Classical and Romantic Performing Practice 1750-1900

Classical and Romantic Performing Practice 1750-1900

Author: Clive Brown

Publisher: Oxford University Press

Published: 2004-05-20

Total Pages: 677

ISBN-13: 0195347242

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The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.


Classical and Romantic Music

Classical and Romantic Music

Author: David Milsom

Publisher: Routledge

Published: 2017-07-05

Total Pages: 614

ISBN-13: 1351571745

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This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.


Singing in Style

Singing in Style

Author: Martha Elliott

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 380

ISBN-13: 9780300109320

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Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.


A Portrait of Mendelssohn

A Portrait of Mendelssohn

Author: Clive Brown

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 605

ISBN-13: 0300127863

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Since his death in 1847, Felix Mendelssohn’s music and personality have been both admired and denigrated to extraordinary degrees. In this valuable book Clive Brown weaves together a rich array of documents—letters, diaries, memoirs, reviews, news reports, and more—to present a balanced and fascinating picture of the composer and his work. Rejecting the received view of Mendelssohn as a facile, lightweight musician, Brown demonstrates that he was in fact an innovative and highly cerebral composer who exerted a powerful influence on musical thought into the twentieth century. Brown discusses Mendelssohn’s family background and education; the role of religion and race in his life and reputation; his experiences as practical musician (pianist, organist, string player, conductor) and as teacher and composer; the critical reception of his works; and the vicissitudes of his posthumous reputation. The book also includes a range of hitherto unpublished sketches made by Mendelssohn. The result is an unprecedented portrayal of the man and his achievements as viewed through his own words and those of his contempories.


After the Golden Age

After the Golden Age

Author: Kenneth Hamilton

Publisher: OUP USA

Published: 2008

Total Pages: 321

ISBN-13: 0195178262

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Hamilton dissects the oft invoked myth of a 'Great Tradition', or Golden Age of pianism. He then goes on to discuss the performance style great pianists, from Liszt to Paderewski, and delves into the far from inevitable development of the piano recital.


Performance Practice

Performance Practice

Author: Roland John Jackson

Publisher: Psychology Press

Published: 2005

Total Pages: 552

ISBN-13: 9780415941396

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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.


Playing Beyond the Notes

Playing Beyond the Notes

Author: Deborah Rambo Sinn

Publisher: Oxford University Press, USA

Published: 2013-04-25

Total Pages: 160

ISBN-13: 0199859507

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This book demystifies the complex topic of musical interpretation by boiling it down to basic principles in an accessible writing style. The book targets pianists, piano teachers, and piano pedagogy students and incorporates over 200 musical examples from the intermediate and advanced piano repertoire.


Beethoven, A Life

Beethoven, A Life

Author: Jan Caeyers

Publisher: Univ of California Press

Published: 2022-05-03

Total Pages: 656

ISBN-13: 0520390210

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"With unprecedented access to the archives at the Beethoven House in Bonn, ... Beethoven conductor and scholar Jan Caeyers ... weaves together a deeply human and complex image of Beethoven--his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist"--Publisher marketing.


Vital Performance

Vital Performance

Author: Andrew Snedden

Publisher: Routledge

Published: 2021-03-19

Total Pages: 272

ISBN-13: 1000369188

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Historically Informed Performance, or HIP, has become an influential and exciting development for scholars, musicians, and audiences alike. Yet it has not been unchallenged, with debate over the desirability of its central goals and the accuracy of its results. The author suggests ways out of this impasse in Romantic performance style. In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of HIP. He proposes that many problems are avoided when performance styles are understood as expressions of their cultural era rather than as simply composer intention, explaining not merely how we play, but why we play the way we do, and why the nineteenth century Romantics played very differently. Snedden examines the principal evidence we have for Romantic performance style, especially in translation of score indications and analysis of early recordings, finally focusing on the performance styles of Liszt and Chopin. He concludes with a call for the reanimation of culturally appropriate performance styles in Romantic repertoire. This study will be of great interest to scholars, performers, and students, to anyone wondering about how our performances reflect our culture, and about how the Romantics played their own culturally-embedded music.