Classical Myth and Legend in Renaissance Dictionaries
Author: DeWitt Talmage Starnes
Publisher:
Published: 1955
Total Pages: 546
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: DeWitt Talmage Starnes
Publisher:
Published: 1955
Total Pages: 546
ISBN-13:
DOWNLOAD EBOOKAuthor: De Witt Talmage Starnes
Publisher:
Published: 2003-01
Total Pages: 517
ISBN-13: 9780758118868
DOWNLOAD EBOOKAuthor: D. T. T. Starnes
Publisher:
Published: 1973
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: DeWitt Talmage Starnes
Publisher:
Published: 1955
Total Pages: 517
ISBN-13:
DOWNLOAD EBOOKAuthor: De Witt Talmage Starnes
Publisher:
Published: 1955
Total Pages: 517
ISBN-13:
DOWNLOAD EBOOKAuthor: H. David Brumble
Publisher: Routledge
Published: 1998-02
Total Pages: 480
ISBN-13: 1136797386
DOWNLOAD EBOOKWhile numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth and legend. Each entry includes a brief account of the myth, with reference to the Greek and Latin sources. The entry then discusses how Medieval and Renaissance commentators interpreted the myth, and how poets, dramatists, and artists employed the allegory in their art. Each entry includes a bibliography and the volume concludes with appendices and an extensive bibliography of primary and secondary sources.
Author: Patrick Cheney
Publisher: Oxford University Press
Published: 2015-10-29
Total Pages: 803
ISBN-13: 019107778X
DOWNLOAD EBOOKThe Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author: David Hopkins
Publisher: Oxford University Press
Published: 2012
Total Pages: 803
ISBN-13: 0199547556
DOWNLOAD EBOOKThe Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author: Rocco Coronato
Publisher: BRILL
Published: 2022-02-22
Total Pages: 277
ISBN-13: 9004458557
DOWNLOAD EBOOKBen Jonson has often been accused of needless erudition and of a morose refusal to join in the festive spirit. Further aggravation has come from the application of Bakhtin’s theory of carnival, especially in its posthumous form as a political allegory portraying the clash of high and low cultures. In an attempt to turn the tables on this tradition, Jonson Versus Bakhtin goes back to the sources, arguing that Jonson’s theatre allows for an original interpretation of the grotesque as a formal culture of antithesis and opposition that includes carnival. A robust observer of popular myths of festive liberation by way of a uniquely compendious adaptation of his sources, Jonson’s grotesque uncannily delves deep into the Renaissance theory of the coincidence of opposites as a way of envisaging virtue and other concepts of the mind, rather than serving up a pompous application of moral precepts or offering a political arena for ritual transgression. While richly based on an appropriate repertory of underlying sources, Jonson Versus Bakhtin steers away from any tiresome reference hunting mania, appealing to a broader audience interested in re-appraising Ben Jonson’s genius for richly contrastive imagery, as well as re-considering the relevance of Bakhtin’s theory to Elizabethan and Jacobean drama and to the Renaissance culture of the grotesque.
Author: John R. Glenn
Publisher: Routledge
Published: 2019-05-23
Total Pages: 661
ISBN-13: 042968276X
DOWNLOAD EBOOKFirst published in 1987, this is a critical edition of the 1647 text by the Scottish author Alexander Ross which offered the Renaissance reader not only a wealth of factual information concerning the gods, goddesses, heroes and monsters of ancient myth and legend, but also served as a treasury of interpretation and commentary ingeniously explaining the facts in terms moral, theological, historical and scientific.