Classicism & Romanticism

Classicism & Romanticism

Author: Frederick Antal

Publisher: Taylor & Francis

Published: 2022-11-30

Total Pages: 306

ISBN-13: 1000738825

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First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.


The Cambridge Companion to German Romanticism

The Cambridge Companion to German Romanticism

Author: Nicholas Saul

Publisher: Cambridge University Press

Published: 2009-07-09

Total Pages: 363

ISBN-13: 0521848911

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Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.


Classicism and Romanticism in Italian Literature

Classicism and Romanticism in Italian Literature

Author: Fabio A Camilletti

Publisher: Routledge

Published: 2015-10-06

Total Pages: 224

ISBN-13: 1317321340

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In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.


Classic, Romantic, and Modern

Classic, Romantic, and Modern

Author: Jacques Barzun

Publisher: University of Chicago Press

Published: 1961

Total Pages: 276

ISBN-13: 9780226038520

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Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.


Romanticism

Romanticism

Author: Robert F. Gleckner

Publisher: Wayne State University Press

Published: 1975

Total Pages: 356

ISBN-13: 9780814315439

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Political Romanticism

Political Romanticism

Author: Carl Schmitt

Publisher: Routledge

Published: 2017-07-12

Total Pages: 291

ISBN-13: 135149869X

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A pioneer in legal and political theory, Schmitt traces the prehistory of political romanticism by examining its relationship to revolutionary and reactionary tendencies in modern European history. Both the partisans of the French Revolution and its most embittered enemies were numbered among the romantics. During the movement for German national unity at the beginning of the nineteenth century, both revolutionaries and reactionaries counted themselves as romantics. According to Schmitt, the use of the concept to designate opposed political positions results from the character of political romanticism: its unpredictable quality and lack of commitment to any substantive political position. The romantic person acts in such a way that his imagination can be affected. He acts insofar as he is moved. Thus an action is not a performance or something one does, but rather an affect or a mood, something one feels. The product of an action is not a result that can be evaluated according to moral standards, but rather an emotional experience that can be judged only in aesthetic and emotive terms. These observations lead Schmitt to a profound reflection on the shortcomings of liberal politics. Apart from the liberal rule of law and its institution of an autonomous private sphere, the romantic inner sanctum of purely personal experience could not exist. Without the security of the private realm, the romantic imagination would be subject to unpredictable incursions. Only in a bourgeois world can the individual become both absolutely sovereign and thoroughly privatized: a master builder in the cathedral of his personality. An adequate political order cannot be maintained on such a tolerant individualism, concludes Schmitt.