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Author: Kirsten Blythe Painter
Publisher: Stanford University Press
Published: 2006
Total Pages: 338
ISBN-13: 9780804750752
DOWNLOAD EBOOKFlint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," an international phenomenon exemplified by Akhmatova, Rilke, H.D., and Williams, and characterized by small poems written with precision, restraint, simplicity, equilibrium, and hardness.
Author: Ekaterina Sukhanova
Publisher: Fairleigh Dickinson Univ Press
Published: 2004
Total Pages: 162
ISBN-13: 9780838640302
DOWNLOAD EBOOKThe unique nature of the treatment of Shakespeare during Russian literary modernism consisted in the Shakespearean text being allowed to become a full-fledged participant in a dialogue between cultures. Shakespeare's works proved to function both as litmus paper bringing out the pivotal characteristics of Russian modernist poetry and simultaneously as a catalyst accelerating literary innovation."--Jacket.
Author: John F. Miller
Publisher: John Wiley & Sons
Published: 2014-09-23
Total Pages: 527
ISBN-13: 1118876121
DOWNLOAD EBOOKA Handbook to the Reception of Ovid presents more than 30 original essays written by leading scholars revealing the rich diversity of critical engagement with Ovid’s poetry that spans the Western tradition from antiquity to the present day. Offers innovative perspectives on Ovid’s poetry and its reception from antiquity to the present day Features contributions from more than 30 leading scholars in the Humanities. Introduces familiar and unfamiliar figures in the history of Ovidian reception. Demonstrates the enduring and transformative power of Ovid’s poetry into modern times.
Author: Philip K. Jason
Publisher:
Published: 2002
Total Pages: 584
ISBN-13:
DOWNLOAD EBOOKComprehensive coverage of the most commonly studied poems written in or translated into English.
Author: Andrew Kahn
Publisher: Oxford University Press
Published: 2020-07-28
Total Pages: 527
ISBN-13: 0192599836
DOWNLOAD EBOOKRightly appreciated as a 'poet's poet', Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is 'as firmly rooted in both an historical and cultural context as real as Joyce's Ulysses or Eliot's Waste Land.' Great lyric poets offer a cross-section of their times, and Mandelstam's poems represent the worlds of politics, history, art, and ideas about intimacy and creativity. The interconnections between these domains and Mandelstam's writings are the subject of this book, showing how engaged the poet was with the history, social movements, political ideology, and aesthetics of his time. The importance of the book also lies in showing how literature, no less than history and philosophy, enables readers to confront the huge upheaval in outlook can demand of us; thinking with poetry is to think through the moral compromise and tension felt by individuals in public and private contexts, and to create out of art experience in itself. The book further innovates by integrating a new, comprehensive discussion of the Voronezh Notebooks, one of the supreme achievements of Russian poetry. This book considers the full political dimension of works that explore the role of the poet as a figure positioned within society but outside the state, caught between an ideal of creative independence and a devotion to the original, ameliorative ideals of the revolution.
Author: Andrew Kahn
Publisher:
Published: 2020
Total Pages: 662
ISBN-13: 0198857934
DOWNLOAD EBOOKA critical study of the Russian poet Osip Mandelstam. It positions him in the literary, ideological, and aesthetic culture of his time as a writer embroiled in the changing literary culture and personal ethics of a new world.
Author: Christian Wiman
Publisher: Ecco
Published: 2012-03-27
Total Pages: 0
ISBN-13: 9780062099426
DOWNLOAD EBOOKA new selection and translation of the work of Osip Mandelstam, perhaps the most important Russian poet of the twentieth century Political nonconformist Osip Mandelstam's opposition to Stalin's totalitarian government made him a target of the communist state. The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work—much of it written under extreme duress—is an extraordinary testament to the enduring power of art in the face of oppression and terror. Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks. Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English—for the first time—something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.
Author: Jacob Edmond
Publisher: Columbia University Press
Published: 2019-07-30
Total Pages: 393
ISBN-13: 0231548672
DOWNLOAD EBOOKThe world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.
Author: Anna M. Lawton
Publisher: New Academia Publishing, LLC
Published: 2005
Total Pages: 376
ISBN-13: 9780974493473
DOWNLOAD EBOOKIn her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.
Author: Marc Redfield
Publisher: Fordham University Press
Published: 2020-12-01
Total Pages: 115
ISBN-13: 0823289087
DOWNLOAD EBOOKWorking from the Bible to contemporary art, Shibboleth surveys the linguistic performances behind the politics of border crossings and the policing of identities. In the Book of Judges, the Gileadites use the word shibboleth to target and kill members of a closely related tribe, the Ephraimites, who cannot pronounce the initial shin phoneme. In modern European languages, shibboleth has come to mean a hard-to-falsify sign that winnows identities and establishes and confirms borders. It has also acquired the ancillary meanings of slogan or cliché. The semantic field of shibboleth thus seems keyed to the waning of the logos in an era of technical reproducibility—to the proliferation of technologies and practices of encryption, decryption, exclusion and inclusion that saturate modern life. The various phenomena we sum up as neoliberalism and globalization are unimaginable in the absence of shibboleth-technologies. In the context of an unending refugee crisis and a general displacement, monitoring and quarantining of populations within a global regime of technics, Paul Celan’s subtle yet fierce reorientation of shibboleth merits scrupulous reading. This book interprets the episode in Judges together with Celan’s poems and Jacques Derrida’s reading of them, as well as passages from William Faulkner’s Absalom, Absalom! and Doris Salcedo’s 2007 installation Shibboleth at the Tate Modern. Redfield pursues the track of shibboleth: a word to which no language can properly lay claim—a word that is both less and more than a word, that signifies both the epitome and the ruin of border control technology, and that thus, despite its violent role in the Biblical story, offers a locus of poetico-political affirmation.
