Shattering the myth that the Civil War was fought between soldiers in blue or in gray, this history details the many colors and styles worn by members of the Federal and Confederate armies. 108 illustrations.
The text for this edition originally appeared in two separate volumes: American Civil War: Union Army by Robin Smith; and American Civil War: Confederate Army by Ron Field in 1996.
In the world of historical painting, Don Troiani stands alone, universally acclaimed for the accuracy, drama, and sensitivity of his depictions of America's past. His Civil War paintings and limited edition prints hang in the finest collections in the country and are noted by collectors from around the world. Now, in "Don Troiani's Regiments and Uniforms of the Civil War", the artist turns his brush to one of the most colourful and captivating aspects of Civil War history: the individual units that earned their reputations on the battlefield and the distinctive uniforms they wore. In addition to 130 paintings of battle scenes and individual figures, the book also includes more than 250 full-colour photographs of the uniforms the soldiers wore and the accoutrements they carried. Supporting the illustrations is text by two of the leading military artefact experts. Taken together, it makes for one of the most comprehensive books on Civil War uniforms ever undertaken.
Forty-five full-page black-and-white drawings of uniforms from the Union and Conferate armies with descriptions of the authentic colors. All uniforms shown in full color on the covers.
This is a state-by-state analysis of the uniforms issued to Confederate troops in the American Civil War, from manufacture to supply, for South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, Texas, Virginia, Arkansas, Tennessee, North Carolina, Missouri, Kentucky and Maryland.
Military uniforms, badges, flags, and other material objects have been used to represent the identity of Americans throughout history. In The Fabric of Civil War Society, Shae Smith Cox examines the material culture of America’s bloodiest conflict, offering a deeper understanding of the war and its commemoration. Cox’s analysis traces the influence of sewn materials throughout the Civil War and Reconstruction as markers of power and authority for both the Union and the Confederacy. These textiles became cherished objects by the turn of the century, a transition seen in veterans replacing wartime uniforms with new commemorative attire and repatriating Confederate battle flags. Looking specifically at the creation of material culture by various commemoration groups, including the Grand Army of the Republic, the Woman’s Relief Corps, the United Confederate Veterans, and the United Daughters of the Confederacy, Cox reveals the ways that American society largely accepted their messages, furthering the mission of their memory work. Through the lens of material culture, Cox sheds new light on a variety of Civil War topics, including preparation for war, nuances in relationships between Native American and African American soldiers, the roles of women, and the rise of postwar memorial societies.