Classical Hollywood Comedy

Classical Hollywood Comedy

Author: Kristine Brunovska Karnick

Publisher: Other

Published: 1995

Total Pages: 826

ISBN-13: 9780415906395

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Applies the recent return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.


The Great Movie Comedians

The Great Movie Comedians

Author: Leonard Maltin

Publisher: Random House Value Publishing

Published: 1978

Total Pages: 264

ISBN-13:

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Examines the personal lives, careers, and films of Chaplin, Keaton, Laurel & Hardy, the Marx Brothers, Danny Kaye, and other great movie comedians.


The Great Movie Comedians

The Great Movie Comedians

Author: Leonard Maltin

Publisher: CreateSpace

Published: 2015-10-17

Total Pages: 378

ISBN-13: 9781514324943

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THE GREAT MOVIE COMEDIANS: FROM CHARLIE CHAPLIN TO WOODY ALLEN - Revised Edition by Leonard Maltin Leonard Maltin surveys the 20th century's greatest comedy performers to see what made each one unique. Drawing on his own observations as well as interviews with directors who worked with these stars, he presents entertaining profiles of everyone from Charlie Chaplin, the genius who "did it all" to his modern-day counterpart Woody Allen, whose nebbish persona became as identifiable as Chaplin's Little Tramp. Along the way you'll learn about pioneering comedienne Mabel Normand, sexual provocateur Mae West (who wrote her own saucy material), "iron man" Buster Keaton, the madcap Marx Brothers, the relentlessly rowdy Three Stooges, and many, many more. Maltin has revised his chapters (and filmographies) on Bob Hope, Jerry Lewis, and Woody Allen to bring this acclaimed 1978 book up to date. What's more, he's added some rare, new photos to the already-impressive gallery of images. If you love comedy, you'll enjoy this celebratory volume.


The Funny Parts

The Funny Parts

Author: Anthony Balducci

Publisher: McFarland

Published: 2014-01-10

Total Pages: 317

ISBN-13: 078648893X

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Classic comedy routines and individual gags have been around for many hundreds of years, probably thousands; the best of these ribticklers make their merry way through theater, circus, film and television. The challenge to comedians has always been to adapt familiar material in a way that emphasizes their personal style and outlook. The many routines and gags cited in this illustrated history are lovingly deconstructed to show how they have been shaped to suit different eras and performers. These tried and true laugh-provokers are indestructible. Through all the remakes, revivals, recycles and revamps, they have survived robustly to the present day. As these timeless comedy gems are traced to their beginnings and followed through the years, readers are taken on a mirthful journey from Keystone to Zombieland.


Wheeler & Woolsey

Wheeler & Woolsey

Author: Edward Watz

Publisher: McFarland

Published: 2016-12-16

Total Pages: 337

ISBN-13: 1476616841

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During the Depression years, the comedy team of Bert Wheeler and Robert Woolsey were second only to Laurel and Hardy at the box office. Each of their over 20 comedies are analyzed in detail here; full filmographic data, production notes, plot synopses, and critical commentary are provided. The research is supplemented by an interview with Bert Wheeler.


The 100 Greatest Silent Film Comedians

The 100 Greatest Silent Film Comedians

Author: James Roots

Publisher: Rowman & Littlefield

Published: 2014-10-23

Total Pages: 465

ISBN-13: 1442236507

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The silent film era featured some of the most revered names of on-screen comic performance, from Charlie Chaplin and Buster Keaton to Harold Lloyd, Douglas Fairbanks, and Laurel & Hardy. Besides these giants of cinema, however, there are other silent era performers—both leading actors and supporting players—who left an enduring legacy of laughter. In The 100 Greatest Silent Film Comedians, James Roots ranks the greatest performers based on a scorecard that measures each comic’s humor, timelessness, originality, and teamwork. Far more than just a listing, this is an idiosyncratic and entertaining review of the men and women who created the golden age of comedy. As a critic and deaf viewer, Roots brings a truly unique perspective to the evaluation of these performers and their work. He has viewed thousands of silent comedies and offers some assessments that run contrary to the standard list of performers. While many obvious names are placed in the top echelon, the author also champions performers who have been neglected, in part because their work has not been as visible. Each entry includes a filmography a scorecard an evaluation of the artist’s overall work an assessment of representative films DVD availability With the increased availability of films on DVD, as well as Internet access, more and more silent performers are being discovered by film fans. Supplemented by an appendix of comedians who missed the cut, as well as an annotated bibliography, The 100 Greatest Silent Film Comedians will be an invaluable resource to anyone wanting to know more about the brilliant entertainers of the silent era.


Movie Comedians of the 1950s

Movie Comedians of the 1950s

Author: Wes D. Gehring

Publisher: McFarland

Published: 2016-11-03

Total Pages: 210

ISBN-13: 0786499966

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The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.