The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
The bible of music's deceased idols—Jeff Buckley, Sid Vicious, Jimi Hendrix, Tupac, Elvis—this is the ultimate record of all those who arrived, rocked, and checked out over the last 40-odd years of fast cars, private jets, hard drugs, and reckless living. The truths behind thousands of fascinating stories—such as how Buddy Holly only decided to fly so he'd have time to finish his laundry—are coupled with perennial questions, including Which band boasts the most dead members? and Who had the bright idea of changing a light bulb while standing in the shower?, as well as a few tales of lesser-known rock tragedies. Updated to include all the rock deaths since the previous edition—including Ike Turner, Dan Fogelberg, Bo Diddley, Isaac Hayes, Eartha Kitt, Michael Jackson, Clarence Clemons, Amy Winehouse, and many, many more—this new edition has been comprehensively revised throughout. An indispensable reference full of useful and useless information, with hundreds of photos of the good, the bad, and the silly, this collection is guaranteed to rock the world of trivia buffs and diehards alike.
Clem Cattini is the legendary drummer whose career spans over 60 years, beginning in the mid-1950s with Terry Kennedy's Rock and Rollers who played gigs across London, most notably at the 2i's Coffee Bar in Soho, before the band were asked to join up with Terry Dene for a nationwide tour. In 1960 Clem teamed up with Johnny Kidd and The Pirates, resulting in the classic recording of arguably Britain's greatest rock and roll record, Shakin' All Over. Following on from the Johnny Kidd days, Clem became involved with maverick record producer Joe Meek. Needing a band to record demos in his Holloway Road 'studio', in reality the upstairs of a shop, The Tornados were formed, which led to the recording of the worldwide hit Telstar, the first British record to reach the number one spot in the American Billboard charts in 1963. (In the 2008 film of the same name, Clem was played by James Corden.) Tours backing Billy Fury followed, before Clem decided to call a halt to the incessant touring in 1965. When an opportunity arose to play studio sessions, meaning he could still enjoy playing music without the hassles of being constantly out on the road, Clem jumped at the chance. Meeting up and drinking coffee in cafes in Denmark Street with the likes of guitarists Big Jim Sullivan and Jimmy Page, bassist John Paul Jones, and drummers Bobby Graham and Tony Meehan, they were hired to put down the tracks for hundreds of hit records during those crazy days of the 60s and the 70s. Clem's career included a decade as a member of The Top of the Pops Orchestra. He was approached for tours by numerous stars, as well as being headhunted for the band that would become Led Zeppelin, and also for Paul McCartney's Wings, both of whom he decided to politely turn down. During his session days Clem played on recordings for artists as diverse as Cliff Richard, Ike and Tina Turner, Lou Reed, Lulu, Tom Jones, T. Rex and The Who, in the process racking up a mighty 42 No. 1 UK hit singles. Set against the backdrop of cultural and social development of post-war Britain, Through The Eye Of A Tornado is an affectionate look back over an unparalleled career, with Clem and friends recalling the early days of the British rock and roll scene around Soho, the life of a session musician, and revealing the stories behind the some of the best-known music made in the UK over the past 60 years.
Ringo: With a Little Help is the first in-depth biography of Beatles drummer Ringo Starr, who kept the beat for an entire generation and who remains a rock icon over fifty years since the Beatles took the world by storm. With a Little Help traces the entire arc of Ringo's remarkable life and career, from his sickly childhood to his life as The World's Most Famous drummer to his triumphs, addictions, and emotional battles following the breakup of the Beatles as he comes to terms with his legacy. Born in 1940 as Richard Starkey in the Dingle, one of Liverpool's most gritty, rough-and-tumble neighborhoods, he rose from a hardscrabble childhood – marked by serious illnesses, long hospital stays, and little schooling – to emerge, against all odds, as a locally renowned drummer. Taking the stage name Ringo Starr, his big break with the Beatles rocketed him to the pinnacle of worldwide acclaim in a remarkably short time. He was the last member of the Beatles to join the group but also the most vulnerable, and his post-Beatles career was marked by chart-topping successes, a jet-setting life of excess and alcohol abuse, and, ultimately, his rebirth as one of rock's revered elder statesman.
Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop — and more specifically British rock and roll — had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally. May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time.
This new Rough Guide is devoted to pop music, the tacky, catchy yet enduring music we grew up listening to when we should have been listening to something more profound. We celebrate the hits, the singers, the impresarios and the songs which have made up the soundtrack to our lives. So come along pop pickers, put on your blue suede shoes (or your tartan trousers or puffball skirt, it's your call) and take a stroll down Electric Avenue. Not aarf! Features include: bull; The Stars A celebration of those performers, from Robbie Williams to Andy Williams (and Madonna to Mungo Jerry), who have had us singing along or, in the case of Dean Friedman and Kajagoogoo, left us wondering what the world is coming to.
Dubbed the 'man in black', it’s time to look beyond the myth and the rumours of this most charismatic but misunderstood of rock Guitarists. Ritchie Blackmore's early days saw him mixing with colourful characters like Screaming Lord Sutch, Joe Meek and Jerry Lee Lewis. Then he became a defining member of Seventies legends Deep Purple, creating the rock anthems 'Black Night' and 'Smoke On The Water'. Over the years Blackmore's moodiness and eccentric behaviour, his three marriages and his clashes with the law have earned him a reputation as one of rock's most abrasive figures. Yet there are many unexpected sides to this complex man. Black Knight has been written and researched by Jerry Bloom, a fan who first met Ritchie more than twenty years ago and has followed his varied career ever since. The result is a biography rich in detail and full of surprising insights.
Often appearing as a mere onlooker who didn't really want to be there, Charlie Watts - 'the silent Stone' - embraced fame reluctantly. Yet, ironically, if any one of the Stones could have made it big without the rest, it surely would have been Watts, who showed as much early promise as an artist as he did a jazz drummer. Understated and seemingly underwhelmed, Watts provided a stark contrast to the brash Keith Richards and the bohemian Brian Jones, and was, in some ways, an unlikely candidate for the drummer's stool. Forty years later, however, he is regarded by many as the one factor that has kept the band going, bringing vitality to their music as well as artistry to their album covers. Charlie Watts, remarkably the first biography of the drummer, continues Alan Clayson's study of The Rolling Stones with an intriguing insight into the life of the man who has been keeping time for the Stones for over four decades. Alan Clayson is a noted writer and author of many musical biographies, including The Beatles Box biography set.
