Class, Identity, and Finding the Right Wine in Schitt’s Creek: A Place To Love analyzes the themes of love, place, and identity. The book argues that Schitt’s Creek’s inclusive ideologies and strongly formed characters encourage a process of self-growth and acceptance as well as the value of community.
Class, Identity, and Finding the Right Wine in Schitt's Creek: A Place To Love analyzes the themes of love, place, and identity. The book argues that Schitt's Creek's inclusive ideologies and strongly formed characters encourage a process of self-growth and acceptance as well as the value of community.
Born roughly between 1964 and 1980, Generation X has received much less critical attention than the two generations that precede and follow it: the Baby Boomers and Millennials. This essay collection examines representations of Generation X in contemporary popular culture, including in television, movies, music, and internet sources. Drawing on generational theory, cultural studies theory, race theory, and feminist theory, the essays in this volume consider the past identities of Generation X, relationships with members of younger generations, modern appropriation of Generation X aesthetics, interactions of Generation X members with family, and the existential values of Generation X.
Social Order and Authority in Disney and Pixar Films contributes to an essential, ongoing conversation about how power dynamics are questioned, reinforced, and disrupted in the stories Disney tells. Whether these films challenge or perpetuate traditional structures (or do both), their considerable influence warrants careful examination. This collection addresses the vast reach of the Disneyverse, contextualizing its films within larger conversations about power relations. The depictions of surveillance, racial segregation, othering, and ableism represent real issues that impact people and their lived experiences. Unfortunately, storytellers often oversimplify or mischaracterize complex matters on screen. To counter this, contributors investigate these unspoken and sometimes unintended meanings. By applying the lenses of various theoretical approaches, including ecofeminism, critiques of exceptionalism, and gender, queer, and disability studies, authors uncover underlying ideologies. These discussions help readers understand how Disney’s output both reflects and impacts contemporary cultural conditions.
2021 Edmund White Award for Debut Fiction — Finalist A modern queer tragedy about a pilot's last words, an interrupted celebration, and the fear of losing everything. “Utterly engrossing. Coen is a hero for our era, darkly struggling amid the aftershocks of loss, but doing so with dignity, humanity, and passion.” — Timothy Taylor, author of The Rule of Stephens When the airplane piloted by Elias Santos crashes one week before their wedding day, Coen Caraway loses the man he loves and the illusion of happiness he has worked so hard to create. The only thing Elias leaves behind is a recording of his final words, and even Coen is baffled by the cryptic message. Numb with grief, he takes refuge on the Mexican island that was meant to host their wedding. But as fragments of the past come to the surface in the aftermath of the tragedy, Coen is forced to question everything he thought he knew about Elias and their life together. Beneath his flawed memory lies the truth about Elias — and himself. From the damp concrete of Vancouver to the spoiled shores of Mexico, After Elias weaves the past with the present to tell a story of doubt, regret, and the fear of losing everything.
Watching television need not be a passive activity or simply for entertainment purposes. Television can be the site of important identity work and moral reflection. Audiences can learn about themselves, what matters to them, and how to relate to others by thinking about the implicit and explicit moral messages in the shows they watch. Better Living through TV: Contemporary TV and Moral Identity Formation analyzes the possibility of identifying and adopting moral values from television shows that aired during the latest Golden Era of television and Peak TV. The diversity of shows and approaches to moral becoming demonstrate how television during these eras took advantage of new technologies to become more film-like in both production quality and content. The increased depth of characterization and explosion of content across streaming and broadcast channels gave viewers a diversity of worlds and moral values to explore. The possibility of finding a moral in the stories told on popular shows such as The Sopranos, Breaking Bad, The Wire, and The Good Place, as well as lesser known shows such as Letterkenny and The Unicorn, are explored in a way that centers television viewing as a site for moral identity formation.
Intersectional Automations explores a range of situations where robotics, biotechnological enhancement, artificial intelligence (AI), and algorithmic culture collide with intersectional social justice issues such as race, class, gender, sexuality, ability, and citizenship. As robots, machine learning applications, and human augmentics are artifacts of human culture, they sometimes carry stereotypes, biases, exclusions, and other forms of privilege into their computational logics, platforms, and/or embodiments. The essays in this multidisciplinary collection consider how questions of equity and social justice impact our understanding of these developments, analyzing not only the artifacts themselves, but also the discourses and practices surrounding them, including societal understandings, design choices, law and policy approaches, and their uses and abuses.
This groundbreaking study examines Muslim female superheroes within a matrix of Islamic theology, feminism, and contemporary political discourse. Through a close reading of texts including Ms. Marvel, Qahera, and The 99, Sophia Rose Arjana argues that these powerful and iconic characters reflect independence and agency, reflecting the diverse lives of Muslim girls and women in the world today.