The Unfinished Exhibition
The Unfinished Exhibition

Author: Susanna Gold

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 211

ISBN-13: 1315453126

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The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era.

Troubled Commemoration
Troubled Commemoration

Author: Robert Cook

Publisher: LSU Press

Published: 2007-06

Total Pages: 317

ISBN-13: 0807137006

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In Troubled Commemoration, Robert J. Cook recounts the planning, organization, and ultimate failure of United States Civil War Centennial and reveals how the broad-based public history extravaganza was derailed by its appearance during the decisive phase of the civil rights movement.

Contesting Commemoration
Contesting Commemoration

Author: Jack D. Noe

Publisher: LSU Press

Published: 2021-10-06

Total Pages: 243

ISBN-13: 0807176168

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In Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South, Jack Noe examines identity and nationalism in the post–Civil War South through the lens of commemorative activity, namely Independence Day celebrations and the Centennial of 1876. Both events presented opportunities for whites, Blacks, northerners, and southerners to reflect on their identity as Americans. The often colorful and engaging discourse surrounding these observances provides a fascinating portrait of this fractured moment in the development of American nationalism.

Causes Won, Lost, and Forgotten
Causes Won, Lost, and Forgotten

Author: Gary W. Gallagher

Publisher: Univ of North Carolina Press

Published: 2008-04-07

Total Pages: 285

ISBN-13: 0807886254

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More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war--why it was fought, what was won, what was lost--not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gary W. Gallagher guides readers through the stories told in recent film and art, showing how these stories have both reflected and influenced the political, social, and racial currents of their times.

The Legacy of the Civil War
The Legacy of the Civil War

Author: Robert Penn Warren

Publisher: U of Nebraska Press

Published: 2015-11

Total Pages: 83

ISBN-13: 0803299273

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In this elegant book, the Pulitzer Prize-winning writer explores the manifold ways in which the Civil War changed the United States forever. He confronts its costs, not only human (six hundred thousand men killed) and economic (beyond reckoning) but social and psychological. He touches on popular misconceptions, including some concerning Abraham Lincoln and the issue of slavery. The war in all its facets "grows in our consciousness," arousing complex emotions and leaving "a gallery of great human images for our contemplation."

Power & Posterity
Power & Posterity

Author: Kimberly Orcutt

Publisher: Penn State University Press

Published: 2017

Total Pages: 0

ISBN-13: 9780271078366

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Explores the art exhibits at the 1876 Centennial Exhibition in Philadelphia, along with the circumstances of their creation, the ideological positions expressed through their installation, and the responses of viewers, including critics, collectors, and the general public.

Last of the Blue and Gray
Last of the Blue and Gray

Author: Richard A. Serrano

Publisher: Smithsonian Institution

Published: 2013-10-08

Total Pages: 231

ISBN-13: 1588343952

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Richard Serrano, Pulitzer Prize-winning journalist for the Los Angeles Times, pens a story of two veterans. In the late 1950s, as America prepared for the Civil War centennial, two very old men lay dying. Albert Woolson, 109 years old, slipped in and out of a coma at a Duluth, Minnesota, hospital, his memories as a Yankee drummer boy slowly dimming. Walter Williams, at 117 blind and deaf and bedridden in his daughter's home in Houston, Texas, no longer could tell of his time as a Confederate forage master. The last of the Blue and the Gray were drifting away; an era was ending. Unknown to the public, centennial officials, and the White House too, one of these men was indeed a veteran of that horrible conflict and one according to the best evidence nothing but a fraud. One was a soldier. The other had been living a great, big lie.