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Coleridge, Language and Criticism

Author: Timothy Corrigan

Publisher: University of Georgia Press

Published: 2008-04-01

Total Pages: 234

ISBN-13: 0820332402

Long celebrated as a great aesthetic idealist and champion of the imagination, Coleridge is now beginning to be understood as a literary critic with many other dimensions, with exciting and far-reaching insights into language, and with detailed notions about the psychological, historical, and linguistic demands of the literary experience. In this study, Timothy Corrigan sees Coleridge's criticism as "the product of an actively self-conscious reader, of a precise user of language, and, most of all, of a historical man involved with the demands of his day." Specifically he studies the relationship between the language of Coleridge's criticism and his interests in politics, psychology, science, and theology. Corrigan concludes that Coleridge's work is not a closed and strictly defined system but an extraordinarily diverse one that responds sympathetically to new angles of research. His study is first and foremost an investigation of Coleridge's criticism based on Coleridge's own ideas about language and reading. While taking its particular direction from a variety of contemporary literary theories, the book is most concerned with how Coleridge's critical prose and theoretical positions anticipate these in an exceptionally complex way.

Coleridge's Blessed Machine of Language

Author: Jerome Christensen

Publisher: Cornell University Press

Published: 2019-06-30

Total Pages: 285

ISBN-13: 1501741632

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Samuel Taylor Coleridge's prose has long confounded its critics. In Coleridge's Blessed Machine of Language, Jerome Christensen offers a reading of the prose which captures its pious, perverse vitality and characterizes its rhetorical form. Coleridge sought "to expose the folly and legerdemain of those who have... abused the blessed machine of language." Christensen develops a framework for reading Coleridge's language by first exploring Coleridge's critique of David Hartley's philosophy of associationism. Although Coleridge discredited Hartley's system, he failed to devise a coherent alternative. Lacking a firm grounding for his philosophical method, Coleridge wrought a mobile, fragmentary discourse which, Christensen asserts, is important to the Romantic tradition not because it is central, but because it is brilliantly eccentric. Christensen navigates the complexities of Coleridge's language in prefaces, guides, marginalia, notebooks, letters, essays, and manuals, but chiefly in the Biographia Literaria and The Friend, his major works in prose. The Biographia, he argues, is best conceived of as marginal discourse—a category that subsumes not only Coleridge's criticism of association but also the mix of deference and dominance in his engagement with Wordsworth's genius. In The Friend, Coleridge appears as the figure of the Friend, mediator between the extremes of principle and prudence. These extremes do meet in Coleridge's prose, but the moral force of the encounter is vitiated by Coleridge's purely rhetorical resolution in the figure of chiasmus. The chiasmus, Christensen concludes, is the trope that both shapes The Friend and propels the blessed machine of Coleridge's language.

Wordsworth, Coleridge, and 'the Language of the Heavens'

Author: Thomas Owens

Publisher:

Published: 2019

Total Pages: 224

ISBN-13: 0198840861

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Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.

Biographia Literaria

Author: Samuel Taylor Coleridge

Publisher:

Published: 1881

Total Pages: 826

ISBN-13:

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Samuel Taylor Coleridge

Author: W. Christie

Publisher: Palgrave Macmillan

Published: 2006-10-13

Total Pages: 0

ISBN-13: 9780230580961

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The most sustained criticism and ambitious theory that had ever been attempted in English, the Biographia was Coleridge's major statement to a literary culture in which he sought to define and defend all imaginative life. This book offers a reading of Coleridge in the context of that culture and the institutions that comprised it.

Biographia Literaria by Samuel Taylor Coleridge

Author: Adam Roberts

Publisher: Edinburgh University Press

Published: 2014-09-22

Total Pages: 608

ISBN-13: 0748692096

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This new edition of the Biographia supersedes all previous editions. Crucially, it takes into consideration 3 decades of research and scholarship on Coleridge and includes all Coleridge's references and allusions. In tracing all unattributed references, Adam Roberts has in some cases opened up whole new avenues of interpretation for the text, materially altering or changing the way we read this classic work. This new scholarly edition for a 21st-century readership includes a detailed Critical Introduction, a Textual Introduction, the text of the Biographia Literaria, including Coleridge's notes and editorial footnotes; Endnotes; and a Bibliography. It is likely to stand as the definitive textual edition for many years to come. Key Features:. The first edition of the Biographia in 3 decades and the first ever to identify all of Coleridge's many allusions and quotations Draws on the most up-to-date scholarship on the text Fully explains the genesis, the poetic and philosophical contexts and debates surrounding the text Provides the chance to revitalise Romanticism studies more generally

Coleridge's Essays & Lectures on Shakespeare & Some Other Old Poets & Dramatists

Author: Samuel Taylor Coleridge

Publisher:

Published: 1914

Total Pages: 532

ISBN-13:

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Strange Power of Speech

Author: Susan Eilenberg

Publisher: Oxford University Press, USA

Published: 1992

Total Pages: 301

ISBN-13: 0195068564

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Eilenberg's subject is the relationship between tropes of literary property and signification in the writings and literary politics of Wordsworth and Coleridge. She argues that a complex of ideas about property, propriety, and possession informs the images of literary authority, textual identity, and poetic figuration found in the two writers' major work. During the period of their closest collaboration as well as at points later in their careers, Wordsworth and Coleridge took as their primary material the images of property and propriety upon which definitions of meaning and figuration have traditionally depended, grounding these images in writings about landed and spiritual property, material and intellectual theft, dispossession by banks and possession by demons. The writings and the politics generated by the literalization of such images can be read as allegorical of the structures and processes of signification. Each such gesture addresses in some way the fundamental question - who owns language, or who controls meaning?; Eilenberg's approach brings to bear a combination of deconstructive, psychoanalytic, and both new and literary historical methods to provide a deeper understanding of the relationship between two of the major figures of English Romanticism as well as fresh insight into what is at stake in the analogy between the verbal and the material or the literary and the economic.