Closet Queens is a fascinating study of gay men in twentieth century British politics, from Lord Rosebery and Lord Beauchamp in Edwardian times to Michael Portillo and Peter Mandelson in our own era. As all homosexual activity was illegal until 1967, and exposure meant ruin and disgrace, such men were obliged either to repress their sexual feelings or else lead double lives, indulging their tastes secretly while respectably married with children. The need to cover up their sexuality, while causing problems and disappointments, often sharpened their skills as politicians - they were masters of secrecy and subterfuge, and knew how to take calculated risks. An entertaining and insightful account of some extraordinary personalities, Closet Queens opens doors into a hidden world.
Even after a rise in gay and Black representation and production on TV in the 1990s, the sitcom became a "generic closet," restricting Black gay characters with narrative tropes. Drawing from 20 interviews with credited episode writers, key show-runners, and Black gay men, The Generic Closet situates Black-cast sitcoms as a unique genre that uses Black gay characters in service of the series' heterosexual main cast. Alfred L. Martin, Jr., argues that the Black community is considered to be antigay due to misrepresentation by shows that aired during the family viewing hour and that were written for the imagined, "traditional" Black family. Martin considers audience reception, industrial production practices, and authorship to unpack the claim that Black gay characters are written into Black-cast sitcoms such as Moesha, Good News, and Let's Stay Together in order to closet Black gayness. By exploring how systems of power produce ideologies about Black gayness, The Generic Closet deconstructs the concept of a monolithic Black audience and investigates whether this generic closet still exists.
Deviance is by definition a social problem. Since deviant behavior violates the normative expectations of a given group, deviance must be regarded as a problem for that group, since all groups of people want their norms to be enforced. Many modern societies place considerable value on personal liberty, so much so that interference with personal choices to deviate from group norms can be justified only in terms of the potential damage that particular kinds of behavior might do to the legitimate interests of others. Sociological research suggests that the social problem associated with deviance is often the behavior of individuals who violate norms cannot be justified in terms of basic values of liberty, social order, or justice. In other kinds of deviance, though, the social problem is that people or, in a more organized way, social institutions, interfere with individual liberty and self-realization. Each selection in this volume has been chosen to cover a full range of substantive problematic issues, a range of social science perspectives that can be brought to bear on issues of all kinds, and a range of social science methodologies used in studying modern society. Deviance and Liberty is divided up into thirty-nine contributions and five main parts ranging from "Modern Perspectives on Deviance and Social Problems"; "Deviant Exchanges: Gambling, Drugs, and Sex"; "Deviant Personal Control: Illness, Violence, and Crime; Deviance, Identity, and the Life Cycle"; and "Moral Enterprise and Moral Enforcement". It is a welcome addition to the libraries of those interested in the study of deviance or society as a whole.
Princess Cupcake Jones loves exploring her mom's closet and trying on shoes. In the closet she finds herself in a transforming make-believe world of fun. When Cupcake discovers a special box that she hasn't seen before, curiosity propels her to explore what lies within the mystery box. And once she looks inside, she finds herself in a shoe-filled situation that is more than she could have imagined. Children will delight in Cupcake's discovery and will enjoy searching for the special word ("love") hidden in each illustration.
The first book to address the interaction between the Walt Disney Company and the gay community From its Magic Kingdom theme parks to its udderless cows, the Walt Disney Company has successfully maintained itself as the brand name of conservative American family values. But the Walt Disney Company has also had a long and complex relationship to the gay and lesbian community that is only now becoming visible. In Tinker Belles and Evil Queens, Sean Griffin traces the evolution of this interaction between the company and gay communities, from the 1930s use of Mickey Mouse as a code phrase for gay to the 1990s "Gay Nights" at the Magic Kingdom. Armed with first-person accounts from Disney audiences, Griffin demonstrates how Disney animation, live-action films, television series, theme parks, and merchandise provide varied motifs and characteristics that readily lend themselves to use by gay culture. But Griffin delves further to explore the role of gays and lesbians within the company, through an examination of the background of early studio personnel, an account of sexual activism within the firm, and the story of the company's own concrete efforts to give recognition to gay voices and desires. The first book to address the history of the gay community and Disney, Tinker Belles and Evil Queens broadly examines the ambiguous legacy of how modern consumerism and advertising have affected the ways lesbians and gay men have expressed their sexuality. Disney itself is shown as sensitive to gay and lesbian audiences, while exploiting those same audiences as a niche market with strong buying power. Finally, Griffin demonstrates how queer audiences have co-opted Disney products for themselves-and in turn how Disney's corporate strategies have influenced our very definitions of sexuality.
A MOST ANTICIPATED SUMMER READ FROM HARPER'S BAZAAR, BUSTLE, NYLON, THE MILLIONS, MS. MAGAZINE, and THE SKIMM An unforgettable debut novel about the furious loyalty of two Latinx women coming of age in Queens, New York, an emotionally resonant novel infused with the insight, power, and poignancy of Angie Cruz’s Dominicana, Jacqueline Woodson’s Another Brooklyn, and Sally Rooney’s Conversations with Friends. Growing up in the ’90s along Clement Moore Avenue in Queens, Brisma and Kelly are two young Latinas with an inseparable bond, sharing everything and anything with each other. The girls are opposites: Brisma is sweet, sensitive, and observant, whereas Kelly is free-spirited, flirtatious, and bold. But together, they binge on Sour Patch Kids, listen to Boyz II Men cassette tapes, and dance to Selena and Mariah Carey where no one can see them. In high school, their friendship starts to form cracks when Brisma finds herself in a relationship with Brian, a charismatic baseball star. Brisma is thrilled to finally have something—someone—to herself. But Kelly wasn’t built to be a third wheel. Years later, the Mets begin a historic run for the playoffs, and Brisma and Kelly—now on the cusp of adulthood—reconnect with Brian after years of silence. But then Brian is charged with sexual assault. Brisma and Kelly find themselves on opposite sides of the accusation, viewing their past and past traumas from completely different vantage points, and the two lifelong friends will have to decide if their shared history is enough to sustain their future. Told in alternating timelines, Christine Kandic Torres’s incredible debut explores the unbreakable bonds of friendship, complications of sexual-abuse allegations within communities of color, and the danger of forgetting that sometimes monsters hide in plain sight.
"A dazzling collection of stories based in part on his/her life... Readers will want to consume these bonbons slowly because they are so rich and delicious." – Gay City News "Chilean American writer Ojeda dazzles and devastates in this rich collection about a group of trans Latinx immigrants as they try to make it in New York City." – Publishers Weekly Drawing from his/her own experience as a trans performer, sex worker, and undocumented immigrant, Iván Monalisa Ojeda chronicles the lives of Latinx queer and trans immigrants in New York City. Whether she is struggling with addiction, clashing with law enforcement, or is being subjected to personal violence, each character choses her own path of defiance, often responding to her fate with with irreverent dark humor. What emerges is the portrait of a group of friends who express unquestioning solidarity and love for each other, and of an unfamiliar, glittering and violent, New York City that will draw readers in and swallow them whole. On every page, Iván Monalisa's unique narrative talent is on display as he/she artfully transforms the language of the streets, making it his/her own -- rich with rhythm and debauchery. This bold new collection positions Ojeda as a fresh and necessary voice within the canon of world literature.
A New York Times and Indie Bestseller! Perfect for fans of Sarah J. Maas and Red Queen, this is the first novel in a sweeping YA fantasy-romance duet about a deadly assassin, his mysterious apprentice, and the country they are sworn to protect from #1 NYT bestselling author Melissa de la Cruz. Caledon Holt is the kingdom's deadliest weapon. No one alive can best him in speed, strength, or brains, which is why he's the Hearthstone Guild's most dangerous member. Cal is also the Queen's Assassin, bound to her by magic and unable to leave her service until the task she's set for him is fulfilled. Shadow of the Honey Glade has been training all her life to join the Guild, hoping that one day she'll become an assassin as feared and revered as Cal. But Shadow's mother and aunts expect her to serve the crown as a lady of the Renovian Court. When a surprise attack brings Shadow and Cal together, they're forced to team up as assassin and apprentice. Even though Shadow's life belongs to the court and Cal's belongs to the queen, they cannot deny their attraction to each other. But now, with war on the horizon and true love at risk, Shadow and Cal will uncover a shocking web of lies that will change their paths forever.
From Los Angeles Times Book Prize Award winner and Edgar Award nominee Malla Nunn comes a stunning portrait of a family divided and a powerful story of how friendship saves and heals. When Amandla wakes up on her fifteenth birthday, she knows it's going to be one of her mother's difficult days. Her mother has had another vision. This one involves Amandla wearing a bedsheet loosely stitched as a dress. An outfit, her mother says, is certain to bring Amandla's father back home, as if he were the prince and this was the fairytale ending their family was destined for. But in truth, Amandla's father has long been gone--since before Amandla was born--and even her mother's memory of him is hazy. In fact, many of her mother's memories from before Amandla was born are hazy. It's just one of the many reasons people in Sugar Town give them strange looks--that and the fact her mother is white and Amandla is Black. When Amandla finds a mysterious address in the bottom of her mother's handbag along with a large amount of cash, she decides it's finally time to get answers about her mother's life. What she discovers will change the shape and size of her family forever. But with her best friends at her side, Amandla is ready to take on family secrets and the devil himself. These Sugar Town queens are ready to take over the world to expose the hard truths of their lives.
