Elizabeth Van Lew, a wealthy socialite and abolitionist, joins forces with Mary Eliza Bowser, the daughter of two of Van Lew's family's freed slaves, to work for the Union cause during the Civil War. This fictional account is based on a true story.
In this historical treasure, now restored to posterity, text and drawings by a Union cartographer record the daily life of Civil war soldiers, the firsthand observation of officers, and the battles he witnessed from Yorkville to Bull Run. 85 full-color illustrations.
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
A comprehensive collection of Civil War maps and battle plans that brought Union and Confederate forces to the largest battle ever fought on American soil. Thousands of books and articles have been written about Gettysburg—but the military operation itself remains one of the most complex and difficult to understand. Here, Bradley M. Gottfried gives readers a unique and thorough study of the campaign that decided the fate of a nation. Enriched with 144 detailed, full-page color maps comprising the entire campaign, The Maps of Gettysburg shows the action as it happened—down to the regimental and battery level, including the marches to and from the battlefield, and virtually every significant event in-between. Paired with each map is a fully detailed text describing the units, personalities, movements, and combat it depicts—including quotes from eyewitnesses—all of which bring the Gettysburg story to life. Perfect for the armchair historian or first-hand visitor to the hallowed ground, “no academic library can afford not to include The Maps of Gettysburg as part of their American Civil War Reference collections” (Midwest Book Review).
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
At Gettysburg is an autobiographical book of a teenage girl, Tillie Pierce, which recounted her experiences during the American Civil War. As a teenager, Tillie Pierce became well acquainted not just with the worries of war, but the horrors of military combat when a key battle of the American Civil War broke out in her hometown. When Tillie Pierce and her friends heard that Union troops were already on the move just after breakfast on the morning of July 1, 1863, they hurried off to watch the clash. In a really simple and easy way, a then 15 year-old, brings her view of the bloodiest battle of the American Civil War.
A remarkable account of the collapse of the Old South and the final years of a young boy’s privileged but afflicted life. LeRoy Wiley Gresham was born in 1847 to an affluent slave-holding family in Macon, Georgia. After a horrific leg injury left him an invalid, the educated, inquisitive, perceptive, and exceptionally witty twelve-year-old began keeping a diary in 1860—just as secession and the Civil War began tearing the country and his world apart. He continued to write even as his health deteriorated until both the war and his life ended in 1865. His unique manuscript of the demise of the Old South is published here for the first time in The War Outside My Window. LeRoy read books, devoured newspapers and magazines, listened to gossip, and discussed and debated important social and military issues with his parents and others. He wrote daily for five years, putting pen to paper with a vim and tongue-in-cheek vigor that impresses even now, more than 150 years later. His practical, philosophical, and occasionally Twain-like hilarious observations cover politics and the secession movement, the long and increasingly destructive Civil War, family pets, a wide variety of hobbies and interests, and what life was like at the center of a socially prominent wealthy family in the important Confederate manufacturing center of Macon. The young scribe often voiced concern about the family’s pair of plantations outside town, and recorded his interactions and relationships with servants as he pondered the fate of human bondage and his family’s declining fortunes. Unbeknownst to LeRoy, he was chronicling his own slow and painful descent toward death in tandem with the demise of the Southern Confederacy. He recorded—often in horrific detail—an increasingly painful and debilitating disease that robbed him of his childhood. The teenager’s declining health is a consistent thread coursing through his fascinating journals. “I feel more discouraged [and] less hopeful about getting well than I ever did before,” he wrote on March 17, 1863. “I am weaker and more helpless than I ever was.” Morphine and a score of other “remedies” did little to ease his suffering. Abscesses developed; nagging coughs and pain consumed him. Alternating between bouts of euphoria and despondency, he often wrote, “Saw off my leg.” The War Outside My Window, edited and annotated by Janet Croon with helpful footnotes and a detailed family biographical chart, captures the spirit and the character of a young privileged white teenager witnessing the demise of his world even as his own body slowly failed him. Just as Anne Frank has come down to us as the adolescent voice of World War II, LeRoy Gresham will now be remembered as the young voice of the Civil War South. Winner, 2018, The Douglas Southall Freeman Award
Although she was one of the leading thinkers and writers of the women’s suffrage movement, Matilda Joslyn Gage (1826–1898) was largely written out of history. After working in collaboration with Elizabeth Cady Stanton and Susan B. Anthony, and after serving as president of the National Woman Suffrage Association, Gage developed increasingly radical views on feminism, religious liberty, and equality under the law. She eventually parted ways with the suffrage movement and founded the more progressive Woman’s National Liberal Union. In Witness to Rebellion, award-winning author Peter Svenson presents and examines Gage's last significant work, a scrapbook that collects newspaper clippings about the Civil War from the 1860s onward. Providing relevant contextual information, Svenson formats the content of the scrapbook to transform this important artifact into a readable work that offers a new and engaging perspective on nineteenth-century American history. Gage’s scrapbook sheds light on her thinking, both as a feminist and a Union patriot, as she lived through the bloodshed and upheaval of the war years and their aftermath. Witness to Rebellion is a valuable resource not only for scholars of history, women’s studies, and material culture, but also for general readers with interest in women’s suffrage and the Civil War.
This set was written by distinguished men of the South, producing a work which truly portrays the times and issues of the Confederacy. It was edited by Gen. Clement A. Evans of Georgia. Two volumes--the first and the last--comprise such subjects as the justification of the Southern States in seceding from the Union and the honorable conduct of the war by the Confederate States government; the history of the actions and concessions of the South in the formation of the Union. There are also individual volumes for each state: Maryland, West Virginia, Virginia, North Carolina, South Carolina, Georgia, Tennessee, Alabama, Mississippi, Kentucky Missouri, Louisiana, Arkansas, Texas & Florida. An additional volume covers the Confederate Navy.