Claims for Poetry

Claims for Poetry

Author: Donald Hall

Publisher: University of Michigan Press

Published: 1982

Total Pages: 524

ISBN-13: 9780472063086

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A collection of essays by contemporary American poets on the subject of their art


The Hatred of Poetry

The Hatred of Poetry

Author: Ben Lerner

Publisher: Macmillan

Published: 2016-06-07

Total Pages: 97

ISBN-13: 0865478201

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"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--


The Small Claim of Bones

The Small Claim of Bones

Author: Cindy Williams Gutiérrez

Publisher: Bilingual Review Press (AZ)

Published: 2014

Total Pages: 0

ISBN-13: 9781931010870

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Poetry. Latino/Latina Studies. Women's Studies. Latina poet Cindy Williams Gutiérrez describes a mosaic of worlds--Tenochtitlan, New Spain, and the Mexican diaspora--and takes us on a journey that explores her complex multicultural identity. A literary bridge that spans 600 years of history, these poems reflect two pivotal eras in Mexico's past through the voices of real and imagined historical figures that in turn elicit responses from the poet's contemporary voice. Three series of poems include imagined fifteenth-century Nahua songs, irreverent sonnets and décimas in the style of Sor Juana Inés de la Cruz, and the intimate, contemporary voice of Williams Gutiérrez as she pays tribute to all that she holds dear in Mexico's diverse cultural tapestry. Through its distinctive call-and- response approach, this unique collection extends the literary dialogue of the Americas vital to US Hispanic literature, earning the poet a place in the company of the most esteemed Latina feminist writers.


Solving the World's Problems

Solving the World's Problems

Author: Robert Lee Brewer

Publisher:

Published: 2013-09-01

Total Pages: 92

ISBN-13: 9781935708902

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The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something


Poetry as Survival

Poetry as Survival

Author: Gregory Orr

Publisher: University of Georgia Press

Published: 2010-12-01

Total Pages: 248

ISBN-13: 0820340111

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Intended for general readers and for students and scholars of poetry, Poetry as Survival is a complex and lucid analysis of the powerful role poetry can play in confronting, surviving, and transcending pain and suffering. Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences. As a poet who has experienced considerable trauma--especially as a child--Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world.


On Poetry

On Poetry

Author: Glyn Maxwell

Publisher: Harvard University Press

Published: 2016-11-21

Total Pages: 116

ISBN-13: 0674265874

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“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.


Poetry's Touch

Poetry's Touch

Author: William Addison Waters

Publisher: Cornell University Press

Published: 2003

Total Pages: 204

ISBN-13: 9780801441202

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To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say "you" to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder.Looking both at poetry's "you" and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it. Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery.


Poetry Unbound

Poetry Unbound

Author: Mike Chasar

Publisher: Columbia University Press

Published: 2020-04-28

Total Pages: 197

ISBN-13: 0231548087

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It’s become commonplace in contemporary culture for critics to proclaim the death of poetry. Poetry, they say, is no longer relevant to the modern world, mortally wounded by the emergence of new media technologies. In Poetry Unbound, Mike Chasar rebuts claims that poetry has become a marginal art form, exploring how it has played a vibrant and culturally significant role by adapting to and shaping new media technologies in complex, unexpected, and powerful ways. Beginning with the magic lantern and continuing through the dominance of the internet, Chasar follows poetry’s travels off the page into new media formats, including silent film, sound film, and television. Mass and nonprint media have not stolen poetry’s audience, he contends, but have instead given people even more ways to experience poetry. Examining the use of canonical as well as religious and popular verse forms in a variety of genres, Chasar also traces how poetry has helped negotiate and legitimize the cultural status of emergent media. Ranging from Citizen Kane to Leave It to Beaver to best-selling Instapoet Rupi Kaur, this book reveals poetry’s ability to find new audiences and meanings in media forms with which it has often been thought to be incompatible. Illuminating poetry’s surprising multimedia history, Poetry Unbound offers a new paradigm for understanding poetry’s still evolving place in American culture.