Due to demand Computer Color has been revised and expanded and now features 14,000 more process colours. A perforated card is included to facilitate matching colours and the book is spiral-bound for ease of use.
[C]yan. [M]agenta. [Y]ellow. Blac[K]. From these basic building blocks, the entire spectrum of comic book coloring is formed. Now the medium is returning the favor. Building on the innovative tradition that has made it one of comics’ most cutting-edge imprints, VERTIGO is proud to present CMYK - a bold new anthology of original stories from dozens of the art form’s greatest creators. The short graphic fiction collected here all originates with the four process colors of comics printing, but where they go from there is as unbounded as imagination itself. In these pages, the glacial glow of cyan bathes alien worlds and wintry city streets; the vivid splash of magenta highlights the hair of outcasts and the evil of demons; the bright light of yellow shines on old worlds ending and new lives beginning; and the enveloping void of black offers both despair and liberation. The stunning stories and breathtaking visions of CMYK will forever color your perception of what comics can do! Featuring work by Gene Luen Yang, Jeff Lemire, Gerard Way, Amy Chu, Jock, Fabio Moon, Francesco Francavilla, Bill Sienkiewicz and many more! Collects VERTIGO QUARTERLY: CYAN #1, VERTIGO QUARTERLY: MAGENTA #1, VERTIGO QUARTERLY: YELLOW #1 and VERTIGO QUARTERLY: BLACK #1.
Twenty years ago, achieving predictable CMYK color on press was a relatively straightforward process. All the partners in the process—photographers, designers, and printers—had clearly defined roles and responsibilities. With the introduction of Adobe Photoshop in 1990, the digital imaging revolution changed all that. Roles suddenly shifted and blurred. Standards disintegrated. The entire process quickly spiraled into a chaotic free-for-all that couldn’t help but leave everyone frustrated as they scratched their heads and wondered, “What’s wrong with my color?” CMYK 2.0: A Cooperative Workflow for Photographers, Designers, and Printers has one purpose: to get us all back on the same path to creating predictable color in the RGB-to-CMYK workflow. In a field that often features very strong—and very different—opinions, author Rick McCleary emphasizes the need for cooperation, collaboration, and communication. After first establishing a context for how we all got here, McCleary redefines each partner’s role in the process, demystifies the entire RGB-to-CMYK workflow, and offers a clear, step-by-step guide to achieving predictable color on press. Written with exceptional clarity, CMYK 2.0 presents a highly detailed and thoroughly rigorous approach to CMYK color, and it offers a workflow that all photographers, designers, and printers need—one that works. The book's companion website provides a collaborative forum of growing resources and information on all things CMYK.
Discusses the basics of the Photoshop LAB colorspace, describing LAB's role in colorspace conversions, providing techniques to create color variation, and including the use of "imaginary colors."
Colors are so universally used that every designer should consider when designing. They are so important that they to some degree decide the overall design. This book introduces two systems of printing colors--CMYK and PMS--in a plain way, explaining how they are produced and the principles behind them with texts and illustrations. Meanwhile, it showcases a substantial selection of projects for reader's well-rounded understanding of printing colors and their functions.
The Focal Illustrated dictionary of Telecommunications is an invaluable resource for anyone studying, entering, or already working in the telecommunications industry. * Written by experts with specialist knowledge. * Contains essential data for on-the-job use. * Includes over 6,000 terms, definitions and acronyms. * Has over 350 line drawings. * The most comprehensive reference source of this nature. A Technical Manager for Nortel Networks, Fraidoon Mazda has held various senior technical posts within the electronics and telecommunications industries. He is editor of the Telcommunications Engi.
Centered on a series of letters written for friends and loved ones, Justin McRoberts' CMYK is an invitation to see the process of faith and life lived among particular people. "The gift of this CMYK Project is that it brings the rare combination of Biblical faith and raw life together. Any who have known Justin McRoberts would be surprised if it did not do so, of course. The blend is Justin's life and vocation. It has been evident in his music and leadership for many years. But here it is exposed vividly. So are many relationships and the quest for community through life over time. What we are given is an invitation to join Justin in an unfinished, honest, empathic, hurting story of hope. That is why the story must be told in many dimensions: the letters, the lyrics and music, the visual art, the interviews. This is not an invitation into a cartoon encounter with God, nor with each other. It is a multi-dimensional, littered, vivid, living story of being human, seeking God and neighbor. The reason this invitation can be offered at all is not that Justin is remarkable and eccentric (which he is). The reason is that the God Justin testifies to in Jesus Christ has made human beings for this courageous, awkward journey, where the fully divine and the truly human meet. This is life's most breath-taking possibility, and as Justin so movingly illustrates, we may find it is like laying hold of the third rail. No one should find it comfortable." -Mark Labberton, Author of “The Dangerous Act Of Loving Your Neighbor”
"A collectible volume for graphic designers and creative entrepreneurs, this book is dedicated to "Color Library," one of the most discussed projects in the field of graphic design of the last few years. An investigation into color reproduction and printing, "Color Library" is a tool for artists, designers, photographers, and printers. It aims to widen the possibilities of color printing, and reflects on our contemporary perception of color as it is shaped by the recent developments in print production. Primarily conceived as a digital platform, "Color Library" offers a variety of colorimetric profiles automatically applicable to images, based on color combinations generated according to their perceptual, technical, and conceptual relevance. It not only offers an alternative to standard color printing, but also affirms a distinctive vision of how to print colors and process them" (Verlagshomepage).