting experimental medium. This book is a guide to the technique, with step-by-step instructions for creating and printing simple plates for the beginner, as well as tips, ideas and directions for those with more experience. There is advice on how to get started at the kitchen table; a guide to additional materials and equipment; step-by-step instructions for building collagraph plates and techniques for printing in monochrome using relief and intaglio methods. This will be of great interest to all printmakers, designers, artists, textile designers, teachers and craftsmen. It is superbly illustrated with 133 colour photographs, and Suzie MacKenzie is an award-winning artist printmaker with has private collections worldwide.
"The collagraph - a print made from an assemblage or collage of various materials - is explored extensively in this book. The versatility and flexibility of this form have appealed to the many artists attracted by its almost limitless color and textural possibilities and its use of such common materials as cardboard, fabric, paper, aluminum foil, vinyl, plastic, tape, thread wire and found objects as keys, coins, metal and wood."--BOOK COVER.
A complete guide to the revolutionary Gelli Arts® press, a versatile and easy printmaking option for paper and fabric crafters Learn how to create beautiful, one-of-a-kind artwork with amazing colors and textures Includes 32 projects for cards, quilts, journals, totes, wearables, and more Flexible Gelli Arts® plates are durable, reusable, portable, and wash off quickly with water Newly expanded edition contains an updated gallery of art that features the latest Gelli® plate techniques
Learn how to push the boundaries of monoprinting with a range of techniques explained by two practising artists. Monoprinting is a printmaking process in which a drawing or painting – executed on a flat, unworked printing plate or other surface – is transferred using pressure to a sheet of paper. A spontaneous and exciting process, the medium is also effective, convenient and does not necessarily require a press. Only one strong impression can be taken, hence the term monoprint. In this book, Jackie Newell and Dee Whittington show you how to push the boundaries of monoprinting with various techniques and demonstrate some unique possibilities available to you from screenprinting to collage prints. Through colourful illustrations, the authors also showcase work by a variety of printmakers from around the world for inspiration.
In The Last Layer–the follow-up to Digital Alchemy, her successful book on alternative printmaking techniques–Bonny Lhotka teaches how to make prints that take their inspiration from early printmaking processes. In this book, Lhotka shows readers step-by-step how to create modern-day versions of anthotypes, cyanotypes, tintypes, and daguerreotypes as well as platinum and carbon prints. She also reinvents the photogravure and Polaroid transfer processes and explores and explains groundbreaking techniques for combining digital images with traditional monotype, collograph, and etching press prints. By applying these classic techniques to modern images, readers will be able to recreate the look of historical printmaking techniques and explore the limits of their creative voice. Best of all, the only equipment required is a desktop inkjet printer that uses pigment inks, and a handful of readily available materials and supplies–not the toxic chemicals once required to perform these very same processes. Leveraging her training as a traditional painter and printmaker, Bonny Lhotka brings new innovations and inventions that combine the best of centuries of printmaking technique with modern technology to create unique works of art and photography. After years of experimentation and development, these new processes allow alternative photographers, traditional printer makers, and 21st century digital artists to express their creative voice in ways never before possible.
The ultimate reference guide to printmaking which is a must-have for every printmaker or print studio. The Printmakers' Bible is a comprehensive guide to all aspects of printmaking, including processes, techniques and mixed-media possibilities. It covers everything you need to know, from traditional methods such as lithography, etching and mezzotint, to new experimental techniques such as digital, photoaluminium plates, collagraphs and CAD/CAM. The book also includes essential information on colour theory, designing and preparing prints, choosing paper, setting up a studio, health and safety, tools, equipment and chemicals, making this a must-have book that every printmaker and print studio should own.
