From one of the most highly regarded writers of Arabic literature, Trench is the second volume in the epic quintet Cities of Salt. Tracing the economic history of the Arabic world, Munif picks up where Vol. I left off, with the effects of the discovery of oil reserves in the region beginning to show their true colors. Following The Doctor as he is invited by the Sultan of Harran, the character watches as the royalty succumbs to corruption and greed, and in turn, the political and natural destruction of his homeland. Praise for Trench “Munif’s wonderful novel is a welcome corrective. . . . [It] deepens, enriches and above all humanizes whatever sense of Arab culture we may have.”—The New York Times Book Review “[T]his sly, patient dissection of a sultanate grown too rich for its own survival makes it clear why the author lost his own Saudi citizenship.”—Kirkus Reviews
Winner of the Dayton Literary Peace Prize and the Arab American Book Award A Best Book of the Year: NPR • NYLON • Kirkus • Bustle • BookPage "What does home mean when you no longer have a house—or a homeland? This beautiful novel traces one Palestinian family's struggle with that question and how it can haunt generations. . . . This is an example of how fiction is often the best filter for the real world around us." — NPR Lyrical and heartbreaking, Salt Houses follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can’t go home again. On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967. Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home and their land, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities. Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand.
Full of Machiavellian intrigue and searing political satire, Variations on Night and Day, the final volume of Munif's landmark Cities of Salt trilogy, chronicles the creation of a Persian Gulf nation by a corrupt Arab monarch and conniving British empire builders.
From the award-winning and bestselling author of Cod comes the dramatic, human story of a simple substance, an element almost as vital as water, that has created fortunes, provoked revolutions, directed economies and enlivened our recipes. Salt is common, easy to obtain and inexpensive. It is the stuff of kitchens and cooking. Yet trade routes were established, alliances built and empires secured – all for something that filled the oceans, bubbled up from springs, formed crusts in lake beds, and thickly veined a large part of the Earth’s rock fairly close to the surface. From pre-history until just a century ago – when the mysteries of salt were revealed by modern chemistry and geology – no one knew that salt was virtually everywhere. Accordingly, it was one of the most sought-after commodities in human history. Even today, salt is a major industry. Canada, Kurlansky tells us, is the world’s sixth largest salt producer, with salt works in Ontario playing a major role in satisfying the Americans’ insatiable demand. As he did in his highly acclaimed Cod, Mark Kurlansky once again illuminates the big picture by focusing on one seemingly modest detail. In the process, the world is revealed as never before.
In this richly detailed memoir, the award-winning Arab novelist of political repression and exile describes his childhood in Amman at the beginning of the 1940s when it was little more than a village.
Historical materialism as Marx understood this was always an integrated conception or field of research, not one divided into separate disciplines. The essays gathered in this volume are a remarkable example of how this works across a wide range of subjects as diverse as agrarian history, capitalism, Hegel’s influence on Marx, and class struggles in India. They were written over some fifty years of both activism and academic work, embodying Banaji’s lifelong engagement with Marxist theory. His recent papers on merchant capitalism can also be found here, along with a biographical sketch that sets all of his work in context.
This book explores the formative correlations and inventive transmissions of Anglophone Arab representations ranging from early 20th century Mahjar writings to contemporary transnational Palestinian resistance art. Tracing multiple beginnings and seminal intertexts, the comparative study of dissonant truth-making presents critical readings in which the notion of cross-cultural translation gets displaced and strategic unreliability, representational opacity, or matters of act advance to essential qualities of the discussed works' aesthetic devices and ethical concerns. Questioning conventional interpretive approaches, Markus Schmitz shows what Anglophone Arab studies are and what they can become from a radically decentered relational point of view. Among the writers and artists discussed are such diverse figures as Rabih Alameddine, William Blatty, Kahlil Gibran, Ihab Hassan, Jabra Ibrahim Jabra, Emily Jacir, Walid Raad, Ameen Rihani, Edward Said, Larissa Sansour, and Raja Shehadeh.