Climates: Architecture and the Planetary Imaginary brings together discussions and projects at the intersection of architecture and climate change. Comprehensive essays consider cultural values ascribed to climate and ask how climate influences our conception of what architecture is and does. 0Which materials and conceptual infrastructures render climate legible, knowable and actionable, and what are their spatial implications? How do these interrelated questions offer new vantage points on the architectural rami?cations of climate change at the interfaces between resiliency, sustainability and eco-technology? New approaches to understanding climate in architecture based on research as well as the work of leading practitioners make this forward-thinking book invaluable. 0.
The essays in this volume examine what we talk about when we talk about climate, particularly in relation to architecture and its allied fields. How does climate inflect our understanding of human settlement, global migration, spatial violence, and resource extraction? How does climate figure into our conception of what architecture is and does? What are the material and conceptual infrastructures that render climate legible, knowable, and actionable? How do these questions offer new vantage points on the architectural ramifications of climate change, amplifying our understanding of resiliency, sustainability, and ecotechnology? Investigating climatic territories, imaginaries, and visibility, these essays clarify the exigencies of environment through design.
Climate change is one of the major challenges facing cities in the future. Landscape architecture is particularly in demand here because it offers solutions that are characterized by complexity and interdisciplinarity and contribute to the quality of everyday life. These range from green roofs and facades to urban gardening and the landscaping of large-scale protection works. This volume presents measures and plans of eleven major cities in North and South America, from Vancouver to Rio de Janeiro, to protect their inhabitants and their habitats against future storms, floods, landslides or long periods of heat and drought. Outstanding projects in the featured cities are analyzed in their geographic and climatic context. The author also addresses the social and cultural dimensions of resilience.
This valuable reference for today’s green building movement examines twentieth-century modern architecture, including buildings by Le Corbusier and Oscar Niemeyer, through the lens of sustainability. The hottest topics in contemporary architectural design and architectural history—the focus on sustainability and the evaluation of the modern movement—meet in Lessons from Modernism, a partnership with The Cooper Union that explores the ways in which the straightforward functional approach of modernist design creates environmentally sensitive solutions. Lessons from Modernism provides new insights into 25 buildings by a diverse selection of architects, including Frank Lloyd Wright, Paul Rudolph, Jean Prouvé, and Arne Jacobsen, and demonstrates how these architects integrated environmental concerns into their designs. Buildings are located across the United States, Central and South America, Cuba, Japan and more—and include houses, art centers, commercial buildings, and civic buildings. Lessons from Modernism is an affordable reference work for all interested in how architecture intersects with the green movement, pairing full descriptions of all buildings with analytical essays, featuring charts of climate zones and solar movement, and concluding with a comprehensive chronology that details how environmental consciousness evolved throughout the twentieth century.
Architecture is increasingly understood as a field of practice that is inextricably embedded in ecologies and energy systems, and yet embodied energy-the various forms of energy required to ex- tract raw matter, to produce and transport building materials, and to assemble a given building- remains largely under-explored in its ramifications for both design and environment. As operational energy has declined as a proportion of buildings' total energy consumption, embodied energy has become an essential site for further speculation and innovation. 'Embodied Energy and Design: Making Architecture between Metrics and Narratives' asks questions about the varying scales, methods of analysis, and opportunities through which we might reconsider the making of architecture in the context of global flows of energy and resources. 120 illustrations
How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design.
Where did the term ?amplifying nature? come from? What does it mean that light oscillation, gravity and water circulation are materials of architecture? Where in the history of Polish architecture do we look for planetary design? Can a building be as dynamic as a climate? What has the roof got us used to and can we get unused to it?0The book that accompanies the Amplifying Nature exhibition, presented with the participation of CENTRALA ? Malgorzata Kuciewicz and Simone De Iacobis, with the collaboration of Iza Tarasewicz and Jacek Damiecki at the 16th International Architecture Exhibition ? La Biennale di Venezia, uses examples of local Warsaw projects, proposing a reconfiguration of the narratives on architecture-in-nature and nature-in-architecture. In its optics, a planetary scale is necessary for architectural analysis: the Earth in a geological-astronomical system as a system supporting life as we know it.00Exhibition: Polish Pavilion, 16th Architecture Biennale, Venice, Italy (26.05. - 25.11.2018).
A pioneer of the New Queer Cinema, Todd Haynes (b. 1961) is a leading American independent filmmaker. Whether working with talking dolls in a homemade short (Superstar: The Karen Carpenter Story) or with Oscar-winning performers in an HBO miniseries (Mildred Pierce), Haynes has garnered numerous awards and nominations and an expanding fan base for his provocative and engaging work. In all his films, Haynes works to portray the struggles of characters in conflict with the norms of society. Many of his movies focus on female characters, drawing inspiration from genres such as the woman's film and the disease movie (Far from Heaven and Safe); others explore male characters who transgress sexual and other social conventions (Poison and Velvet Goldmine). The writer-director has drawn on figures such as Karen Carpenter, David Bowie, Iggy Pop, and Bob Dylan in his meditations on American and British music, celebrity, and the meaning of identity. His 2007 movie I'm Not There won a number of awards and was notable for Haynes's decision to cast six different actors (one of whom was a woman) to portray Dylan. Gathering interviews from 1989 through 2012, this collection presents a range of themes, films, and moments in the burgeoning career of Todd Haynes.
Urban microclimates cannot be explained solely on the basis of scientific phenomena, but are also affected materially and spatially by the city’s local architecture. The layout, design, and facade construction of buildings have a major impact on wind and temperature conditions. For this reason, architecture and urban design that have an effect on microclimates must be investigated in their social and cultural contexts. The publication uses international case studies to explain these relationships. The focus is on manifestations of urban microclimates in an architectural and urban design context. The places investigated are located in France, Italy, the USA, New Zealand, the Philippines, Taiwan, and Burkina Faso.
